Klangfarbe und musikalischer Zusammenhang. Beobachtungen zum Orchestersatz Richard Wagners by Johannes Kohlmann

“…With reference to the idea of sound dramaturgy conceived by Tobias Janz, three short examples from Tristan und Isolde are analysed in order to show how Wagner’s concept of musical coherence comprises the technique of instrumentation. …”
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Olivers Twisted: Urban Milieu from Text to Media by Mario Martino

“…, by Carol Reed, and the Walt Disney cartoon Oliver & Company, both of which are musicals. Both films underscore a crucial interest in the urban milieu and enthusiastically explore it, stressing an optimistic culmination in happy ending. …”
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Ronnie Von: de ídolo da juventude a artista psicodélico (1966-1970) by Marcelo Garson, Herom Vargas

“…Utilizandose de materiais de época – reportagens, entrevistas, canções, capas de disco e fotografias – e sua biografia, a análise busca reconstruir esse percurso peculiar no cenário musical da segunda metade dos anos 1960, em suas oportunidades, constrangimentos e convenções, a fim de compreender o campo de possibilidades, escolhas e impasses que moldaram esse período na carreira singular de Ronnie Von.…”
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LE MASQUE COMIQUE DE L’OPÉRA DANS L’ITALIE DU XVIIIe SIÈCLE by Diana TODEA

“…Opera performances are characterized in the seventeenth century by heterogeneity which brings together in the musical-drama perspective, both tragic and comic situations. …”
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Book Review on "Alsho'ara al-Mohadathoon by sayyed reza mirahmadi

“…He has also compiled an excellent list of modernists and looked at different aspects of their poetry including the new language of poetry, novelty, structure, imagery, musicality, and intention. The voice of the author is clearly heard in this work through which he discusses different views and confirms or disconfirms them with acceptable evidence, and wherever possible expresses his own independent views on modernism…”
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Être dansé by Lydia Zeghmar

“…In Turkey’s Aegean hinterland, the musical and choreographic repertoire of the zeybek celebrates the heroism of maquis rebels of the Ottoman period, the efe. …”
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Immigration, différence et intégration dans The Consul et The Saint of Bleecker Street de Gian Carlo Menotti by Walter Zidaric

“…Composer, librettist and stage director Gian Carlo Menotti has changed the American musical theatre by accepting to face burning questions related to his times, but which are at the same time universal. …”
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The Inevitability of Absurdity, or Collective Trance in Boogie-woogie Rhythm: Tom Stoppard’s Play Rosencrantz and Guildenstern are Dead on the Stage of the Old Theatre of Vilnius by Natalia Maliutina

“…The action is organized in the form of separate numbers-scenes, often almost unrelated to each other: dialogues of characters referring to Shakespeare’s Hamlet, to Samuel Beckett’s absurdist drama Waiting for Godot, vocal and dance scenes, musical fragments, acrobatic tricks, performative methods of playing with requisites. …”
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Aradıınız kişi (şu anda) ulaşılamıyor! The Turkish vowel system, (the so-called) 'Yumuşak g' (ğ), and Turkish phonology: On a missed opportunity by Nicolas Royer-Artuso

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Participación deportiva, capacidad espacial motriz y autoeficacia percibida en jóvenes con altas capacidades intelectuales by Celia Marcen, Francisco David López Centeno, Amador J. Lara Sánchez, Alberto Quílez Robres

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El canto de Alicia Maguiña Málaga en “El veneno” de 1976: Un análisis de su estilo e interpretación vocal by Josué Daniel Salvio Aldana

“… El aporte que se presenta en este artículo es la realización de un análisis musical del estilo y la interpretación vocal de Alicia Maguiña Málaga en el triste con fuga de tondero “El Veneno”, pieza recopilada por la misma intérprete en Piura en 1968, y grabada su primera versión en 1976, para Odeón–IEMPSA en el LP Te adoro tierra mía (ELD 02.01.538), con el acompañamiento de la guitarra de Carlos Hayre. …”
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Mercado da cultura popular e economia urbana: o brega recifense by Cristiano Nunes Alves

“…A metropolis marked by an intense cultural juxtaposition associated with an acute territorial inequality, Recife stands out as a vigorous shelter for brega musical production. Armed with a bibliographical and documentary survey on the subject; and through the gathering of primary information, based on technical visits and semi-structured interviews, we operate the notion of circuit, searching through the playfulness, a detail of the territory in its compass with the market and the political economy of the city. …”
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Wilde’s French Salomé by Emily Eells

“…He uses the French language as if it were a system of signs divorced from their semantic meaning, creating as pure a musical notation as verbal language can allow. A study of the manuscript versions of his play reveals his limited knowledge of French, though this paper interprets the mistakes as key to his poetic achievement. …”
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Le Paris d’Hemingway : une question de style by Clara Mallier

“…The author’s idiosyncratic syntax tends to blur the semantic frontiers between juxtaposed words, and his use of repetition enhances the musicality of sentences, which constitutes the city as an object of experience rather than of mere significance. …”
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SPELLBOUND BY SOUNDTRACKS. AN INTERVIEW WITH FILM SCORE COMPOSER AARON FAZAKAS by Adél FEKETE

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HYMNS OF REPENTANCE IN THE WORSHIP PRACTICE OF THE REFORMED CHURCH OF TRANSYLVANIA by Éva PÉTER

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Jarring Voices: Preserving and Releasing Memory in Suzan-Lori Parks’ Pickling (1988) by Marie Pecorari

“…The playlet Pickling, presented by its author as an irresolvable equation between “spending time/saving time”, features a single character post-poning the beginning of her own performance, surrounded by jars containing memories and used as musical instruments to resurrect lost voices. Parks builds the work around a series of contradictions: refusing to perform still amounts to performing, albeit a different production, preserving pickled parts implies a physical transformation, then casting doubts as to the quality and legitimacy of the artifact compared to the original, etc. …”
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Finding a rhythm within by Jan-Albert van den Berg

“…In this regard, polyphony serves as the central metaphor in this article. Initially, this musical metaphor acquired theological meaning in the Christological reflection of the well-known German theologian Dietrich Bonhoeffer. …”
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An Ontology of the Word in Catalan Romanesque Culture by Alfons Puigarnau

“…They also illustrate the formative influence of this institution on Gerbert of Aurillac, who would become Pope Sylvester II and the fruitful period of Abbot Oliba. Other artworks and musical manuscripts contribute to understanding a profound ontology of the word in Catalonia and prepare the ground for its cultural renaissance in the 12th century.…”
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Secular-Believing Diasporic Jews: The Grassroots Theology of Paul Simon and Leonard Cohen by Hagar Lahav

“…By analyzing the musical works of Paul Simon and Leonard Cohen, this study examines the theological expressions of secular Jews in the diaspora who retain elements of belief. …”
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