L2 stress discrimination by non-musicians and musicians playing wind or percussion instruments by Sandra Schwab, Orianne Pythoud

“… The present study explores the influence of music expertise on French-speaking listeners' ability to process L2 Spanish stress. Musicians playing wind or percussion instruments and non-musicians completed an Odd-One-Out task, where they heard three Spanish words presented in babble noise and were asked to detect the word with a different stress pattern. …”
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Instrumental practice and body discomfort: study with musicians of violin and viola by Clarissa Stefani Teixeira, Rubian Diego Andrade, Fausto Kothe, Érico Pereira Gomes Felden

Subjects: “…body posture. musicians. instrumental practice. discomfort. pain.…”
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Musician’s dystonia: a perspective on the strongest evidence towards new prevention and mitigation treatments by Joy Grifoni, Joy Grifoni, Valeria Crispiatico, Anna Castagna, Rosa Maria Converti, Marina Ramella, Angelo Quartarone, Teresa L’Abbate, Teresa L’Abbate, Karolina Armonaite, Karolina Armonaite, Luca Paulon, Luca Paulon, Francescaroberta Panuccio, Franca Tecchio

“…This perspective article addresses the critical and up-to-date problem of task-specific musician’s dystonia (MD) from both theoretical and practical perspectives. …”
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Wellbeing for young elite musicians: development of a health protocol from a student perspective by Ann Shoebridge, Margaret S. Osborne, Margaret S. Osborne

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Musical Pitch Perception and Categorization in Listeners with No Musical Training Experience: Insights from Mandarin-Speaking Non-Musicians by Jie Liang, Fen Zhang, Wenshu Liu, Zilong Li, Keke Yu, Yi Ding, Ruiming Wang

“…While most previous studies on musical pitch have focused on musicians, our understanding of musical pitch perception in non-musicians is still limited. …”
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A preliminary investigation into self-compassion and compassion-based intervention for mental health in the performing arts by Courtney C. Walton, James N. Kirby, Sabrina McKenzie, Sabrina McKenzie, Caroline X. Gao, Caroline X. Gao, Rosemary Purcell, Rosemary Purcell, Simon M. Rice, Simon M. Rice, Margaret S. Osborne, Margaret S. Osborne

Subjects: “…musicians…”
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Hofmusici a lokajové. K postavení hudebníka na šlechtickém dvoře v Čechách první poloviny 18. století by Václav Kapsa

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THE ORGANIZATION OF STUDENTS' SELF-STUDY IN PIANO CLASS FOR VARIABLE PROFESSIONAL ACTIVITIES by Veronika S. Korina

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Towards Transformation of the Nigerian Youths: The Place of Yoruba Popular Music by Kayode Olusola

Subjects: “…Positive transformation, Youths, Popular music, Juju, Fuji, Apala, Sakara, and Pop musicians.…”
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Un chœur d’anges pour l’Assomption de la Vierge : étude du décor de la chapelle basse de la collégiale de Saint-Bonnet-le-Château offert par Anne Dauphine by Yuko Katsutani

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Early harmonies, enduring echoes—how early life experiences and personality traits shape music performance anxiety by Ludivine Aubry, Ludivine Aubry, Mats B. Küssner

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VARIATIVITY PRINCIPLE IN MUSICAL TRAINING AT THE UNIVERSITIES OF MUSIC PROFILE by Veronika S. Korina

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MODULAR APPROACH TO THE MUSIC-PEDAGOGIC TRAINING by Anna P. Mansurova

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Turnês de Guerrilha: as estratégias de empreendedorismo musical nos circuitos do rock no exterior by Luiza Bittencourt

“…In this context, we seek to discuss the concept of “independent musician” and introduce the notion of “entrepreneurial musician”. …”
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António e as Variações identitárias da cultura portuguesa contemporânea by Paula Guerra

“…This article is focused on the preliminary analysis of a set of music lyrics by António Variações [Anthony Variations] (1983a, 1983b, 1984), which we consider representative of the multiple and plural identities that mark Portuguese cultural contemporaneity from the 1980s on. Approaching this musician has a double meaning: the way in which he represents the words of Fernando Pessoa when he pointed the importance of being “plural like the universe”; as well as the way in which each social actor can represent different social identities (to be at once Portuguese, a barber, catholic, from Braga, a musician and a variety artist). …”
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ZOLTÁN GÁRDONYI SERVING ECCLESIASTICAL MUSIC by Éva PÉTER

“… Zoltán Gárdonyi is an ecclesiastical musician, musicologist, composer and professor, an outstanding personality of the 20th century European music. …”
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Las músicas amerindias del Chaco argentino entre la hibridación y la exotización by Silvia Citro, Soledad Torres Agüero

“…Starting from the musical piece Qom Llalec (« Son of the Qom ») of Toba or Qom musician Romualdo Diarte (Formosa, Argentina), which became the first CD of indigenous music produced by the Culture Department of this province, we discuss the impact of recent cultural policies in the music of these peoples. …”
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Berthe de Rayssac, muse et artiste sans œuvre by Sarah Hassid

“…An illustrator, musician and storyteller, Berthe de Rayssac (1846–1892) dabbled in various fields of creativity without really blossoming in any, nor beyond the confines of the salon that she hosted in the 1870s and 1880s. …”
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ESSENTIAL PRINCIPLES OF VIOLIN INTERPRETATION by Cătălina GUŢANU

“…During the performance of a musical piece, any musician – regardless of whether he/she is a pianist, violinist or vocal singer, uses a full and profound sound that beautifies the interpretation and gives it more musicality, more feeling, warmth and spirituality. …”
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