KUYU FİLMİNDEKİ ARZU KAVRAMININ LACANCI PSİKANALİTİK YAKLAŞIM ÇERÇEVESİNDE ÇÖZÜMLENMESİ by Mehmet Turan

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O poder de denúncia do cordel no cinema: O romance do vaqueiro voador, de João Bosco Bezerra Bonfim e Manfredo Caldas by Sylvie Debs

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Des principes d’une cinémathèque dédiée aux « jeunes publics » : La cinémathèque Robert-Lynen by Emmanuelle Devos

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COVID-19 Pandemisi Döneminde Sinema Salonlarının Sosyal Medya Kullanımı: Beyoğlu Sineması Örneği by Özgü Yolcu

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PK Filminde Din, Dindarlık ve Tanrı Tahayyülü by Hüseyin Cihat Şahin

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Bir Yer, Bir Kadın, Bir Öykü: Meryem Filminde Toplumsal Cinsiyetin Kültürel İnşası by Sema Zafer Sümer

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Title not available by Sema Zafer Sümer

Subjects: “…western movies…”
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Türk Sinemasının İlk Kıbrıs Filmi Kıbrıs’ın Belası Kızıl Eoka’da Terör ve Şiddet Olaylarının Temsili by Mehmet Işık

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Occult African Films as a Reflection of Resurrection Stories: A Socio-Cultural Perspective on Cameroonian and Nigerian Video Films by Floribert Patrick C. Endong

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Cinéma et urbanité à Tunis sous le protectorat français by Morgan Corriou

“…Movie consumption was first and foremost a local activity. …”
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La salle de cinéma comme attraction spectacle : le cas Captain Eo à Disneyland Paris by Jean-Baptiste Massuet

“…This article tries to question the link between the public and a precise movie theater, in Disneyland Paris Marne-La-Vallée, proposing again since june 2010 the attraction Captain Eo, science-fiction 3D movie by Francis Ford Coppola in 1986, starring Michael Jackson. …”
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Amateurs de comédie musicale hollywoodienne sur Internet : renouvellement d’un genre classique par les pratiques spectatorielles de l’ère numérique by Fanny Beure

“…As a privileged space for the broadcasting of animated pictures, the Internet has become a place where new movie buff’s practices emerge. Through an investigation we lead by some active members (regular participants, webmasters) of blogs, forums and websites dedicated to the classical Hollywood musicals, then an analysis of their publics and practices, we studied how the Internet has created new ways of being a movie buff. …”
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Sacré Graal ! et le détournement cinématographique by Justine Breton

“…Text and image associated with an Arthurian tradition are directly incorporated within the movie, and help structure it through both didactic and farcical interludes. …”
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Il «maraviglioso» e il «maravigliosissimo» dei tempi moderni by Anna Chiara Luzzi

“…With Cabiria, a silent movie directed by Pastrone and written by D’Annunzio, the multimedia dimension of film found its most successful expression. …”
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A Semiotic Analysis on Confession of a Shopaholic Trailer: Roland Barthes Approach by Nur Syasya Qistina Mazeree, Norhakimin Ashaari, Nadzirah Munirah Ramli, Nur Arifah Zahiah Zuri

“… Deciphering the signals in a movie trailer is undertaken to comprehend how viewers or learners receive the conveyed meanings. …”
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A Semiotic Analysis on Confession of a Shopaholic Trailer: Roland Barthes Approach by Nur Syasya Qistina Mazeree, Norhakimin Ashaari, Nadzirah Munirah Ramli, Nur Arifah Zahiah Zuri

“… Deciphering the signals in a movie trailer is undertaken to comprehend how viewers or learners receive the conveyed meanings. …”
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Contribution of Short-Time Occlusion of the Amblyopic Eye to a Passive Dichoptic Video Treatment for Amblyopia beyond the Critical Period by Lauren Sauvan, Natacha Stolowy, Danièle Denis, Frédéric Matonti, Frédéric Chavane, Robert F. Hess, Alexandre Reynaud

“…Dichoptic movie viewing has been shown to significantly improve visual acuity in amblyopia in children. …”
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Особенности поэтики киноромана: проблема перекодирования текста by Natalia Maslenkowa

“…While studying a movie novel, one receives the opportunity of tracing the reverse process: the process of the “text on the screen” being turned into the “text on paper”. …”
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De charogne réanimée à séduisante détective : la résiliente humanité du zombie by Nicholas Dion

“…In this article, we examine the ways in which novel, comics and movie writers hesitate to fully dehumanize zombies. …”
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L’Indépendance du Brésil Irrévérences cinématographiques et télévisuelles contemporaines by Erika Thomas

“…This article analyzes two opposite film and television visions of the Independence of Brazil. The first one is the movie of Carlos Coimbra Independencia ou morte came out in 1972 at the time of the Brazilian military dictatorship. …”
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