Song folklore of the Crimean Tatars: the aspect of identification (part 1) by Rustem Komurdzhi

“…The work included historical, comic, lyrical, dance and others. Variants of previously studied songs were also obligatorily viewed.…”
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Le “Written Speech” yeatsien et ses expressions scéniques by Pierre Longuenesse

“…He then takes his distance from it in favor of a concept of oral form that includes his own, the lyrical’s poet, “written speech”, reconciling oral conversation with the « sprezzatura » of aristocratic speech. …”
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Marie Uguay et Saint-Denys Garneau, au bord du vide by Mylène Durand

“…Their poetic works show that their lyric subjects are situated in a sort of “in-between”, an excrescence of time, a threshold they are trying to name. …”
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An alien among aliens: Translating multicultural identities in Singapore’s contemporary theatre by Bei Hu

“…As a Singaporean arts activist born in China, Kuo reformulated the state identity of Singapore through his self-translated play Descendants of the eunuch admiral (1995a), which examines his perceptions regarding the perils of a homogenised national theatrical realm and the tensions emerging from modernisation — an intriguing standpoint for an ethnically Chinese art activist. This lyrical episodic play unfurls the representation of the self-discovery of Zheng He, the Chinese admiral and court eunuch during the Ming Dynasty (1368–1644). …”
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The Philosopher’s Poet: Twenty-First-Century Perspectives on Wallace Stevens by Bart Eeckhout

“…By pitting the voices of poets against those of philosophers, the article allows the reader to observe empirically how poets are often wary of addressing Stevens’s philosophical weight except by noting the formal and stylistic enactment of mental activity in his verse, while philosophers sometimes fail to acknowledge the intrinsic nature of lyric thinking, and thus do not always manage to contribute to a deeper understanding of the poetry as such.…”
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Fearlessness and Resistance in the Gulag: Estonian Prison Camp Poetry by Rebekka Lotman

“…Fear was transformed in various ways: Artur Alliksaar’s poetry confronts the possibility of cataclysm with beauty, while the lyrical selves of Valve Pillesaar, Leenart Üllaste, and Helmut Joonuks chose to shut down their minds. …”
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Une éducation sentimentale ou le roman d’amour de Salammbô by Geneviève Mondon

“…The warriors are spectators of the characteristic “hero” epiphany clearly expressed by the lyric singing and the esoteric dance.  After meeting, Salammbô and Mâtho, both prey to amorous desire, seek each other, avoid each other and dream of each other.  …”
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Évolution du jardin latin moderne », dans Du paradis au jardin latin by Nicolás Marías Rubió y Tudurí

“…We hope that the translation of this extract will contribute to increase awareness in France, on the work of this landscape architect and will not betray the lyricism of the Spanish text.…”
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Handbag de Mark Ravenhill (1998) : réincarnation de The Importance of Being Earnest à la fin des années 1990 by Xavier Giudicelli

“…The play Handbag by Mark Ravenhill (one of the quintessential writers of so-called “in-yer-face” theatre), first produced at the Lyric Theatre, Hammersmith, in 1998, is a rewriting of The Importance of Being Earnest which shifts the emphasis from the verbal to the physical. …”
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« Moments of Vision » : l'écriture de Thomas Hardy by Stéphanie Bernard

“…In his poems, he went on exploring the limbos of life, death and loss while shaping words into lyrical veils shading an unbearable truth.…”
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Poezija kao luksuz i sredstvo preživljanja by Dubravka Djurić, Aleksandar Bošković

“…In her poems, she combines the lyrical with the experimental, while in her essays, she critically reflects on neo-liberalism. …”
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Making the Past Audible: The Childlike Element and Renewal of Existence in Benjamin and Woolf by Anne-Marie Smith-Di Biasio

“…This analysis is extended to Virginia Woolf in terms of reading acoustic anteriority as a form of language renaissance in To the Lighthouse, whereby through a radical infra-lyrical turn, words are heard anew in their oldness at a dialectical moment of danger. …”
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Thomas Wolfe: Modo and the Potential for Renaissance by Amélie Moisy

“…To Wolfe’s conservative publishers, his excessive and emotionally intense style, running the gamut between lyrical and terse, seemed cutting edge. Yet his professional associations affected his radically independent image and his contemporaries; the Southern Agrarians, who became the New Critics, rejected his artistic choices. …”
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„Wie die Geschichtsschreiber der Welt die Geschichte des Felsens schreiben“. Die zerschlagene Gedächtnislandschaft in der „Saison in den Alpen“ von Mieczysław Jastrun by Elżbieta Dutka

“…The unconventional and undescriptive mountain landscapes presented in it were influenced by fresh war memories and anxieties related to the new political situation in Europe. Jastrun’s lyrical works refer to the well-known mountain symbolism and play with topoi, but despite this, there is a clear distance from tradition, especially the Romantic one. …”
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Claudia Rankine’s Citizen: A Network-Text by Michael Hinds

“…Claudia Rankine’s Citizen: An American Lyric (2014) uniquely dramatizes the threat (or promise) of the obsolescence of the poetry collection in the age of postcapitalism. …”
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The Semantics of the Absurd: On German ‘Hermetic’ Poetry and Political Commitment after 1945 by Marko Pajević

“…But it was particularly in lyric poetry that a lucid and politically aware examination of the recent past took place and an expression of such considerations could be found. …”
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Traum-A-Rhythmia On Debbie Tucker Green’s In-Yer-Ear Stage by Lea Sawyers

“…Her texts, which draw simultaneously from poetry, song lyric writing and musical score, question the nature of theatre. …”
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Deep gradient reinforcement learning for music improvisation in cloud computing framework by Fadwa Alrowais, Munya A. Arasi, Saud S. Alotaibi, Mohammed Alonazi, Radwa Marzouk, Ahmed S. Salama

“…The melodic framework in the input musical data is initially identified using bi-directional gated recurrent units. The lyrical concepts such as notes, chords, and rhythms from the recognised framework are transformed into a format suitable for RL input. …”
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Schon wieder das Lied!. Robert Schumanns »In der Fremde« und die Kriterien musikalischer Analyse by Felix Diergarten

“…Schumann’s Eichendorff songs have been the subject of many musicological studies and musical analyses: Schumann’s interventions in the lyrical text, his musical reactions to the text, the question of cyclicality and non-cyclicality, Schumann’s harmony: all this has been discussed so much that a history of song-analysis can be written on the basis of Schumann-analyses. …”
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