L’Opéra-Comique, 1945-1970 : de nouveaux opéras et leurs livrets ou de l’audace exogène by Frank Langlois

“…Palais Garnier, had become a bastion of musical conservatism. Meanwhile, the Opéra-Comique, the “other” Paris opera house, a.k.a. …”
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Pomiędzy queerową subwersją a „middle-class mainstreaming”. O twórczości drag queen Mony Lizak by Magdalena Stoch

“…This article is a critical reflection on the stage and musical work of drag queen Mona Lizak. The author asks about the form (stage style) and content (ideological message) of the artist’s con­ceptual and speculative works and its connections with the tradition of queer performance. …”
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Voss, du roman de Patrick White au livret de David Malouf : simple adaptation ou transformation de l’imaginaire national ? by Anne Le Guellec-Minel

“…When the opera was premiered in 1986, the libretto was praised both by the critics and the public for its success in making use of the dramatic potential of the novel and, beyond that, in bringing out the musical possibilities of a style which had often been described as difficult and obscure. …”
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Solmisationssysteme in El cantor instruido von Manuel Cavaza. Ein Fallbeispiel zur Methodenvielfalt im 18. Jahrhundert by Luis Ramos

“…According to this source, a well-informed singing teacher at that time had to be a musical polyglot.…”
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La música fílmica de John Williams como transmisora de la esperanza ligada a la tierra by Andrés Valverde Amador

“…Partiendo de una metodología que se nutre, principalmente, del análisis musical y fílmico, junto a aportaciones de la filosofía, la estética, la psicología y la semiótica, se mostrarán los mecanismos generadores de esperanza en la música creada por Williams. …”
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I. PRAYERS OF FEMALE PROTAGONISTS IN GIUSEPPE VERDI’S OPERAS FENENA’S PRAYER: OH, DISCHIUSO È IL FIRMAMENTO by Adél FEKETE

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Costanzo Festa’s (?) motet ‘O altitudo divitiarum’ re-examined: new suggestions regarding its source context, attribution and function by Wojciech Odoj

“…Joseph Llorens attributed them to Costanzo Festa (c. 1490–1545) in his catalogue of the musical manuscripts of the Sistine Chapel and both are included in Festa’s Opera omnia. …”
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The Fundamenta compositionis Jean Kuhnaus 1703. Edition, Translation, and Commentary by Frederik Kranemann, Derek Remeš

“…Therefore the ultimate value of the Fundamenta is not its originality, but rather its explication of topics such as consonance and dissonance, modes, clausulae, cadences, invertible counterpoint, and fugue in a highly condensed, practical manner with numerous musical examples. The Fundamenta is thus an excellent resource for historically informed analysis and composition at the turn of the eighteenth century, before thoroughbass accompaniment displaced vocal polyphony as the dominant pedagogical paradigm in compositional instruction. …”
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Introducción: Educación lingüística de adultos en contextos de migración by Denise Paola Holguín Vaca

“…A través de seis contribuciones, se reflexiona sobre aspectos clave como la alfabetización afectiva, las aproximaciones docentes a la interculturalidad, la colaboración interinstitucional e intersectorial, las ideologías lingüísticas en contextos no formales, la aptitud musical para el desarrollo de habilidades lectoras, y el potencial de herramientas como la guía de referencia LASLLIAM para avanzar hacia políticas inclusivas para el estudiantado no alfabetizado. …”
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Critique of Forough Farrokhzad's “Let’s Believe in the Beginning of the Cold Season” with the Interpretive Semiotic Approach of Umberto Eco by Shirzad Tayefi, Niloofar Bakhtiari

“…In the Eco’s semiotics system, all the components of the text, such as metonymy, metaphor, symbol, figures of speech, musicality, etc., are examined in an all-round textual and contextual interpretation and are measured using the axes derived from the four Aristotelian causes to provide a scientific and standard interpretation, from the point of view of the reader of the model. …”
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“Thank you, God-pleasing ones”: the ministry of church singers of the Perm diocese in the second half of the 1960s — early 1980s by Sapsay Andrey, Archpriest

“…It was found that the leadership of the Perm diocese made special efforts to improve liturgical singing in the churches. Singers with musical education were invited to replace amateur singers in the church choirs, and parish expenses for choirs were regularly increased. …”
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Conceptions of Integral Education in contemporary Brazilian context by Priscila Caroline Miguel, Aline de Novaes Conceição, Adriana Alonso Pereira

“…It was found that, in contemporary times, the conceptions of Integral Education involve the following elements: intellectual/cognitive, physical/motor, affective, ethical, social, symbolic, cultural, musical, scientific, environmental, moral, artistic, emotional, philosophical, biological, political, recreational/playful, technological, and creative.…”
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Analysis of Defects in the Poetic Eloquence Children by Ramin Moharami, Khodabakhsh Asadollahi, Shokrallah Pouralkhas, payam foroghirad

“…However, poets are considered not to disregard linguistic elements at the expense of acquiring musical elements. In this connection, rhetoric, and then poetics must be ranked in the first place. …”
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Instrumental practice and body discomfort: study with musicians of violin and viola by Clarissa Stefani Teixeira, Rubian Diego Andrade, Fausto Kothe, Érico Pereira Gomes Felden

“…The postures adopted in the execu- tion of musical routines were identified by means of movies and the identification of pain and/or discomfort by Corlett and Bishop (1976) questionnaire. …”
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Identidad boyacense: cultura popular, floklor y carranga (1960-1980) by Olga Yanet Acuña Rodríguez, Ruth Nayibe Cárdenas Soler, Julio Aldemar Gómez Castañeda

“…Desde la folclorogía se promovió la formación musical centro europea y como expresión popular se consolida la música carranguera, con la cual se populariza la vida cotidiana de los campesinos.…”
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Application of Perceptual Filtering Models to Noisy Speech Signals Enhancement by Novlene Zoghlami, Zied Lachiri

“…The importance of an accurate noise estimate is related to the reduction of the musical noise artifacts in the processed speech that appears after classic subtractive process. …”
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Expressões retóricas do amor no Cancioneiro Geral de Garcia de Resende by Geraldo Augusto Fernandes

“…The resources used by poets would be, through the revaluation of poetry, harmony and musicality, through which the most diverse contents of human inquiry were expressed, which reveals the ancient concerns that medieval poets emulated. …”
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Le touriste malgré lui : John Edgar Wideman et la Martinique by Michel Feith

“…Moreover, in a striking mirroring of center and periphery, natives and French people from the Métropole envy each other, in a game of musical chairs that is also a fantasy of freedom. …”
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Mujeres, música y liderazgo by Sandra Soler Campo

“…El camino a seguir (además de recuperar nuestro pasado histórico y premiar la trayectoria de todas las mujeres artistas olvidadas) es aquél que haga posible alcanzar el principio de igualdad sexo-genérica y que, por lo tanto, además de ofrecer un mayor número de oportunidades, pueda, a la vez, abordar el problema social y cultural con el objetivo de no volver a repetir la misma situación tan desfavorecedora para el género femenino.Durante varios siglos la práctica de la enseñanza musical se ha ido convirtiendo en una práctica fundamentalmente femenina, no obstante, los líderes en este sector son los hombres. …”
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ABOUT THE PREREQUISITE SITUATION IN THE CASE OF THE OFFENSE OF MISAPPROPRIATION OF A WORK by Ciprian Raul ROMIȚAN

“…The act of appropriating a work or part of a work can be done in various ways, such as: publishing works under one's own name, as if it were made by the author, signing an intellectual creation, as co-author, in the literary, scientific, musical, artistic or fine art field without having any contribution to its creation, etc. …”
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