Do road movie a "viagem selvagem": a busca de aventura na estrada e o mito do viajante heróico by Pascale Argod

“…Este último vem como uma escrita sobre si ou um filme autobiográfico sobre a experiência do deslocamento, às vezes "biopic"; estendemos o gênero do road movie ao paradigma Robinson Crusoée ao filme em ambiente natural experimental. …”
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Du road movie au « voyage sauvage » : la quête d’aventure sur la route et le mythe du voyageur héroïque by Pascale Argod

“…Ce dernier se décline comme une écriture de soi ou un film autobiographique sur l’expérience du déplacement, parfois « biopic » ; nous élargissons ainsi le genre du road movie à la robinsonnade et au film en milieu naturel expérimenté. …”
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Eisenstein’s ‘Cinema of the Masses’ by Biggart John, Bulgakowa Oksana

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Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond by Wanderlan da Silva Alves

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Construire des salles de cinéma durant les Trente Glorieuses : le cas méconnu de l’architecte Georges Peynet by Andrés Avila Gómez

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Sentimentally enhanced conversation recommender system by Fengjin Liu, Qiong Cao, Xianying Huang, Huaiyu Liu

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PlayPhrase.Me: A multimedia corpus for foreign language education by Ibrahim Halil Topal

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From Prose to Picture: Critical Reflections on the Road and the Journey in John Steinbeck’s and John Ford’s The Grapes of Wrath by Beatrice Melodia Festa

Subjects: “…road movie…”
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Qui s’assoit où ? by Claude Forest

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Visiones cinematográficas del turismo costero: el punto de vista de los excluidos (El verdugo -1963-, Justino un asesino de la tercera edad -1994-, Barrio -1999-) by Nancy Berthier

Subjects: “…movies…”
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NO-DO y las celadas del documento audiovisual by Vicente Sánchez-Biosca

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La poule crève l’écran by Yohann Chanoir

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Charles et ses images by Anne-Marie Baron

Subjects: “…movies…”
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REVISITING RACIAL POTRAYAL IN THE AMERICAN POPULAR FILM by Nerfita Primadewi

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The Development and Competition of Cinemas in Jakarta, 1950-1966 by Ghesa Ririan Mitalia

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Compte rendu de : Mary Donaldson-Evans, Madame Bovary at the Movies. Adaptation, Ideology, Context, « Faux-Titre », Rodopi, Amsterdam-New York, 2009, 218 p. by Delphine Jayot

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« Explorer le champ des voix » by Floriane Chouraqui, Maylis Aste

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Étude des différents publics du théâtre et du cinéma lors de la généralisation du parlant à Lyon (1929-1932) by Marylin Marignan

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Autobiografizm filmowy. Rekonesans historyczno-teoretyczny by Magdalena Podsiadło

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Virtual Immersive Models for Viewing Social Science Fiction in European Cinema by Federico O. Oppedisano, Daniele Rossi

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