›Thematicism‹: Geschichte eines analytischen Konzepts in der nordamerikanischen Musiktheorie by Felix Wörner

“…Seit der Veröffentlichung von Rudolf Rétis Monographie The Thematic Process in Music (1951) wird das Konzept ›thematicism‹ in bestimmten Bereichen der Analysetheorie in Nordamerika rezipiert. …”
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Penser éducation au politique et questions environnementales dans la démocratie by Camille Roelens

“…A brief illustrative study of the approach and work of the Canadian music group Les Cowboys fringants (3) shows how this type of informal educator can play an important role to provide resources and porpositions of influence for human autonomy in dealing with environmental issues within the democratic political framework.…”
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GIUSEPPE VERDI IN VICTORIAN LONDON by Massimo ZICARI

“…A review of such periodicals as The Times, The Musical Times, The Athenaeum has drawn attention to two particular aspects of relevance; Verdi’s first operas impinged upon the model represented by Rossini’s light-spirited melodiousness and provoked a sense of general bewilderment; even when opera-goers began to show clear signs of appreciation and to crowd the theatres where Verdi’s operas were performed, critics continued to object to their value and to ascribe their success to the singers’ new vocal and dramatic skills. …”
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About the Crusaders School, its Domicile and their main Artefact by Duňa SLAVÍKOVÁ

“…In opposition to the cultural policies of Czech totalitarian structures, their artistic production introduced new practices that combined existing media from visual art, poetry, film, happening and music, abandoning the traditional terms of style, medium and representation. …”
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A Novel Self-Adaptive Harmony Search Algorithm by Kaiping Luo

“…The harmony search algorithm is a music-inspired optimization technology and has been successfully applied to diverse scientific and engineering problems. …”
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An investigation on perceived constraints of teachers in relation to leisure activities by Adnan Ersoy, Halil Bisgin, Umit Dogan Ustun

“…This paper examines perceived constraints of physical education and other branches teachers (music/arts) in relation to leisure activities. After legal permissions 228 teachers, who work in city center Kütahya (a city in the west part of Turkey), voluntarily participated in the study. …”
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Fugitive Plots: Adaptation, Storytelling, and Choreography in Cabin in the Sky and Stormy Weather by Elena Igartuburu

“…Cabin in the Sky and Stormy Weather are two 1943 all-Black cast musicals made within the studio system. When compared they exemplify some of the changes taking place in this system regarding the representation of Black people and visualize the work of networks of Black performers and film workers with clear goals grounded on Black solidarity and unity. …”
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FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

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Le viol de Lucrèce de Britten : un livret d’opéra qui revisite les fondamentaux du genre by Pascal Terrien

“…What remains of those influences in the dialogue between the text and the music in the opera ? These questions need to be answered to understand why the work was the first stone in the reconstruction of genre newly reborn.…”
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Historical Evolution of Spatial Abilities by A. Ardila

“…Contemporary city humans might be using spatial abilities in some new, conceptual tasks that did not exist in prehistoric times: mathematics, reading, writing, mechanics, music, etc. Cross-cultural analysis of spatial abilities in different human groups, normalization of neuropsychological testing instruments, and clinical observations of spatial ability disturbances in people with different cultural backgrounds and various spatial requirements, are required to construct a neuropsychological theory of brain organization of spatial cognition.…”
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Jogos, sociabilidade e conflito no Brasil by Édison Gastaldo, Everardo Rocha, Adriana Braga

“…To him, poetry, law, war, music, religion and everything we regard as serious, sacred and respectful derive at some level from ancient sacred games, and still keep their elementary features. …”
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Assassinio nella Cattedrale de Pizzetti :le retour du religieux sur la scène musicale italienne des années 1950 by Walter Zidaric

“…When he began setting T.-S. Eliot’s play to music as Assassinio nella Cattedrale in the second half of the 1950’s, Pizzetti was already of a respectable age and had nothing left to prove in musical composition and drama. …”
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ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU by Cristian BENCE-MUK

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Delphi in Schwarz und Weiß.. Bilder der Antike in Claude Debussys Klaviermusik by Tihomir Popović

“…A musical analysis of these pieces is followed by a discourse analytic contextualization. …”
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THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

“… At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. …”
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SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

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From James Bond with love: tourism and tourists in the Bond saga by Marie-Hélène Chevrier, Chloé Huvet

“…These archetypal representations, from mass tourism to luxury tourism and from collective practices to individual practices, are all linked in the films to the image and sound (music and sound design) environments. In this article, we highlight how the Bond saga reflects the evolution of the core tourism practices and representations in Western societies from the 1960s to the present day.…”
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Modos subordinados de acceso a los clásicos en Los príncipes valientes de Javier Pérez Andújar by Jessica Cáliz Montes

“…More specifically, it thoroughly analyses the coexistence of oral popular tradition and new popular culture during the late periods of Franco regime, disseminated by media and closely corresponding to the (Amorós) « subculture » –television, comics, cinema, music, etc.– where there is also place for the dissemination of high culture. …”
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En mode REC[ORD]  by Jean-Jacques Castéret

“…The wave of sound recordings of traditional music and dance that spread throughout France and Europe from the 1960s onwards led to the creation of documentary collections, often decades after the collections were made, and we are now seeking to gain a clearer understanding of their origins and scope. …”
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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

“…The use of projections in The Glass Menagerie and the role played by music in many of his plays are cases in point. Yet, the influence of cinema on Williams’s writing goes far beyond the mere transposition of new technological devices onto the stage. …”
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