Recursos compositivos del Neoclasicismo en la obra para guitarra Sonata Omaggio a Boccherini del compositor Mario Castelnuovo–Tedesco by Julio Daniel Galindo Bicerra

“…Como parte central se procede al análisis musical de fragmentos específicos que establecen una relación con el pensamiento neoclásico; particularmente, se ahonda en el análisis del tercer movimiento Minuetto. …”
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An explanatory model of academic psychosocial variables and physical activity during the educational selection process by BADICU GEORGIAN GEORGIAN, Rubén Fernández-García, Félix Zurita-Ortega, Eduardo Melguizo-Ibáñez, Luca Paolo Ardigò, José Luis Ubago-Jiménez

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A new method of distracting attention: Is it effective for pain and fear during phlebotomy in children? by Mine Aydemir Sahin, Yeliz Cigerci, Hamide Nur Cevik Ozdemir

“…The participants (n = 246) were randomized to the intervention (n = 123) and control groups (n = 123). A musical blood collection tube was used in the intervention group. …”
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De l’instrument joué à la pratique représentée : comprendre les figures de flûtistes dans l’iconographie recuay (sierra nord-centrale du Pérou, 100‑800 n.è.) by Mélanie Ferras, Alexia Moretti

“…The analysis of musical and sound practices of the Recuay culture (100‑700 CE), in the north-central highlands of actual Peru, encounters several documentary unknowns. …”
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Les Songes de la nef, pour une « prise de site » musicale et sonore by Alain Bonardi

“…In this article, we develop the concept of “site taking” on a musical perspective, discussing with Jean-Louis Déotte and his writings, in the framework of our sound installation Les Songes de la nef (2018) for the the Hôtel-Dieu in Tonnerre, double tribute to the philosopher and to composer Jean-Claude Risset. …”
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Ethnomathematical exploration of the Remo dance as a source for mathematics learning by Eka Sulistyawati, Brenda Indah Nirmala, Dewi Hamidah

“…This research aimed to explore Remo dance elements of movement, fashion accessories, and accompanying musical equipment as sources of mathematics learning. …”
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Vous avez dit rock arabe ? Retour sur la trajectoire du groupe Carte de séjour (1980-1989) by Philippe Hanus

“…Indeed, the adventure of Carte de Séjour during the 1980’s gave voice to a new form of musical creation that entailed resistance to ethnic reductionism.…”
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Study of the Interference Affecting the Performance of the Theremin by Carmen Bachiller Martín, Jorge Sastre Martínez, Amelia Ricchiuti, Héctor Esteban González, Carlos Hernández Franco

“…The theremin is one of the earliest electronic musical instruments. It is named after the Russian physics Professor Lev S. …”
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Audiovisual Work as a Complex Object of Copyright by L. V. Shvarts

“…When an audiovisual work is perceived as a multilevel copyright object, its components will be a script, direction, musical accompaniment and other independent works within the framework of the doctrine of a complex copyright object. …”
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Partituren zum Lesen und Schauen . Bildlichkeit als Merkmal graphischer Notation by Gesa Finke

“…Graphic notation stresses the visual qualities of musical notation, i.e. the image as an item to be deciphered. …”
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THE ORGANS OF THE REFORMED DIOCESE FROM ERDŐVIDÉK - EXAMINATION PAPER ABOUT THE HISTORY OF THE ORGANS - PART I - by István Zoltán KISGYÖRGY

“… When choosing the theme of my research, I was guided by the desire to get to know and investigate the organ, as a musical instrument, and by the affection and love for my homeland. …”
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Representación histórica, televisualidad y formación ciudadana: contrastes de los biopics televisivos Sudamerican Rockers (2014) y Los Prisioneros (2020) by Consuelo Ábalos

“…This proposal contrasts the narrative strategies of two series about the same musical band, the Chilean group Los Prisioneros. Through a narratological analysis (Aumont and Marie, 2009) of the series Sudamerican Rockers (2014) and Los Prisioneros (2020), we identify the differences in the way in which the story of the same musical group is constructed and the impact that the production conditions have on the emphasis of the same “story” and its historical context.…”
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Mihhail Kurotškini panus udmurdi folkloristikasse by Alevtina Kamitova

“…His pedagogical and cultural activities contributed to the development of children’s interest in their native culture, the formation of a musical direction in Udmurt science, and the education of new national personnel. …”
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“HA FOLYÓVĺZ VOLNÉK ... (HAD I BEEN RUNNING WATER ...)”, EQUAL VOICES CHOIR, OP. 1, BY EDE TERÉNYI (1954) by Gabriela COCA

“…This is the text of a folk song, which was taken and processed by the composer Ede Terényi, in 1954, as a little choral musical work on three equal voices, a woman (or children) choir, that was inspired by the “Choral Works for Children’s and Female Voices” of Bartók. …”
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Influência dos estilos musicais na atitude dos clientes: evidências experimentais em uma loja varejista by Gabriela Souza Assis, Janaina de Moura Engracia Giraldi

“…Os resultados indicaram que o estilo musical sertanejo possui influência mais positiva na atitude do cliente que os demais estilos (axé e pop rock). …”
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Britten et l’art de la parabole by Gilles Couderc

“…Between 1960 and 1971, Benjamin Britten seems to abandon large-scale opera in favour of more intimate pieces with a particularly obvious Christian message, his three "parables for church performances," which revisit medieval miracle plays through a specific musical language and stagecraft. Although quite original in Britten’s output, the parables hark back to older pieces also on religious subjects, composed between his operas. …”
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Patrones rítmicos del vals criollo peruano y su adaptación al cuarteto de cuerdas by César Alberto Pacheco Belevan

“…Sabiendo que los instrumentos tradicionales del vals criollo son la guitarra, el cajón y la voz, el presente trabajo analiza cómo son adaptados los patrones rítmicos propios de este género musical en la elaboración de un arreglo instrumental para cuarteto de cuerdas. …”
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The Performance of Beethoven’s “Diabelli Variations”. Continuity, Discontinuity, Cyclic Integration, Irony by William Kinderman

“…This essay explores the performance challenges of Beethoven’s “Diabelli Variations”; it is paired with the author’s own studio recording of the work coordinated with the musical score. The commentary seeks to address issues of compositional genesis, motivic development, musical character, and formal shaping, while keeping aesthetic matters in view. …”
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EL PROGRAMA ONDAS Y LA EXPERIENCIA SIGNIFICATIVA: “CANTANDO, CANTANDO ANDO MEJORANDO” by Leticia González González

“… El presente articulo científico busca presentar una experiencia significativa que se desarrolló durante el año 2021,  llamada: “cantando, cantando  ando mejorando” con los estudiantes del grado tercero de básica primaria, este proyecto estuvo acompañado por el programa Ondas Caldas de Colciencias, que tenía como objetivo primordial potenciar el hábito de la lectura y la escritura en los estudiantes de tercer grado a través de la educación musical y la conciencia fonológica, se utilizaron varias fases  para la implementación de esta experiencia con el fin de generar estrategias innovadoras y dinamizadoras del procesos de enseñanza aprendizaje.  …”
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Imaginarios musicales cambiantes en el Centro Cultural Polinesio by Cynthia L. Van Gilder, Dana R. Herrera

“…Defendemos que, en definitiva, el concurso de canoa revisado puede entenderse como una narrativa musical que empaqueta la relación colonial-misionera de la LDS con los polinesios en un imaginario musical no sólo para el consumo de los turistas, sino también de los propios intérpretes (miembros indígenas de la LDS).…”
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