English Teachers’ Emotions and Regulation Strategies in Response to Students’ Disruptive Behaviour by Thinley Wangdi, Karma Sonam Rigdel

“…., emotion suppression, deep breathing, journaling, talking with colleagues or students, listening to music, and watching movies) emotion regulation strategies. …”
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The Role of Lyrics in Estonian Literature: Three Exemplary Cases by Anneli Niinre

“…These also represent three ways a text can function: “Mu isamaa on minu arm” was first written and published as a poem and later set to music; The Last Relic represents a case where texts were initially written as lyrics and later published in a collection of poems; “Song of the Northern Land”, by Enn Vetemaa, was meant to be and has remained a song and has not been included in poetry collections. …”
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Evaluation of Crypto Assets in terms of Digital Legacy Dimension and Inheritance Tax by Burçin Bozdoğanoğlu

“…The footprints that individuals create and accumulate in this digital world, where they log in with their personal data to listen to music, archive photos, watch films, create e-mail accounts to follow their work and create social media accounts to communicate with their friends, have brought about the change of the concept of heritage in the traditional sense. …”
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“Helt Texas, Morgan Kane!”: Notes on the Pedagogies of Finding, Documenting, and Teaching the American West in Norwegian Backyards by Stefan Rabitsch

“…For example, the students’ findings included but were not limited to country-specific (re)imaginings of the mythic West in different media, heterotopic spaces of performance, play, consumption and the hyperreal, instances of ‘playing Indian,’ iconographic scatterings, cowboy/Western poetics in music, and more. Ultimately, this article illustrates how that which we study from afar may be found in more local(ized) Norwegian contexts, imaginaries, and cultural practices. …”
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Reterritorialiser les stéréotypes latino-américains : comment les mèmes permettent une critique des impérialismes culturels by Thibaut Vaillancourt

“…The stereotypical representations that apply to so-called Latin America and that are conveyed in audiovisual cultures (music, cinema, television) are experiencing a reappraisal thanks to the Internet. …”
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Zur amerikanischen Rezeption der Schichtenlehre Heinrich Schenkers by Patrick Boenke

“…Mit dem Vorrücken amerikanischer Verfechter der Schichtenlehre – unter ihnen Allen Forte und Carl Schachter – auf einflußreiche akademische Lehrpositionen entwickelte sich die Schenker-Analyse zu einem eigenständigen Forschungsgebiet der amerikanischen ›music theory‹.…”
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The Reluctant Islamophobes: Multimedia Dissensus in the Hollywood Premodern by Elena Furlanetto

“…I recur to Foucault’s concept of dispositif to illustrate how any of these media—such as music, screenplay, editing, acting, etc.—may “[enter] into resonance or contradiction with the others” (Foucault 195), ambiguating the film’s politics. …”
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Les Fiançailles au couvent : Prokofiev adapte La Duègne de Sheridan by Tetiana Zolozova

“…Prokofiev’s musical production is heavily indebted to his encounter with Britain’s literary heritage, with such important works as his ballet Romeo and Juliet after Shakespeare and his four-act opera buffa Betrothal in a Monastery after Richard Brinsley Sheridan’s The Duenna or The Double Elopement. …”
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TRAGIŠKOJO JAUSMO INTERPRETACIJA FRIEDRICHO NIETZSCHE'S FILOSOFIJOJE by Aušra Polovikaitė

“…The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. …”
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TRAGIŠKOJO JAUSMO INTERPRETACIJA FRIEDRICHO NIETZSCHE'S FILOSOFIJOJE by Aušra Polovikaitė

“…The early Greek drama made accessible through music to the audience-worshippers the Dionysian as an ecstatic and mystic direct connection with cosmic Nature (the Oneness), in which the individual will was obliterated. …”
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Les enjeux de la traduction dans la réception de Haendel en Grande-Bretagne entre 1945 et 1970 by Pierre Degott

“…With the post-war revival of ancient music, the 1950s and 1960s were also the period when the British public rediscovered many of the Handel operas first performed between 1711 and 1741. …”
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Multimotors Coordination Control Method for Consistent Total Traction Torque of Electric Locomotives by Jianhua Liu, Rui Nie, Zheshu Li

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Competição e digitalização: a expansão dos serviços culturais-digitais – os casos da Netflix, Disney e Apple by Elder Patrick Maia Alves

“…This work investigates the process of competition between some of the most important technology companies in the world, which created business models aimed at the culturaldigital services market - series, movies, games, music, books and animation. It is a process of global scope and great economic, technological and creative impact, which has been refashioning the cultural markets through the intense process of digitalization and corporate action. …”
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Transcultural transformation in cinema by Yu. V. Vorontsova

“…This creates a special definition of the musical and artistic genres, combining traces of a documentary style influencing the authenticity of the representations depicted, with a strong aesthetic impulse emphasising the organisational and artistic nature of these representations. …”
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VIABILITY OF DIDACTIC PRINCIPLES IN CONTEMPORARY PIANO EDUCATION by Stela DRĂGULIN

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Riders to the Sea de Ralph Vaughan Williams : un hymne à la mer, indomptable et indomptée, qui unit les nations by Florence Le Doussal

“…Riders to the Sea: An opera in one act based on the play by John Millington Synge, Ralph Vaughan Williams’s fifth opera, composed between 1925 and 1932, after The Poisoned Kiss (A Romantic Extravaganza), was first performed at London’s Royal College of Music on December 1st, 1937, with Malcolm Sargent conducting. …”
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Yoruba-Chinese Ethical Intersectionality: Towards a Community of Shared Future in Afro-Asian Diasporic Spaces by Philip Ademola Olayoku

“…The study contends that these ethical codes, retained in diasporic communities through family traditions, music and theatre, are viable templates for smooth Nigeria-China relations in building the proposed community of shared future within the context of the Belt and Road Initiative (BRI). …”
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“When the bear won't go hunt”: masculinity in Shakespeare's Twelfth Night by Jean-Louis CLARET

“…In Twelfth Night by William Shakespeare, the character of Orsino stands for the male polarity, as opposed to Olivia who represents femininity. His interest in music, perfumes and love thoughts, his narcissism and his refusal to “go hunt,” contribute to making up a surprisingly ambiguous male icon. …”
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António e as Variações identitárias da cultura portuguesa contemporânea by Paula Guerra

“…This article is focused on the preliminary analysis of a set of music lyrics by António Variações [Anthony Variations] (1983a, 1983b, 1984), which we consider representative of the multiple and plural identities that mark Portuguese cultural contemporaneity from the 1980s on. …”
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Algorithm of underdetermined convolutive blind source separation for high reverberation environment by Yuan XIE, Tao1 ZOU, Weijun SUN, Shengli XIE

“…To separate the underdetermined convolutive mixture signals in the high reverberation environment, a novel algorithm of underdetermined convolutive blind source separation was proposed.Aiming at the influence of high reverberation environment, a global impulse response network was designed to weaken reverberation echo, improving signal quality.A new mathematical model of time-frequency mixing signals was established based on the global impulse response network.The global impulse response matrix which shortened the length of the traditional impulse response, reduced the approximation error of model transformation caused by high reverberation.The real-time update learning rules of model parameters were designed based on the theory of nonnegative matrix factorization, and the source signal separation problem was converted into the model parameter optimization problem, achieving blind source separation of mixing signals.Experimental results show that the proposed algorithm can effectively realize the blind source separation of Chinese and English speech and music signals, and the comparision with existing popular algorithms verified the superiority of the proposed algorithm.…”
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