Divine hiddenness, the melancholic self, and a pandemic spirituality by R. Venter

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« Mon seul Shakespeare » by Jacques Nichet

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La Mélancolie et l’aspect spatio-temporel de l’identité dans Le pion sur l’échiquier d’Irène Némirovsky by Liudmyla Parfeniuk

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Introduction : « La Duchesse d’Amalfi, des humeurs baroques à une passion moderne ? » by Gisèle Venet

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A.C. Swinburne. « The Triumph of Time. » by Simone Lavabre

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Genera Mixta in Herbert George Wells’s Industrial Romance ‘The Cone’ (1895): Realism, the Uncanny Fantastic, the Industrial Sublime and the Tragic by Françoise Dupeyron-Lafay

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Perception and treatment of melancholy in the writings of Hildegard of Bingen (c. 1098-1179) by Eglė Sakalauskaitë-Juodeikienë

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Unendliche Skepsis: Offene Form in Chopins Mazurken by Johannes Quint

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