Expérience d’implantation d’un parcours professionnalisant en musique dédié aux compositeurs à l’image et aux interprètes-créateurs by André Cayer, Chantale Dodier

“…Cette démarche d’innovation curriculaire visait à mieux préparer le futur musicien professionnel (improvisateur, interprète ou compositeur) à faire face à sa condition simultanée d’athlète musical, d’entrepreneur et de créateur d’un produit artistique. …”
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Valparaíso letrado. Cartografía de los impresos populares porteños al despuntar el siglo XX by Ana Ledezma

“…Its contents will also give an account of a hybrid culture, whose popularity was not determined by belonging to a social stratum, but they come to put on paper that musical taste of the port was a melting pot of mixtures that, like “el plan”, contained all its inhabitants.…”
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Giant Reed (Arundo donax): Biology, Identification and Management by Kurt Vollmer, Curtis Rainbolt, Jason Ferrell

“… SS-AGR-301, a 4-page illustrated fact sheet by Kurt Vollmer, Curtis Rainbolt, and Jason Ferrell, describes this tall perennial grass that is commercially grown in the Mediterranean to make reeds for musical instruments, and which is a major invasive weed in California and Texas watersheds — its biology, identification and management. …”
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Social Media Will Tell Your Story: The Digital Strategy of #Ham4Ham by Ismael Lopez Medel

“…These included Hamilton songs, covers of other musicals, and different performing arts. Seeking to reach a non-traditional theater audience, Marathon Digital, a digital agency specializing in Broadway shows, turned the performances into a viral campaign utilizing social media outlets to create proximity to the fans through content relevant to the audience.…”
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Giant Reed (Arundo donax): Biology, Identification and Management by Kurt Vollmer, Curtis Rainbolt, Jason Ferrell

“… SS-AGR-301, a 4-page illustrated fact sheet by Kurt Vollmer, Curtis Rainbolt, and Jason Ferrell, describes this tall perennial grass that is commercially grown in the Mediterranean to make reeds for musical instruments, and which is a major invasive weed in California and Texas watersheds — its biology, identification and management. …”
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Synchron und diachron. Zum Zusammenhang zwischen Kontrapunkt und Prozessualität in romantischer Formensprache by Ariane Jeßulat

“…Analyses of three works by Schumann, Brahms and Mendelssohn together with a critical reading of Johann Christian Lobe’s Lehrbuch der musikalischen Komposition are used to demonstrate cases of processuality, whose development and dramaturgy defy the conventional imagery of ‘organic form’ despite remaining completely intact as musically functional contexts.…”
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External Constraints on the Development of Quality Assessment of Students’ Learning in Higher Education by Juan C. Manrique-Arribas, Víctor M. López-Pastor, Andrés Palacios-Picos

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Finalmente, los sonidos del siglo XIX mexicano ya no son tan lejanos: ¿qué implica escuchar de nuevo el Te Deum laudamus (1835) de José Antonio Gómez? by John G. Lazos

“…La práctica musical del siglo XIX mexicano sigue siendo un tema pendiente tanto en nuestros campos de estudios como en los escenarios. …”
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A study of "Magic of vicinity" in childhood poetry(Based on work's of Naser keshavarz_Kazem mazinani and Shokooh ghasem nia) by latife sakhavi, Mona Alimadadi, Hosein Mohammadi

“…This balance and coordination as well as the role speech musical plays on the audience is called "the magic of vicinity". …”
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Le Henri VIII de Saint-Saëns : entre affirmation idéologique et liberté théâtrale by Thierry Santurenne

“…Yet, the ideological purpose of the libretto is nuanced by the composer’s reliance on specific musical and dramatic formulas.…”
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Maria Zambrano et Ramon Xirau : une certaine France, bergsonienne, dans les valises de deux philosophes républicains espagnols by Ricardo Tejada

“…Zambrano was particularly sensitive to the musical philosophical prose of the great philosopher of the Third French Republic, as well as its mystical dimension. …”
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Cronica muzicală și anii de ucenicie ai lui Camil Petrescu by Petruș Costea

“…Un chapitre moins connu de l’œuvre de Camil Petrescu est la période où il a été chroniqueur musical pour Banatul românesc (entre 1919 et 1920) et, avant la Grande Guerre, pour Rampa (1913). …”
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ROMANIAN CHOIRS FROM SEBEŞ-ALBA by Dragoş Ioan ŞUŞMAN

“… The present study provides an overview of the musical life of the Romanians in Sebeş, with a deeper insight into the choral work performed by them in the late 19th century and the first half of the 20th. …”
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Oltre il sinfonismo musicale čajkovskiano. Note di studio sui processi compositivi di Petipa ne “La bella addormentata” by Marta Mele

“…After having retraced the history of this ballet and after having reread the studies on Pyotr Tchaikovsky's musical symphonism, the author of the essay aims to delve deeper into the substance of the purely choreographic symphonism created by Marius Petipa. …”
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Texte, trame, signe : les ficelles de l’art selon Dante Gabriel Rossetti by Laurence Roussillon-Constanty

“…The point is to show that beyond the personal context of its creation and through the model of Dante’s Divine Comedy, Rossetti is pushing the limits of both forms of art—painting and poetry—thereby creating a new aesthetics where text and image merge into a musical form, where the work of art is an endless dialogue of the soul with itself.…”
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MANDATORY TECHNICAL ELEMENTS IN THE METAMORPHOSIS OF THE SINGING VOICE by Georgeta PINGHIRIAC

“…Trying to imitate human voice, people invented a variety of musical instruments. The attack and emission of the sound are essential while singing. …”
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Dilema da identidade: os rataplãs do Olodum, políticas de significado e o campo etnopopular no Brasil by Edson Farias

“…Upon the application of the figurative-procedural model, in this article, we focus on the Afro-Bahian musical band and carnival group Olodum as heuristic of the correlations between culture, politics and economics. …”
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Le film de mobilisation centrasiatique by Valérie Pozner

“…This little set of motives was recycled in various genra (feature shorts, musicals, documentaries) which are analyzed here on the example of the production of the main Soviet studio during the World War II, that of Alma-Ata.…”
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La champeta también tiene cosas que decir: microrresistencias, empoderamiento, activismos by Lise Segas, Carlos Andrés Rodríguez Anaya

“…This article focuses on the musical and cultural phenomenon of champeta (Colombian Caribbean), with an emphasis on the discourses of the genre's songs. …”
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A poética cantada: investigação das habilidades do repentista nordestino by João Miguel Manzolillo Sautchuk

“…The poetical joust, or cantoria, is a poetic and musical art common in Northeast Brazil and is characterized by strophe improvisation, that is, by its making in the very moment of presentation. …”
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