The Pala’wan Highlanders and the World they live in: “A Weaving of Golden Threads” by Nicole Revel

“…Since then she is committed to the safeguarding of the literatures of voice.After co-creating Language-Music-Society (LMS), she became a member of the unit CNRS-MNHN Eco-anthropology and is actively involved in teaching Lingusitics - Anthropology at Musée de l’Homme.…”
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#emergencymedicine: A TikTok Content Analysis of Emergency Medicine-related Content by Madison Stolly, Erika Wilt, Nathan Gembreska, Mohamad Nawras, Emily Moore, Kelly Walker, Rhonda Hercher, Mohamad Moussa

“…A notable negative correlation was identified between video engagement and the inclusion of music. Conclusion: We identified qualities associated with negative and positive correlation with video engagement. …”
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»Schließlich waren alle Genies der Kunst immerhin doch Männer …«. Zum Geniebegriff bei Heinrich Schenker by Marko Deisinger

“…In Schenker’s view, the hierarchical structure of tonal music revealed through analysis represents a structural order in perfect agreement with the ideals of the model of governance he had promoted in several of his writings. …”
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›Thematicism‹: Geschichte eines analytischen Konzepts in der nordamerikanischen Musiktheorie by Felix Wörner

“…Seit der Veröffentlichung von Rudolf Rétis Monographie The Thematic Process in Music (1951) wird das Konzept ›thematicism‹ in bestimmten Bereichen der Analysetheorie in Nordamerika rezipiert. …”
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Penser éducation au politique et questions environnementales dans la démocratie by Camille Roelens

“…A brief illustrative study of the approach and work of the Canadian music group Les Cowboys fringants (3) shows how this type of informal educator can play an important role to provide resources and porpositions of influence for human autonomy in dealing with environmental issues within the democratic political framework.…”
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GIUSEPPE VERDI IN VICTORIAN LONDON by Massimo ZICARI

“…A review of such periodicals as The Times, The Musical Times, The Athenaeum has drawn attention to two particular aspects of relevance; Verdi’s first operas impinged upon the model represented by Rossini’s light-spirited melodiousness and provoked a sense of general bewilderment; even when opera-goers began to show clear signs of appreciation and to crowd the theatres where Verdi’s operas were performed, critics continued to object to their value and to ascribe their success to the singers’ new vocal and dramatic skills. …”
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A Novel Self-Adaptive Harmony Search Algorithm by Kaiping Luo

“…The harmony search algorithm is a music-inspired optimization technology and has been successfully applied to diverse scientific and engineering problems. …”
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An investigation on perceived constraints of teachers in relation to leisure activities by Adnan Ersoy, Halil Bisgin, Umit Dogan Ustun

“…This paper examines perceived constraints of physical education and other branches teachers (music/arts) in relation to leisure activities. After legal permissions 228 teachers, who work in city center Kütahya (a city in the west part of Turkey), voluntarily participated in the study. …”
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FORMAL STRUCTURE AND POLYPHONIC TECHNIQUE IN ZOLTÁN KODÁLY’S “SEVEN EASY CHORAL PIECES FOR CHILDREN" by Gabriela COCA

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Historical Evolution of Spatial Abilities by A. Ardila

“…Contemporary city humans might be using spatial abilities in some new, conceptual tasks that did not exist in prehistoric times: mathematics, reading, writing, mechanics, music, etc. Cross-cultural analysis of spatial abilities in different human groups, normalization of neuropsychological testing instruments, and clinical observations of spatial ability disturbances in people with different cultural backgrounds and various spatial requirements, are required to construct a neuropsychological theory of brain organization of spatial cognition.…”
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Jogos, sociabilidade e conflito no Brasil by Édison Gastaldo, Everardo Rocha, Adriana Braga

“…To him, poetry, law, war, music, religion and everything we regard as serious, sacred and respectful derive at some level from ancient sacred games, and still keep their elementary features. …”
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ANALYTICAL JOURNEYS IN THREE PIECES FOR CLARINET SOLO BY CORNEL ŢĂRANU by Cristian BENCE-MUK

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Delphi in Schwarz und Weiß.. Bilder der Antike in Claude Debussys Klaviermusik by Tihomir Popović

“…A musical analysis of these pieces is followed by a discourse analytic contextualization. …”
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THE GENEVAN PSALMS (1562) IN THE HUNGARIAN CHORAL LITERATURE by Éva PÉTER

“… At the middle of the 20th century in a time of the upturn of the general musical culture Hungarian composers having experience with ecclesiastical music created adaptations of various levels of difficulty for the tunes of the Genevan psalms. …”
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SELF-SIMILARITY IN PITCH ORGANIZATION by Adrian BORZA

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From James Bond with love: tourism and tourists in the Bond saga by Marie-Hélène Chevrier, Chloé Huvet

“…These archetypal representations, from mass tourism to luxury tourism and from collective practices to individual practices, are all linked in the films to the image and sound (music and sound design) environments. In this article, we highlight how the Bond saga reflects the evolution of the core tourism practices and representations in Western societies from the 1960s to the present day.…”
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Quand le théâtre s’inspire du cinéma : Jean Cocteau, Sergueï Eisenstein et Tennessee Williams by Sophie Maruéjouls-Koch

“…The use of projections in The Glass Menagerie and the role played by music in many of his plays are cases in point. Yet, the influence of cinema on Williams’s writing goes far beyond the mere transposition of new technological devices onto the stage. …”
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Un opéra français d’après la Salomé de Wilde, l’appropriation d’un drame by Déborah Bonin

“…These different questions allow us to establish how the composer, before setting the text to music, came to understand the playwright’s work in order to write his own libretto.…”
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Le silence et le cri : Salomé, d’Oscar­­ Wilde à Richard Strauss by Pascal Aquien

“…Wilde’s play and Strauss’s opera can be considered as the acme of the literary, pictorial and musical currents that have been exploring the theme of Salome since the Middle Ages. …”
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Berthe de Rayssac, muse et artiste sans œuvre by Sarah Hassid

“…By retracing the career of this forgotten personality, notably through her artistic training and practice of music, it is possible to describe this ambivalent figure, who combined the symbolic faces of the muse and the artist, paradoxically without an oeuvre. …”
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