AESTHETIC TRENDS AND DEVELOPMENTS IN BESSARABIAN OPERA MUSIC OF 20th CENTURY by Luminiţa GUŢANU

“…The work of Bessarabian composers (the lyric genre) convincingly illustrates the interdependence between trends, which forms a heterogeneous aesthetic musical field. …”
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O espaço urbano como construção poética do sujeito by Susanna Busato

“…This is a critical and analytical study about some poems written by the Brazilianpoet Fábio Weintraub concerning the construction of the poeticspace as acritical and poetical view of the subject. The lyric aspect in the poet’s work is objective and sensitive towards urban scenes in which all the objects play a role as images of the cities’ routine, in which space is performed as the drama of thesubject who sees the scene.…”
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Du socle au paysage : essai pour un nouveau regard sur les reliefs by Claire Portal

“…As patterns, landforms also participate in the pictorial and lyric composition of artistic works and show themselves as driving elements of the construction of western landscapes models.…”
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Portugal in the 18th–20th centuries Russian poetry by Polina Poberezkina

“…The author explores the path from indirect reception through other European literatures to original lyrical travelogues and compares the image of Portugal in Soviet and émigré poetry. …”
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The Boustrophedonic Turns Of Suffering in Faithful And Virtuous Night by Louise Glück by Marie Olivier

“…It means to illustrate the way time and lyric subjectivity are structured in Glück’s latest collection.…”
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Poetic and theatrical occasionalisms: Creation of new morphologically complex words by Joseph von Eichendorff, Johann Nepomuk Nestroy, Peter Handke and Arno Schmidt by Wolfgang U. Dressler, Barbara Tumfart, Dietmar Kunisch, Vanessa Hannesschläger

“…This definition holds for the authors investigated, except Eichendorff who reuses occasionalisms, which may be also reused by other lyrical poets of the same period or even later.The main part (§ 3) consists of the discussion of 17 criteria for characterising and differentiating the occasionalisms studied. …”
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CORNEL ŢĂRANU – VALENTIN STREINU: MUSICAL-POETIC CONNECTIONS by Ciprian Gabriel POP

“…A non-exhaustive analysis is thus featured of the particular methods leading to the melody-lyrical results. The analysis focuses on the following coordinates: the idea of continuous variation as a developing principle of musical discourse; the idea of sonorous material – from the point of view of its development, of rhythm, of form used to elaborate on structures and of the type of accompaniment as supporting the poetic aura. …”
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Drawings is a Miracle! Aldo Rossi’s A Scientific Autobiogrhphy by Paolo Belardi

“… First published under the title A Scientific Autobiography [Rossi 1981a], as part of the Oppositions Books series by the prestigious editors, Peter Eisenman and Kenneth Frampton, translated with great lyrical sensitivity by Lawrence Venuti and commented upon with extraordinary critical acuity by Vincent Scully (author of a memorable afterword entitled Ideology in Form), Aldo Rossi’s A Scientific Autobiography (a story in a personal key to the relationship with architecture and the profession of architect) is an absolutely atypical book, because it manifests itself as a diary, a notebook and a memoir, all at once. …”
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ASPECTS OF THE VOCAL-SYMPHONIC GENRE by Lucian GHIŞA

“…The borderline between oratorio and cantata is placed in embracing lyrical and epical aspects – in the case of the cantata – or dramatic – in the case of the oratorio. …”
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The Rhetoric of the Rearguard? Sincerity in Innovative American Poetics by Nicholas Manning

“…How did the criterion of poetic sincerity transform, in the space of a half-century, from a fundamental tenet of radical modernism to an incarnation of lyrical and expressive orthodoxy? Why have efforts to reintegrate sincerity into experimental poetics and literary traditions—such as the problematic New Sincerity of the 1990s—met with limited success? …”
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Écrire « au nom de l’Abeille, du Papillon et de la Brise » : figures animalières et paysagères dans les écrits d’Emily Dickinson. by Estève Marie

“…The article studies how animal figures are introduced in a few early poems and in the beginning of the first fascicle to encompass their relating to XIXth context and to the poetic project to write from within the tradition of lyricism while transforming traditional animal tropes, thanks to the circulation of voices and the passing of the poetic wording (and worlding) to relaying animal and other landscape figures.…”
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FRANZ SCHUBERT AND THE MUSICAL ROMANTICISM by Boróka GYARMATHY-BENCZE

“…Composer Franz Schubert reunites his art the subtle text interpretation with the melodic, purely musical ideal of shaping melody. By way of the lyrical tone of his melodies, he is considered to be one of the most talented composers of the 19th century. …”
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Coda: The “Queen Under the Hill,” or, Robert Duncan’s Lesson in Essential Autobiography by Rob Halpern

“…This is a hybrid work of creative scholarship: a lyrical essay that blends personal history with literary criticism. …”
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THE HEALING POWER OF MUSIC. MUSIC IN PRACTICE by Szilvia TÖRÖK

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Duncan’s Stein Writings: Derivation and Logopoeia by Daniel Katz

“…The paper ends with a brief examination of the relationship of Duncan and Spicer in their shared but distinct projects of challenging essential tenets of modernist lyric ideology, a project for which Stein proves a crucial resource to Duncan, not least in offering a form of “permission” for the exploration of certain forms of “bad” writing.…”
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Àrẹ Lekan Àrẹ: A Tribute to a Warrior for all Battles by Toyin Falola

“… In the forest of songs yours is a fertile lyric weaved for every ear. In the sky of words your lines are rainbow, brighter than the moon, illuminating beyond the stars. …”
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The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis by Anne-Marie Miller-Blaise

“…This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. …”
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“SONATA FOR CLARINET SOLO” BY TIBERIU OLAH by Răzvan METEA

“…His personality takes prominent shape even from his first works: a strong lyrical nucleus, intense dramatism and contaminating kinetic energy " (Olguţa Lupu - March 2010[1])…”
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“EQUINOXES” BY TIBERIU OLAH by Răzvan METEA

“… "Overwhelming dramatic tensions, lyricism going up to the the inner tear, fine humor with a touch of malice, overflowing colourful imagination, all embedded in a whole managed with unrivalled sense of time: a music you cannot pass by, which turns you upside down and brings you closer to the deep meanings of existence" (Olguţa Lupu)[1]. …”
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Du baromètre au piolet, cent cinquante ans de visions britanniques de la montagne by Michel Tailland

“…Far from the romantic or lyrical views of Shelley or Ruskin, their writings or etchings are therefore loaded with truth and emotion. …”
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