Musical Pitch Perception and Categorization in Listeners with No Musical Training Experience: Insights from Mandarin-Speaking Non-Musicians by Jie Liang, Fen Zhang, Wenshu Liu, Zilong Li, Keke Yu, Yi Ding, Ruiming Wang

Subjects: “…musical pitch…”
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LA COMPRÉHENSION DE LA RELATION TEXTE – MUSIQUE DANS LADY MACBETH DU DISTRICT DE MTSENSK DE DMITRI CHOSTAKOVITCH by Valentina TOMA

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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt by Kilian Sprau

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Salienz, Narrativität und die Rolle musikalischer Parameter bei der Analyse musikalischer Spannung von post-tonaler Orchestermusik by Gerhard Lock

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THE PERFECTING OF THE ROMANIZATION PROCESS AND ITS INFLUENCE ON THE MUSICAL LIFE IN THE REPUBLIC OF MOLDOVA by Stela GUŢANU

Subjects: “…Byzantine music…”
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Realistyczny musical? Allen – Resnais – von Trier by Rafał Koschany

Subjects: “…musical…”
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De l’apport du folk music revival au renouveau de l’accordéon diatonique en France et en Italie by Raffaele Pinelli

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FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

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Consumos culturales urbanos: el caso de la tecnocumbia en Quito by Alfredo Santillán, Jacques Ramírez

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Movimiento y danza en Educación Secundaria. ¿Un fraude curricular o un currículo fraudulento? by María LÓPEZ RÍOS, Gregorio VICENTE NICOLÁS

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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El desarrollo de la identidad profesional del profesorado: el caso del especialista de música by José Luis Aróstegui Plaza

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El compositor Gerardo Guevara en el nacionalismo musical ecuatoriano. Un análisis de la obra Fiesta para piano by Jorge Campos Serrano

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La construcción social y cultural de la música. Comentarios al Dossier de Íconos 18 by Hernán Ibarra

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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

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La presente ausencia de una generación by Leandro Delgado

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Lenguaje de programación para la composición automática de música by Erick G.G. de Paz, Perfecto Malaquías Quintero Flores, Xavier Quiñones Solís

Subjects: “…Composición musical automática…”
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ENSEMBLES MUSICAUX REPRÉSENTATIFS DE LA PHILHARMONIE « TRANSILVANIA » DE CLUJ-NAPOCA. LES QUATORS À CORDES PENDANT LES ANNÉES 1955 – 1989 by Simona-Mihaela SPIRIDON

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The impact of musical expertise and directional isotropy on the proportions and magnitudes of pitch-shift responses in glissandos by Li-Hsin Ning

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Ironía y parodia en la obra musical de Juan Antonio Rosado Rodríguez by Rolando A. Vilasuso-Montero

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