Zum aktuellen Stand der professionellen Musikausbildung in Russland by Irina Susidko, Pavel Lucker

Subjects: “…education for musicians and musicologists…”
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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

“… Zoltán Gárdonyi is an ecclesiastical musician, musicologist, composer and professor, an outstanding personality of the 20th century European music. …”
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GHIDUL IUBITORILOR DE FOLCLOR (THE GUIDE OF THE FOLKLORE LOVERS), 1/2011, PUBLISHING BY ED. LIDANA, SUCEAVA (ISSN: 2284-5593) by Gabriela COCA

“…This project was initiated by the head of the department - Călin Brăteanu, and the achiever musicologist dr., artistic consultant Constanţa Cristescu. …”
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« LE PAYSAGE SONORE » DE MURRAY R. SCHAFER by Luana STAN

“…In a world where background music (muzak) invades all public places, Canadian musicologist and composer Murray Schafer does an analysis of all types of sounds (natural, artificial, from the old days until today) in his book The Tuning of the World and advances a proposal to create sound museums. …”
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ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU by Constanţa CRISTESCU

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EDITORIAL EXPLOSION by Gabriela COCA

“… In the last ten years, we experienced a real editorial explosion offered by the composer, the professor, the musicologist and the plastic artist, which is Eduard Terényi. …”
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DÉBATS SUR LA « ROUMANITÉ » MUSICALE by Luana STAN

“…Firstly, in the 1920’s, an important musicological movement marked the appearance of the periodical Muzica of Bucharest; the two main personalities of the Romanian music, musicologist Constantin Brailoiu and composer Georges Enesco, wrote a lot of essays to defend this «romanity». …”
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Les enjeux de la traduction dans la réception de Haendel en Grande-Bretagne entre 1945 et 1970 by Pierre Degott

“…The foundation of the Handel Opera Society (1955) by the conductor Charles Farncombe and the musicologist Edward Dent, soon followed by the creation Alan Kitching’s Unicorn Opera Group at Abingdon, gave birth to more than 40 productions of Handel operas, more often than not performed in the English language. …”
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ELENA MARIA ŞORBAN – BOOK QUARTET: 1. THE HISTORY OF MUSIC AND US: CREATIVE PERMANENCIES, 2. THE OLD MUSIC. A CONCISE HISTORY, 3. CLASSICAL AND ROMANTIC MUSIC, 4. THE NEW MUSIC Eik... by Anamaria Mădălina HOTORAN

“…Şorban’s classes and of admiring the qualities of a complex and rigorous musicologist. …”
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CONSTANŢA CRISTESCU: CONTRIBUTIONS TO THE VALORIFICATION OF THE MUSICAL TRADITION OF BANAT AND TRANSYLVANIA, MUSICAL PUBLISHING HOUSE, BUCHAREST, 2011 by Gabriela COCA

“… The year 2011 was very rich and creative for the musicologist Constanta Cristescu. Three volumes of musicology creations were published under her signature. …”
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Readymade–Human: Principles of Artistic and Theoretical Work of Robert Cyprich by Ján KRALOVIČ

“…In the early stages of his work, he had an intense collaboration with musicologist and conceptual artist Milan Adamčiak. The first part of the text clarifies some of their joint activities as well as their publishing initiatives (the magazine Experiment). …”
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Intervallsatz und Geschichte by Folker Froebe

“…Dahlhaus’s hermeneutic ‘double motion’ strongly influenced subsequent generations of musicologists and fundamentally transformed German music theory. …”
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Die frühe Schenker-Rezeption Hellmut Federhofers by Thomas Wozonig

“…. // The present essay examines the early reception of Heinrich Schenker by the Austrian musicologist Hellmut Federhofer (1911–2014). The biographical and historical contexts of Federhofer’s early publications on Schenker as well as their biographical and historical circumstances, have not yet been scrutinized. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“…These papers are all included, in this presented volume, with other two studies: Ciprian Porumbescu – Friends and his Collaborators of Braşov (author: the regretted musicologist professor Constantin Catrina from the Transylvania University of Braşov) and The Aspects of the Musical Language and of its Architecture in Compositions by Ciprian Porumbescu (author: Ozana Kalmuski-Zarea – from the “Mihail Jora” Philharmonic of Bacău). …”
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Johann Sebastian Bach in the Eyes of Johann Mattheson: On the Cantata ‘Ich hatte viel Bekümmernis’, BWV 21 by Katarzyna Korpanty

“… This article addresses the appraisal of Johann Sebastian Bach’s music by Johann Mattheson, specifically the commentary on the cantata Ich hatte viel Bekummernis, BWV 21 which that Hamburg-based theorist included in a 1725 issue of his periodical Critica musica. Musicologists disagree as to the interpretation of Mattheson’s words. …”
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How and Where Did Students Learn Music in the Late Middle Ages and Renaissance? by Grantley McDonald

“… Musicologists have traditionally focused on mature musicians working in musical centres such as courts and cathedrals. …”
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Die Entstehung der Entstehung by Thomas Christensen

“…Today, the context of Dahlhaus’s monumental book may not be clear to all readers, as it engages in dialogue (sometimes explicitly, often implicitly) with a number of other (mainly German) musicologists who were writing during the two decades immediately preceding its publication about questions related to the origins of harmonic tonality. …”
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Perception of Dora Pejačević in Croatian Public Printed Media from 1905 to 1945 by Stanislav Tuksar

“…Pejačević at a level higher than usual newspaper reports, as creators of perception and not as mere chroniclers of reception, and because of the reputation they enjoyed among the public in their time as critics, composers and musicologists. These writings show a considerable diversity in the approach and evaluations of both individual works and the entire musical habitus of D. …”
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Mutual Interests of Literary Criticism and Musical Criticism in the Field of Written Works A Case Study: "Music of Poetry" and "The Association of Poetry and Music" by Hamid Askari Rabori

“…The findings of this article indicate that the term music in "Music of Poetry" is contrary to its definition by musicologists. They also represent that the study of written compiled works of “poetry and vocal music association” can considerably help to develop and extend new prosodical perspectives in the field of literary criticism. …”
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Zwischen Traditionalismus und Modernisierung: Musikausbildung in Russland by Irina Susidko, Pavel Lutsker

“…This position remains firmly established in the training of all musical specialities: pianists, orchestral musicians, musicologists, ethnomusicologists, musicians on folk instruments and even pop musicians. …”
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