10 Things You Need to Know Before You Get Married by Victor W. Harris, Ginny Hinton

“…Americans love romantic books and movies that involve wedding vows and “happily-ever-after” endings. …”
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10 Things You Need to Know Before You Get Married by Victor W. Harris, Ginny Hinton

“…Americans love romantic books and movies that involve wedding vows and “happily-ever-after” endings. …”
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« C’était une femme à qui il fallait un époux et lui un homme qui voulait une épouse… ». Les représentations filmographiques des mariages par correspondance by Laure Sizaire, Gwenola Ricordeau

“…The analysis of an eight film corpus of post-1945 movies staging a mail-order marriage shows their shared narrative in three social and historic contexts (colonization, migration and globalization of the marriage market): marriage resolves the problems faced by men due to shortage of women. …”
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“Don’t Be Frightened Dear … This Is Hollywood”: British Filmmakers in Early American Cinema by Ian Scott

“…British visitors to Hollywood from the late 1920s onward have captured the attention of writers as importing a particular view of their home country in a succession of ”British-Hollywood” movies. This article argues, however, that there was an initial wave of such trans-national pioneers – writer-directors Charles Brabin, Colin Campbell, Reginald Barker and Frank Lloyd – who not only did not demonstrate such “Britishness” in their work but instead made a crucial contribution to the development of classical Hollywood filmmaking. …”
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“Relief” and “Mountains”: Primary School Teachers Confronted with Discursive and Visual Framing of Salience by Alexandra Baudinault

“…How do they explain and show salience to their students, who perceive the mountain only through mediation in the form of pictures, illustrations, drawings or movies? What kind of discourses regarding the mountain do they develop, and how do these discourses contribute to building a cultural and spatial reality? …”
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Film watching habits of journalism students from the perspective of the theory of utilities and satisfaction by Vujović Marija, Obradović Neven

“…The results o f the research show that watching movies is a frequent activity for journalism students, that they most often watch movies online, on a computer and/or mobile phone, that most journalism students go to the cinema with friends, and that journalism students cite entertainment and socializing with friends, partners or family as the most common reason for going to the cinema. …”
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ISSUES OF INDIVIDUAL CAPITALISM IN THE NARRATIVE FILM OF THANK YOU FOR SMOKING AND THE COMPANY MEN by Sukarni Suryaningsih

“…This paper is intended to examine the identity of economic character of individual capitalism in two Hollywood movies Thank You for Smoking (2006) and The Company Men (2010). …”
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« Relief » et « montagne » : les enseignants de l’école élémentaire confrontés à la mise en mots et en images de la saillance by Alexandra Baudinault

“…How do they explain and show salience to their students, who perceive the mountain only through mediation in the form of pictures, illustrations, drawings or movies? What kind of discourses regarding the mountain do they develop, and how do these discourses contribute to building a cultural and spatial reality? …”
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Comment Hollywood figure l’intériorité dans les films « hollywoodiens » de David Lynch, Lost Highway (1997), Mulholland Dr. (2001) et Inland Empire (2006) by David ROCHE

“…The article takes Zachary Baqué’s study of Los Angeles in the films of David Lynch as a starting point to explore David Lynch’s Hollywood movies. The author contends that the films offer more than a satirical representation of a corrupt, unhealthy system which threatens dreams and artistic creativity, or a parodic play on Hollywood genre and narrative conventions. …”
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Relecturas (cinematográficas) de la migración mexicana by Betina Keizman

“…In last years movies, the border as a space and a representation system stopped being part of one circumstance, the line that is or not crossed, one aspect of the frame, in order to appear each time more as a single element. …”
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La représentation cinématographique de la peur face à l’étranger by Paola García

“…We will analyze these relations in the movies Un Cuento Chino by Sebastian Borensztein (2011) and The Visitor by Thomas McCarthy (2007), from the notion of symbolic borders developed by Marta Rizo Garcia and Vivian Romeu Aldaya (2006b). …”
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La seringue et la gâchette by Thomas Lequeu

“…Although the movies of the second half of Jean-Pierre Melville’s career are often referred to in the literature as “men’s films”, Un flic (1972), his last work, is the one that most openly questions the issue of gender. …”
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Mémoire et images du travail dans les parfumeries grassoises (1900-1950) : les clichés du genre by Coline Zellal

“…Using as sources postcards, movies and photographs, the author explores the weight of gendered task divisions from the picking of flowers to packaging, revealing the changing gendered contours of shops, businesses and, indeed, the whole sector. …”
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Del chocolate a la fresa, del exilio interior a la expatriación : las etapas de un doble recorrido iniciático en Fresa y chocolate de Tomas Gutiérrez Alea y Juan Carlos Tabío by Pascale Thibaudeau

“…As often happens in the movies, a friendship is born from the confrontation that can not longer prevent inner exile suffered by homosexual becomes real and forced exile at the end of the film.This article considers the parallel evolution of the two characters from the model of the initiatory tales and traditional stories to reveal the ambivalence of its position with regard to homosexuality and dissent.…”
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The Clash of Narratives: Armenian and Turkish Narratives on the Events of 1915 by Mustafa Tayfun ÜSTÜN

“…Rather, I propose to contribute to the literature on aesthetic sources of International Relations by analysing two movies; namely, “The Promise” and “The Ottoman Lieutenant“ to identify how the process of reconstruction and representation have been maintained by Armenian and Turkish political actors. …”
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Représentations du temps et de l’espace en science-fiction : du roman à l’écran by Orlane Glises de la Rivière

“…Tarkovski offers a mystical and spiritual vision in his movies. We will analyze the spatial cinematographic dimension in his films, which complete the literary spatiality. …”
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Nous venons en paix : l’immigration dans les films de science-fiction après la Guerre Froide by Samantha Kountz

“…The semantic and syntactic analysis of such films highlights the underlying metaphors behind the use of aliens and UFOs as commentary on the culture of these movies a depiction of the aliens in terms of race, class and citizenship. …”
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Film music and construction of tourist imaginaries in Hollywood blockbusters by Marie-Hélène Chevrier, Chloé Huvet

“…This paper aims to show how the music composed for these movies contributes to the creation of topoi by promoting exoticism and orientalism, notably through the use of local instruments and musical motifs and through the representation, on screen, of traditional musical and artistic practices (singing, dancing, etc.). …”
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De la « Défense sacrée » (1980-1988) à la « Défense des Lieux saints » (2012-2017) by Agnès Devictor

“…Building on a large number of movies and images, this article analyses how war imaginaries were constituted over the course of two armed conflicts in which the Islamic Republic of Iran was involved: the war against Iraq (1980-1988) – the first filmed war – and the against the Islamic State in Iraq and Syria in 2012-2017. …”
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Una mirada a las representaciones cinematográficas de las regiones fronterizas en México by Jean Philippe Clot, Heidi Elizabeth Aguilar Pérez

“…In this work, we focus in how the Mexican border regions are represented in the movies, with the objective to determine if the cinematographic perspective can enrich the field of academic studies of border dynamics and the phenomenon of migration.…”
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