COMPOSITION: INSPIRATION OR TECHNIQUE? (A CRITIQUE ON THE MUSICAL COMPOSITION SYSTEMS) by Vangelis KARAFILLIDIS

Subjects: “…music composition…”
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An IoT-enhanced automatic music composition system integrating audio-visual learning with transformer and SketchVAE by Yifei Zhang

Subjects: “…Automatic music composition…”
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De musica latine scribenda: How to approach a Latin text as a composer without summoning a demon in the process (2022) by Juan Carlos Aliaga del Bosque

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The use of authentic songs in teaching Russian as a foreign language on A1-A2 level by Natalia A. Gridneva, Svetlana M. Vladimirova

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Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950 by Walter Zidaric

“…Eliot’s play to music as Assassinio nella Cattedrale in the second half of the 1950’s, Pizzetti was already of a respectable age and had nothing left to prove in musical composition and drama. He shared with Eliot a passion for Dante’s poetry, but Bishop Bell’s commission for Eliot’s play in 1934 coincided with the poet’s accepting a new social role as a consequence of his conversion to Anglicanism. …”
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WORKING WITH VISUALLY-IMPAIRED PERFORMERS IN PIANO CLASS by Julia P. Antonova, Vitaliy V. Kalitskiy

“…The authors distinguish three main stages, which reveal the specifics of visually impaired pianist training: a stage of familiarization with a musical composition, working on the composition, and stage rehearsals and performances on the concert stage. …”
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John Ruskin, William Morris and Walter Pater: From Nature to Musical Harmony in the Decorative Arts by Martine Lambert-Charbonnier

“…Pater’s celebration of music in The Renaissance as the ideal towards which all arts aspire, fostered the idea of interior design as a musical composition enhancing pure perception for the aesthetic mind. …”
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The Hypertextual Process of Rewriting a Plurimedial Work: Joan Fuster and Vicent Garcés’ Ballet Marinada by Xavier Hernàndez i Garcia

“…Although this project will never come to fruition, it will lay the foundations of a friendship that will crystallise in Fuster’s only literary collaboration on a musical composition: the symphonic ballet Marinada, which was written in the late 1940s, during a stay of Garcés’ in Paris and premiered in València in 1957. …”
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Evolution of sample-based music authorship network by Dongju Park, Juyong Park

“…The selection, manipulation, and adoption of samples heavily impact the genre, mood, texture, and finally the distinctive identity of a new musical composition. One could call the samples “cultural genes” of sorts, continually incorporated into new music to contribute to its characteristics. …”
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The Gesangleiter in Joseph Riepel’s Baßschlüssel (1786) – First Part by Stefan Eckert

“…Joseph Riepel’s Anfangsgründe zur musikalischen Setzkunst (Fundamentals of Musical Composition) is an important source for our understanding of eighteenth-century compositional theory and pedagogy. …”
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Piloting creative engagement strategies to explore themes of parenthood with fathers by Iryna Culpin, Iryna Culpin, Catherine Lamont-Robinson, Mark Billington, Matthew James, James Prewett, Gareth Ward, Mireia Bes Garcia, Giovanni Biglino, Giovanni Biglino

“…Two further shorter sessions followed as fathers' key messages emerged, and the final forms of their own creative expressions crystallised.ResultsThe final pieces included a musical composition around sharing vulnerability as a new father, a word cloud to represent gendered language of parenthood, an animated graphic image representing the bond between father and child, a combination of short poetic stanzas highlighting assumptions around fatherhood, an experiential photographic record of a father and a son in the early years, and a cartoon strip around emotional intelligence in parenting.DiscussionArts-based participatory engagement enabled to capture deep-rooted experiences of being a father in modern society, illuminating common cultural and intergenerational perspectives, while also tapping into unique individual experiences. …”
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Музыка в романе Евгения Водолазкина Брисбен by Tatiana Kopac

“…The main emotional codes (or affects) find expression in the selection of musical compositions that assert the dramatic direction of the narrative. …”
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Deep gradient reinforcement learning for music improvisation in cloud computing framework by Fadwa Alrowais, Munya A. Arasi, Saud S. Alotaibi, Mohammed Alonazi, Radwa Marzouk, Ahmed S. Salama

“…The difficulty of writing dynamic, flexible musical compositions in real time is discussed in this article. …”
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Exploratory study to examine the neuroendocrinological changes in typically developing adults during a music-related participatory practice using computer software by Yosuke Sugiyama, Sanae Tanaka, Sanae Tanaka, Aiko Komagome, Teruko Yuhi, Kazumi Furuhara, Haruhiro Higashida, Takahiro Tsuji, Takahiro Tsuji, Mitsuru Kikuchi, Mitsuru Kikuchi, Mitsuru Kikuchi, Chiharu Tsuji, Chiharu Tsuji

“…In this exploratory study, we focused on a creative activity related to music composition using digital tools. The emergence of computer software to create music (CSCM) has lowered the barriers to musical technical skills and theory, making music composition more accessible. …”
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Gender disparities in music education and music-making amongst the Swedish adult population by Sam de Boise

“… This article explores the extent of gender disparities in: (a) formal non-compulsory music education (FNCME), (b) instrument uptake, choice and continuation, and (c) music composition and production within the Swedish adult population. …”
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A SUCCINCT VIEW ON ART MUSIC IN THE UNITED STATES OF AMERICA DURING THE 1980s by Tudor FERARU

“…A few of the most important directions in music composition are presented and placed in the broader context of the late 20th-century musical phenomenon. …”
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Popular Song Composition Based on Deep Learning and Neural Network by Jun Kuang, Tingfeng Yang

“…However, automatic composition can improve this problem, allowing more ordinary people to participate in the composition, especially popular music composition, so the music becomes more entertaining, and its randomness can also inspire professionals. …”
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Kama-taguste udmurtide kevadise suure päeva (bõddzh’õnal) kombetalituse laulufolkloor by Irina Pchelovodova, Nikolai Anisimov

“…The identified anhemitonic tonal systems suggest similarities between the calendar musical compositions of Eastern Udmurts and the musical tradition of Southern and Western Udmurts. …”
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NICOLAS ASTRINIDIS (1921-2010): COMPOSITIONAL LANGUAGES IN HIS « ‘ DEUX PIÈCES EN STYLE GREC’ » FOR VIOLIN AND PIANO by Vangelis KARAFILLIDIS

“…These pieces illustrate an inventive synthesization of Western music compositional techniques and aesthetic approaches with the Greek folk music timbre. …”
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Music Signal Recognition Based on the Mathematical and Physical Equation Inversion Method by Wei Jiang, Dong Sun

“…The paper studies the music signal feature recognition technology based on the mathematical equation inversion method, which is aimed at designing a method that can help music learners in music learning and music composition. The paper firstly studies the modeling of music signal and its analysis and processing algorithm, combining the four elements of music sound, analyzing and extracting the characteristic parameters of notes, and establishing the mathematical model of single note signal and music score signal. …”
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