La suite La folía argentina. Un encuentro entre el legado hispano y la música folklórica argentina by Antonio Nicolás Tolaba, Leonardo Giamminola

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Caractéristiques rythmiques du chant de l'indri et nouvelles perspectives pour une évaluation comparative du rythme chez les primates non humains by Marco Gamba, Valeria Torti, Chiara De Gregorio, Teresa Raimondi, Longondraza Miaretsoa, Filippo Carugati, Walter Cristiano, Rose M. Randrianarison, Giovanna Bonadonna, Anna Zanoli, Olivier Friard, Daria Valente, Andrea Ravignani, Cristina Giacoma

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THE MUSICAL SCORE: FROM PAPER TO THE ELECTRONIC MEDIUM by Ciprian Gabriel POP

Subjects: “…musical score…”
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Musical Pitch Perception and Categorization in Listeners with No Musical Training Experience: Insights from Mandarin-Speaking Non-Musicians by Jie Liang, Fen Zhang, Wenshu Liu, Zilong Li, Keke Yu, Yi Ding, Ruiming Wang

Subjects: “…musical pitch…”
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LA COMPRÉHENSION DE LA RELATION TEXTE – MUSIQUE DANS LADY MACBETH DU DISTRICT DE MTSENSK DE DMITRI CHOSTAKOVITCH by Valentina TOMA

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Breit über mein Haupt dein schwarzes Haar. Vier auktoriale Versionen von Richard Strauss’ Schack-Vertonung op. 19/2, betrachtet unter performativem Aspekt by Kilian Sprau

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Salienz, Narrativität und die Rolle musikalischer Parameter bei der Analyse musikalischer Spannung von post-tonaler Orchestermusik by Gerhard Lock

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THE PERFECTING OF THE ROMANIZATION PROCESS AND ITS INFLUENCE ON THE MUSICAL LIFE IN THE REPUBLIC OF MOLDOVA by Stela GUŢANU

Subjects: “…Byzantine music…”
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Realistyczny musical? Allen – Resnais – von Trier by Rafał Koschany

Subjects: “…musical…”
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FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

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Consumos culturales urbanos: el caso de la tecnocumbia en Quito by Alfredo Santillán, Jacques Ramírez

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Movimiento y danza en Educación Secundaria. ¿Un fraude curricular o un currículo fraudulento? by María LÓPEZ RÍOS, Gregorio VICENTE NICOLÁS

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“PASSACAGLIA” IN THE OPERA OF THE 20ᵗʰ CENTURY. THE INTERLUDE NO.4 FROM THE OPERA “PETER GRIMES” BY BENJAMIN BRITTEN by Gabriela COCA

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El desarrollo de la identidad profesional del profesorado: el caso del especialista de música by José Luis Aróstegui Plaza

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El compositor Gerardo Guevara en el nacionalismo musical ecuatoriano. Un análisis de la obra Fiesta para piano by Jorge Campos Serrano

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La construcción social y cultural de la música. Comentarios al Dossier de Íconos 18 by Hernán Ibarra

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The evolution of historical forms of chinese theater and integration of visual arts by HAN LIN

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Lenguaje de programación para la composición automática de música by Erick G.G. de Paz, Perfecto Malaquías Quintero Flores, Xavier Quiñones Solís

Subjects: “…Composición musical automática…”
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ENSEMBLES MUSICAUX REPRÉSENTATIFS DE LA PHILHARMONIE « TRANSILVANIA » DE CLUJ-NAPOCA. LES QUATORS À CORDES PENDANT LES ANNÉES 1955 – 1989 by Simona-Mihaela SPIRIDON

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The impact of musical expertise and directional isotropy on the proportions and magnitudes of pitch-shift responses in glissandos by Li-Hsin Ning

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