New Musical Writing Processes for Cinema by Roberto Calabretto, Luca Cossettini, Donald Greig

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MICA TIGANIADA OU L’AVENTURE DU FOLK-ROCK ROUMAIN PENDANT LA PÉRIODE COMMUNISTE by Luana STAN

“… Mica Tiganiada is a Romanian folk-rock music composed by Phoenix in 1972, during the communist era, when rock music was forbidden. …”
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Film music and construction of tourist imaginaries in Hollywood blockbusters by Marie-Hélène Chevrier, Chloé Huvet

“…This paper aims to show how the music composed for these movies contributes to the creation of topoi by promoting exoticism and orientalism, notably through the use of local instruments and musical motifs and through the representation, on screen, of traditional musical and artistic practices (singing, dancing, etc.). …”
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Burger Time ou les Tentations de saint Antoine, or Not Wanting to Say Anything About Mauro Lanza, Gustave Flaubert and Peter Pepper by Andrea Valle

“…The article discusses Burger Time ou les Tentations de Saint Antoine, a 12-minute work of electronic music composed by Mauro Lanza. In particular, it proposes a three-layer interpretative methodology, focusing respectively on audible perception, on signal analysis and finally on a semiotic framework. …”
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Au son d’un savoir impossible : Bouvard et Pécuchet à la télévision, avec la musique de Michel Portal by Dario Cecchi

“…This adaptation was realized by Jean-Daniel Verhaeghe in 1989, being based on Jean-Claude Carrière’s script and with the music composed by Michel Portal. This music is the principal object of this article. …”
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La Tentation de Saint-Antoine au Chat Noir : un exemple de collaboration multidisciplinaire by Michela Niccolai

“…The music plays a central role because, in the absence of a text, it must be narrated, so that known tunes, drawn from operas, operettas and café-concert, often used with a parodic sense, alternate with original music composed by Tinchant and Fragerolle. La Tentation de Saint-Antoine is the first true shadow show at the Chat Noir, opening a multidisciplinary collaboration that occurs during the play’s genesis and also during the performance on stage.…”
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EVALUATION OF AN INDUCTIVE STRATEGY OF TEACHING MUSIC AND PROGRAMMING TO PRIMARY SCHOOL STUDENTS by Marius Bănuț, Ion Albulescu

“…The context of the development of certain transferable computational thinking skills supported learning objectives in the sphere of programming and music composing, and the good results of the students show a concrete performance, and this performance, if considered in proportion to the effort put in, which was a play, a play of music making, i.e. a low effort, can be translated into a good performance and this can be attributed to the inductive teaching strategy. …”
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