THE FALL OF CINEMA ATTENDANCE IN THE ERA OF "STAGNATION". CAUSES AND CONSEQUENCES by M. Kosinova

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Hostel (Eli Roth, 2005 et 2007), le torture-porn et le cinéma d’exploitation : l’être humain à l’ère de sa reproductibilité technique by Pierre Jailloux

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Immagini migranti, immagini in-discriminanti Latenze e valenze nell’uso di foto e filmati in ambito migratorio by Alberto Baldi

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Foule et public by Emmanuel Plasseraud

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L’adolescence est-elle soluble dans l’enfance ? Définitions et délimitations du public en littérature et culture de la jeunesse by Adrienne Boutang

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À l’écoute des adaptations de Madame Bovary by Mary Donaldson-Evans

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O poder de denúncia do cordel no cinema: O romance do vaqueiro voador, de João Bosco Bezerra Bonfim e Manfredo Caldas by Sylvie Debs

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Des principes d’une cinémathèque dédiée aux « jeunes publics » : La cinémathèque Robert-Lynen by Emmanuelle Devos

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COVID-19 Pandemisi Döneminde Sinema Salonlarının Sosyal Medya Kullanımı: Beyoğlu Sineması Örneği by Özgü Yolcu

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Türk Sinemasının İlk Kıbrıs Filmi Kıbrıs’ın Belası Kızıl Eoka’da Terör ve Şiddet Olaylarının Temsili by Mehmet Işık

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Cinéma et urbanité à Tunis sous le protectorat français by Morgan Corriou

“…Movie consumption was first and foremost a local activity. …”
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La salle de cinéma comme attraction spectacle : le cas Captain Eo à Disneyland Paris by Jean-Baptiste Massuet

“…This article tries to question the link between the public and a precise movie theater, in Disneyland Paris Marne-La-Vallée, proposing again since june 2010 the attraction Captain Eo, science-fiction 3D movie by Francis Ford Coppola in 1986, starring Michael Jackson. …”
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Amateurs de comédie musicale hollywoodienne sur Internet : renouvellement d’un genre classique par les pratiques spectatorielles de l’ère numérique by Fanny Beure

“…As a privileged space for the broadcasting of animated pictures, the Internet has become a place where new movie buff’s practices emerge. Through an investigation we lead by some active members (regular participants, webmasters) of blogs, forums and websites dedicated to the classical Hollywood musicals, then an analysis of their publics and practices, we studied how the Internet has created new ways of being a movie buff. …”
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Il «maraviglioso» e il «maravigliosissimo» dei tempi moderni by Anna Chiara Luzzi

“…With Cabiria, a silent movie directed by Pastrone and written by D’Annunzio, the multimedia dimension of film found its most successful expression. …”
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A Semiotic Analysis on Confession of a Shopaholic Trailer: Roland Barthes Approach by Nur Syasya Qistina Mazeree, Norhakimin Ashaari, Nadzirah Munirah Ramli, Nur Arifah Zahiah Zuri

“… Deciphering the signals in a movie trailer is undertaken to comprehend how viewers or learners receive the conveyed meanings. …”
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A Semiotic Analysis on Confession of a Shopaholic Trailer: Roland Barthes Approach by Nur Syasya Qistina Mazeree, Norhakimin Ashaari, Nadzirah Munirah Ramli, Nur Arifah Zahiah Zuri

“… Deciphering the signals in a movie trailer is undertaken to comprehend how viewers or learners receive the conveyed meanings. …”
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Contribution of Short-Time Occlusion of the Amblyopic Eye to a Passive Dichoptic Video Treatment for Amblyopia beyond the Critical Period by Lauren Sauvan, Natacha Stolowy, Danièle Denis, Frédéric Matonti, Frédéric Chavane, Robert F. Hess, Alexandre Reynaud

“…Dichoptic movie viewing has been shown to significantly improve visual acuity in amblyopia in children. …”
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De charogne réanimée à séduisante détective : la résiliente humanité du zombie by Nicholas Dion

“…In this article, we examine the ways in which novel, comics and movie writers hesitate to fully dehumanize zombies. …”
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"Realismo" e subalternidade na narrativa brasileira contemporânea: o caso de Tropa de elite by Vinícius Gonçalves Carneiro

“…This article discusses the polemic Brazilian movie Elite squad. To understand the power games behind the movie and its reception, it is important to contextualize Elite squad in the contemporary Hollywood production, in a hypothetical Brazilian Realism tradition and in the cinematographic and literary representation of the subaltern. …”
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De La Haine à la compassion (Barrio), deux visions des quartiers au cinéma by Pascale Thibaudeau

“…This compared analysis of both movies La Haine (Mathieu Kassovitz, 1995) and Barrio (Fernando León de Aranoa, 1998) highlights, thanks to precise examinations, the very distinct influence the French movie had on the Spanish movie, also allowing to focus on the characteristics of each being linked to a specific national context. …”
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