« C’est ça le futur des soirées ? » Les musiques électroniques de danse à l’épreuve du livestream et de la COVID-19 by Frédéric Trottier-Pistien

Subjects: “…music industry…”
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Internationalization Strategies in Music Festivals by Amélia Maria Pinto da Cunha Brandão, Rodrigo Ferreira de Oliveira

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Les clusters culturels sous le paradigme créatif : des espaces de ruptures pour l’économie culturelle locale by Bruno Lefèvre

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Ce que le livestream fait au live by Romain Bigay

“…The first consequence of the digital transition in the music industry is to bring about a crisis in the physical media market which has not yet finished delivering all its implications. …”
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Exploring the well-being of professional female musicians: a self-determination theory perspective by Laurence Perrier, Laurence Latreille-Gagné, Florence Khoriaty, Maude Fortin, Arielle Bonneville-Roussy

“…Other themes that emerged from the interviews are intrinsic motivation and the gender specific challenges within the music industry.ConclusionThe study highlights the need for supportive environments to enhance the well-being of female musicians (and performers as a whole), addressing both their psychological needs and the specific gender-related challenges they face.…”
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An analysis of artificial intelligence automation in digital music streaming platforms for improving consumer subscription responses: a review by Nontokozo Mokoena, Ibidun Christiana Obagbuwa

“…This article reviews the role of AI in driving consumer subscription behaviors on digital music streaming platforms (DMSP), with a focus on recommendation algorithms, dynamic pricing models, marketing automation, and the future of AI in the music industry. Potential challenges related to privacy, ethics, and algorithmic biases are also discussed, showcasing how AI is revolutionizing the music streaming industry.…”
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The Good, The Bad and The Legacy of Kwaito by Madimabe G. Mapaya, Thulani G. Zulu

“…Data collection also included interviews with key South African music industry figures such as former record executives and musicians. …”
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Does Frankie Go to Hollywood? From American influence to articulatory phonetics: the singing pronunciation of 1980s pop artists by Coline Caillol, Emmanuel Ferragne

“…Traditional sociocultural arguments pertaining to the influence of the American music industry and American-born music genres are presented, supported by some of the artists’ own viewpoints collected interviews freely available online. …”
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Rock Music and The Political Scripting of Vietnam War: Reading Dispatches by Michael Herr by Lalit Kumar

“…The Vietnam War significantly influenced music production across genres, including the adoption of rock music by South Vietnamese bands, as observed by David James. The music industry played a pivotal role in reinforcing anti-war sentiments in the United States, exemplified by songs such as Buffy Sainte-Marie’s “Universal Soldier” and Phil Ochs’ “Vietnam Talking Blues.” …”
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Exploring the melodies of opportunity: do nepo babies pursue music out of genuine passion or is it a matter of engaging in musicpreneurship? by Eugine Tafadzwa Maziriri, Brain Mabuyana, Brighton Nyagadza, Mufaro Dzingirai, Tafadzwa C. Maramura

“…Purpose – In recent years, a number of privileged individuals have entered the music industry in Zimbabwe, either as performers or entrepreneurs. …”
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A new probabilistic model with properties and Monte Carlo simulation: Its explorations in dance education and music engineering by Hualong Zhong, Yuanjun Xue, Tmader Alballa, Wafa F. Alfwzan, Somayah Abdualziz Alhabeeb, Hamiden Abd El-Wahed Khalifa

“…A thorough simulation study is also conducted to examine the performances of these point estimators. Within the music industry, specifically in music education and music engineering, we examine the practical implications of the new generalized Rayleigh distribution. …”
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Subjective Evaluation of Music Compressed with the ACER Codec Compared to AAC, MP3, and Uncompressed PCM by Stuart Cunningham, Iain McGregor

“…Audio data compression has revolutionised the way in which the music industry and musicians sell and distribute their products. …”
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En live sur Pitchfork : les performances multiples de la forme audiovisuelle by Maxim Bonin

“…Based on a documentary analysis of audiovisual productions posted online on Pitchfork and the content that promotes it, this article explores how the use of live music allows the webzine to legitimize its role as a creative component within the music industries. How have the molding forces of digital platforms, such as YouTube, transformed the webzine’s practices and the possibilities for creating and broadcasting live audiovisual productions? …”
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