Die Aufnahme bestätigt die Regel. Analyse als Interpretation (Response) by Julian Caskel

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Kann Musiktheorie ›historisch‹ sein? by Jan Philipp Sprick

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Die Entstehung der Entstehung by Thomas Christensen

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TEXTURALISM by Andrei C. COZMA

“… Although identifying and defining texture as a specific sound organization in sound mass compositions comes about frequently in contemporary musicology, only a handful of researchers regard this as a tendency of what turns out to be a large number of composers towards an aesthetic with underlying principles of composition. …”
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Critique Interdisciplinary an the Book Anthropology of Music The by Mohammad Ali Merati

“…The process of this critique will have comparisons in the methods and ideas of comparative musicology that have been revived in the last decade or two with international music associations. …”
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Chord Types and Figuration: A Bayesian Learning Model of Extended Chord Profiles by Christoph Finkensiep, Petter Ericson, Sebasian Klassmann, Martin Rohrmeier

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Corrigendum to “Multimedia Archives: New Digital Filters to Correct Equalization Errors on Digitized Audio Tapes” by Niccolò Pretto, Edoardo Micheloni, Anthony Chmiel, Nadir Dalla Pozza, Dario Marinello, Emery Schubert, Sergio Canazza

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Taste and Historical Awareness in the Music Collection of Leonardo Grimani (c.1778–1832) by Emina Smailbegović

“… This paper intends to reflect on the phenomenon of music collecting starting with the collection of Leonardo Grimani, today kept at the Institute of Musicology at the University of Vienna, assembled at the turn of the century and partly related to the repertoire of the Istituto Filarmonico Veneto (1810–22) of which this collector was the founder and patron. …”
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Phenomenographies: describing the plurality of atmospheric worlds by Federico De Matteis, Mikkel Bille, Tonino Griffero, Andrea Jelić

“…Diverse scholarly fields such as anthropology and architecture, musicology and art criticism now include the notion of atmospheric space in their methodological toolkits. …”
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About the Crusaders School, its Domicile and their main Artefact by Duňa SLAVÍKOVÁ

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Bourdonnements des insectes et musique de David : image sonore de l’Éthiopie chez le père franciscain Remedius Prutký (1752) by Anne Damon-Guillot

“…Nonetheless, his description of Ethiopian musical practices, especially in religious contexts, are of great interest for historical musicology.…”
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“… because there is nothing symbolic in the described phenomenon”. Asafyev’s Intonation Theory in the Early Soviet Union – Analytical Insights, Intellectual Contexts, and Semiotic... by Patrick Becker-Naydenov

“…Thus, cleansed from its political (self-)instrumentalization in the Stalinist period and interpreted against the normative background of nineteenth-century Russian music, Asafyev’s work appears as a combination of discourses in musicology and psychology, as well as music and literary theory. …”
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“JANKO”, THE “FOLK OPERA” LISZT NEVER WROTE by Mónika IVÁNYI-PAPP

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The Aspects of Defamiliarization in the “With Eyes” by Ahmad Shamlo by Farideh Afarin, Mahbobeh Zare, Masomeh Shakori Sani

“…Nilly willy  every impressive poets will apply the device like paying attention to the musicology of words and semantic syntax, chronological replacement and archaic usage of words in normative language. …”
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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

“… The year 2011 was very rich and creative for the musicologist Constanta Cristescu. Three volumes of musicology creations were published under her signature. …”
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The Concepts and Contextualization of Incantations in Nigerian Popular Music: Juju Music as Paradigm by Kayode Olusola

“…Data is collected through primary and secondary sources, and this paper relies on culture change and role theories in musicology as a fulcrum for discourse. The findings revealed that the incantation used in Juju music contains texts requesting spiritual protection, a defensive attack against the enemy, as well as for fame and financial success. …”
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ELEMENTAL MUSIC-MAKING AS A HEALTH SAVING PHENOMENON IN THE SYSTEM OF GENERAL EDUCATION by N. V. Golubeva

“…The traditional musical education focused mainly on musicology leads to artificial intellectualization, and leaves no room for chil-dren's imagination, intuition, creativity, joyful feelings and activities.The author discusses the specificity of the music teaching concept, developed by Carl Orff and his followers, and based on the complex understanding of human nature, history, living conditions, and corresponding with genetic laws. …”
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Educare all’opera: un’esperienza di museo inclusivo presso il Teatro di San Carlo by Dinko Fabris

“…We have thus been able to experiment with the role of musicology in such a specific reality. During the Covid-19 pandemic, I immediately thought that the museum should be a laboratory where we could study how to transmit a long and complex musical history to the younger generations in a way that was accessible and inclusive for all disabilities: we created panels with transcriptions in Braille, audio guides, accessible itineraries and tactile workshops. …”
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Teaching Electronic Music: Cultural, Creative, and Analytical Perspectives, a cura di Blake Stevens; Giovanni Mori, Live Coding? What Does it Mean? An Ethnographical Survey on an I... by Leo Izzo

“…Stevens’ approach in organising and introducing the miscellany aims to overcome the traditional separation between musicology education and the teaching of composition. …”
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The Good, The Bad and The Legacy of Kwaito by Madimabe G. Mapaya, Thulani G. Zulu

“…It emphasises kwaito‘s impact on South African culture and music, contributing substantially to the discourse of African musicology.…”
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