Optimal Dependence of Performance and Efficiency of Collaborative Filtering on Random Stratified Subsampling by Samin Poudel, Marwan Bikdash

“…Subsequently, we develop simple models of the Training Time Improvement (TTI) and the Accuracy Loss (AL) as functions of FUD and FID, based on extensive simulations of seven standard CF algorithms as applied to various primary matrices from MovieLens, Yahoo Music Rating, and Amazon Automotive data. …”
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An Effective Approach for Modular Community Detection in Bipartite Network Based on Integrating Rider with Harris Hawks Optimization Algorithms by Bader Fahad Alkhamees, Mogeeb A. A. Mosleh, Hussain AlSalman, Muhammad Azeem Akbar

“…The quantitative assessment of the proposed approach, as well as thorough comparative evaluation, was meticulously conducted in terms of fitness and modularity over the citation networks datasets (cit-HepPh and cit-HepTh) and bipartite network datasets (Movie Lens 100 K and American Revolution datasets). …”
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Environmental problems indicator under environmental modeling toward sustainable development by P. Sutthichaimethee, W. Tanoamchard, P. Sawangwong, P Pachana, N. Witit-Anun

“…For Sanitation Services, the highest environmental cost was movie theaters. Overall, the lowest environmental cost for all categories, except Natural Resource Materials, was for petroleum and refineries. …”
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New Orleans as the city of misfit women in Jezebel (William Wyler, 1938) and The Flame of New Orleans (René Clair, 1941) by Taïna TUHKUNEN

“…In several Hollywood movies on the antebellum South, the city of New Orleans pivots upon an unruly woman, ill-adapted to the codes and customs of the country, to serve the cinematographic portrayal of the 19th century Louisiana city, viewed as a topos of cultural and sexual instabilities, as well as a perfect site for spectacles and shows of all kinds. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Although Àfọ̀njá preceded the other two in movie 1 Barker, Chris. Cultural Studies: Theory and Practice. …”
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Hamstring Activity Before and After Break-Point Angle Calculated By Smartphone Application During the Nordic Hamstring Exercise by Toshiaki Soga, Shota Yamaguchi, Takayuki Inami, Hiromi Saito, Nadaka Hakariya, Naoto Nakaichi, Sho Shinohara, Koki Sasabe, Hayato Nakamura, Teerapat Laddawong, Kei Akiyama, Norikazu Hirose

“…BPA during NHE was calculated using the Nordic Angle app by analyzing a movie recorded with an iPhone camera. Additionally, the knee flexion angle during NHE was determined using two-dimensional motion analysis software based on video data. …”
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Fotografía del rodaje de la película Plácido, de Luis García Berlanga (Plana de l'Om, Manresa, 1961) by Col·lecció Francesc Escala Bartrolí

“…jig[1]/ML/73900   Photo from the film shoot of the movie Plácido, by Luis García Berlanga ((Plana de l'Om, Manresa, 1961) Although in the film the name of the town where the story takes place is never named or identified, most of the filming took place in Manresa, except for the final scene, shot in Barcelona. …”
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Intensity-Dependent Effects of Acute Exercise on Executive Function by Aylin Mehren, Cecilia Diaz Luque, Mirko Brandes, Alexandra P. Lam, Christiane M. Thiel, Alexandra Philipsen, Jale Özyurt

“…Furthermore, the association between exercise effects and cardiorespiratory fitness was examined. 64 participants performed in two executive function tasks (flanker and Go/No-go tasks), while functional MR images were collected, following two conditions: in the exercise condition, they cycled on an ergometer at either moderate or high intensity (each n=32); in the control condition, they watched a movie. Differences in behavioral performance and brain activation between the two conditions were compared between groups. …”
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Fotografía del rodaje de la película Plácido, de Luis García Berlanga (Plana de l'Om, Manresa, 1961) by Col·lecció Francesc Escala Bartrolí

“…jig[1]/ML/73900   Photo from the film shoot of the movie Plácido, by Luis García Berlanga ((Plana de l'Om, Manresa, 1961) Although in the film the name of the town where the story takes place is never named or identified, most of the filming took place in Manresa, except for the final scene, shot in Barcelona. …”
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Durvalumab and tremelimumab in combination with metronomic oral vinorelbine for recurrent advanced cervical cancer: an open-label phase I/II study by Pernelle Lavaud, Esma Saada-Bouzid, Renaud Sabatier, Olivia Le Saux, Thibault de la Motte Rouge, Anthony Gonçalves, Elodie Coquan, Jean-Sébastien Frenel, Marta Jiménez, Alice Hervieu, Laurent Mathiot, François Legrand, Claire Cropet, Edith Borcoman, Emmanuelle Charafe

“…Background The MOVIE phase I/II trial (NCT03518606) evaluated the safety and antitumor activity of durvalumab and tremelimumab combined with metronomic oral vinorelbine in patients with advanced tumors. …”
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Metamorfoses do cinema brasileiro na era da mundialização neoliberal: em busca de uma identidade estética? by Jorge Nóvoa

“…This essay intends to define from a conceptual argument related to underdevelopment, growth, underdeveloped movies, movies of the colonized and of the conqueror, the historical phases of the evolution of the Brazilian movies, arriving to the present phase, of the neoliberal globalization of the national economies, and, consequently, of the Brazilian one. …”
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Russian Science and Russian State: Image of a Scientist in Modern Russian Cinema by S. M. Medvedeva

“…The article analyses the image of a scientist represented in recent Russian movies. The article discusses two groups of questions: (1) nature and role of popular science in the life of society; (2) national features of scientific cultures. …”
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Présences mémorielles et carences fictionnelles : L’espace du deuil dans le cinéma indépendant new-yorkais post-11/09 by Vincent SOULADIÉ

“…Whereas the Hollywood majors observed a careful distance in the evocation and the representation of 9/11, several filmmakers belonging to New York's independent cinema chose to rapidly direct movies set in its immediate aftermath and in the bruised landscape of New York. …”
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Combinación de monensina y viginiamicina en engorde y eficiencia de novillos terminados a corral by Anibal J. Pordoming, E. Bressan, F.J. Apa

“…En la totalidad del experimento, MoVi resultó en ADPV 10,8% superior a Mo (P<0,01). …”
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Associations of time spent on different types of digital media with self-rated general and mental health in Swedish adolescents by Helena Frielingsdorf, Victoria Fomichov, Ingrid Rystedt, Sofia Lindstrand, Laura Korhonen, Hanna Henriksson

“…Spending six hours or more on digital media was also associated with worry/anxiety (for social media and gaming), head/neck/shoulder pain (for social media, watching movies/series/video clips and schoolwork), poor general health (for gaming and watching movies/series/video clips) and low trust (for gaming) (ORs 1.39–3.18, p < 0.05). …”
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Historias de la debacle y la migración en el imaginario fílmico argentino-español by Susana Schmidt

“…In the 2001 Argentina, different film directors linked, in their fictional movies, crisis to emigration of Argentines abroad, looking for better opportunities. …”
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TARİHSEL BİR KARŞITLIĞIN TEZAHÜRÜ: 2002 SONRASI TÜRK KORKU FİLMLERİNDE BİLİM-DİN ÇATIŞMASI by Şan Ararat Halis

“…In accordance with this aim, ten horror movies that were produced after 2002 will be examined by using thematic analysis method.…”
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Problematizando a indústria dos sonhos: questões sociológicas para analisar o cinema de entretenimento estadunidense by Túlio Cunha Rossi

“…Most of these reflections derive from research for my PhD thesis, in which the use of movies to undertake consistent analyses of subjects relevant to life in society was central. …”
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Redneck Riviera : kitsch et détournement amusé dans l’imaginaire de John Waters by Justin S. Wadlow

“…Movies by John Waters always feel out of place, neither fully highbrow nor part of the classic underground cinema, they seem to walk a tight rope between avant-garde and exploitation. …”
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La migración latinoamericana actual en el cine mexicano y argentino   by Paola García, Perla Petrich

“…In others there is a change of kind:  "drama" is left behind and they are catalogued as " dramatic comedies " and even romantic comedies or simply movies of great comedy.The main purpose of this article is  to expose these changes and their motivations.…”
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