STRUCTURAL METAPHOR OF LOVE IN ENGLISH SONGS IN THE LATE 20TH CENTURY FROM STYLISTIC AND COGNITIVE PERSPECTIVES by Nguyen Thi Hong Thu

“… Metaphor is a powerful linguistic device for musicians to write love songs. Through love songs, metaphor is understood and studied more interestingly and effectively. …”
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“Key to the highway”: blues records and the great migration by Louis Mazzari

“…The paper will explore blues music as an expression of the fluidity of African American society and culture during the Great Depression.While avoiding direct protest, blues singers and musicians—first women, later men—crafted an art form and employed the technology of the phonograph to encourage freedom of movement and choice. …”
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Penser la force politique des voix trans et féministes en musique by Liz Escalle-Dyachenko

“…This listening enables the making and embodiment of common practices, not only for the musicians and artists, but also for their public.…”
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Topsy Turvy de Mike Leigh : l’envers du décor ou la norme mise à mal by Isabelle Cases

“…This film, which is rather unusual in his work, depicts a particular moment in the career of the famous musicians Gilbert and Sullivan, namely the writing and staging of one of their comic operas, The Mikado. …”
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L’INFLUENCE DE L’ART POPULAIRE SUR L’ART SAVANT: RÉFÉRENCES ESTHÉTIQUES AUX CRÉATIONS ROUMAINES DANS LA PREMIÈRE MOITIÉ DU XXᵉ SIÈCLE by Liliana-Isabela APOSTU HAIDER

“…Besides, this work proposes a new approach of the interaction between both domains seemingly set, by referring to the violonistique interpretation. The popular musicians of Rumania influenced the thought of both composers, who likened not only popular elements of the language and the directory, but also techniques of instrumental play. …”
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VIABILITY OF DIDACTIC PRINCIPLES IN CONTEMPORARY PIANO EDUCATION by Stela DRĂGULIN

“… Our paper aims at developing a system of ideas meant to bring about excellence in the performing act, both from the perspective of the performing soloist, and in the light of the educator and trainer of young musicians, endowed with higher professional skills. …”
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Quantitative Analysis of Comprehensive Influence of Music Network Based on Logistic Regression and Bidirectional Clustering by Yi-Kun Zhao, Guo-Qing Wang, Xiao-Xiao Zhan, Peng-Hui Yang

“…Secondly, the multiobjective logistic regression is used to construct the music similarity measurement model and, combined with music influence and music similarity, to judge whether the influence of different musicians is the actual influence. Thirdly, the influence and similarity of the same music genre and different music genres are analyzed by using the two-way cluster analysis method. …”
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THE YIJING AND THE CRISIS OF WESTERN TRADITION by Ernest Ženko

“…Jung, and even to 20th century physicists, artists or musicians, this ancient text had always something relevant to say. …”
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The Harmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment by Marcella Mandanici, Antonio Rodà, Sergio Canazza

“…Thorough assessment tests with musicians and nonmusicians high school students could prove the high communicative power and efficiency of the Harmonic Walk application both in improving musical knowledge and in accomplishing complex musical tasks.…”
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NATURAL DESTRUCTION FROM HEAVY METAL PERSPECTIVE: ECOCRITICAL READING OF BURGERKILL’S SELECTED SONG LYRICS by Yohanes Mahatmo Suryo Widiasmoro

“…Thus, this study tries to scrutinize how musicians represent their concerns on ecological damage. …”
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The Artistic Links of Dora Pejačević and Svetislav Stančić Viewed Through the Stančić Legacy in the Library of the Academy of Music in Zagreb by Vilena Vrbanić

“…The aim of this paper is to shed light on the previously unknown artistic links between Dora Pejačević and Svetislav Stančić, respectable Croatian musicians and contemporaries, through the prism of his legacy in the Library of the Academy of Music in Zagreb. …”
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The Good, The Bad and The Legacy of Kwaito by Madimabe G. Mapaya, Thulani G. Zulu

“…Data collection also included interviews with key South African music industry figures such as former record executives and musicians. While scholars examine kwaito from various disciplinary perspectives, key figures in the kwaito community feel their contributions are still under-represented. …”
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The Mismatch Negativity: An Indicator of Perception of Regularities in Music by Xide Yu, Tao Liu, Dingguo Gao

“…In this vein, we firstly reviewed the evolution of MMN from sound to music and then mainly compared the differences of MMN features between musicians and nonmusicians, followed by the discussion of the potential roles of the training effect and the natural exposure in MMN. …”
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Zur produktionsbezogenen Perspektive bei der Analyse von Popmusik by Roland Huschner

“…It is there that songs or tracks, in the course of negotiations between producers, technicians and musicians, achieve that ›competitiveness‹ and form which are supposed to make them musically and metamusically ›accessible‹, features which are not easy to grasp musicologically. …”
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The role of Chinese folk ritual music in biodiversity conservation: an ethnobiological perspective from the Lingnan region by Yibo Liu, Yingjie Song

“…Methods We employed literature review, qualitative fieldwork, and ethnographic analysis, including interviews with local musicians and community members, to investigate how Cantonese Opera and agricultural rituals contribute to ecological sustainability by integrating cultural narratives with environmental stewardship. …”
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Playing in Tongues: The Hammond Organ and Black Pentecostal Instrumentality by Braxton D. Shelley

“…Yet this gospel organ technique shows how each nine-drawbar set provides the coordinates for its own distinct timbral space, enabling musicians to map these spaces onto corresponding paths of musical, spiritual, and physical intensification. …”
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Voix de revenants dans les Pièces pour danseurs de W.B. Yeats. L’exemple de Ce que rêvent les os by Pierre Longuenesse

“…This type of spectral projection is furthermore intensified by the fact that the “theatrical representation” is only conveyed to us through the eyes – or possibly dreams – of a group of musicians, without any stage direction, which might situate this visual and aural universe in a given system of reference. …”
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“Le Tétraque se perdait dans un rêve”: Concordance between Flaubert’s Hérodias and Hérodiade by Milliet, Grémont and Massenet by Clair Rowden

“…Attention is focussed on the “Dance of the Seven Veils”, recreated by innumerable dancers and musicians, particularly in the wake of Oscar Wilde’s Salomé (1893), but whom inevitably returned to Flaubert’s description of the dance as a naturalist source of inspiration which Wilde’s symbolist text was lacking. …”
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›Lead Sheet‹-Notation vom Vaudeville bis zum iReal Pro. Zur Geschichte der Notationsformen des Jazz und ihren musiktheoretischen Implikationen by Philipp Teriete

“…The lead sheet has been one of the most important forms of musical notation in the twentieth and twenty-first centuries. Jazz musicians are expected to sight-read and to improvise on standards and original compositions written in this musical shorthand. …”
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Cortical Auditory Disorders: A Case of Non-Verbal Disturbances Assessed with Event-Related Brain Potentials by Sönke Johannes, Michael E. Jöbges, Reinhard Dengler, Thomas F. Münte

“…In the non-verbal domain, sound agnosia and amusia have been reported but are frequently accompanied by language deficits whereas pure deficits are rare. Absolute pitch and musicians’ musical abilities have been associated with left hemispheric functions. …”
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