Performative Translation: Latvia’s Orbita Group as a Post-Monolingual Heterotopia by Kevin M. F. Platt

“…In traditional cultural configurations, translation is thought to transfer the essential features or the spirit of a text from one literary language to another in a manner that makes possible the translation’s readers’ sense of unmediated contact with the original. …”
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A critical view on the book "Rhetoric (1)" published by payame noor university by Ali Reza Shabanlu

“…Among its defects, it is possible to mention the imposition of the rules of Arabic rhetoric on Persian language, the disregard for the dynamics of language, the appropriation of semantics to literary language, the old black or white (biased) attitude towards Rhetoric, lack of attention to the work’s wholeness and inattentiveness to the oral and auditory aspects of language.…”
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A Linguistic and Rhetorical Study of Collocation in Shahnameh by Maryam Tafaroji Yeganeh, Qmars Niksersht

“…One of the conceptual relations between words is collocation which means two or more words are collocated in such a way that the possibility of their coming together is predictable. In literary language, collocation is the result of mental association and linguistic connections between parts of speech. …”
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Vladimir Nabokov - purysta językowy / Vladimir Nabokov - a linguistic purist by Monika Grygiel

“…The perfection of his literary language, his mastery of style expressed in allusions, cryptic quotations, repetitions, made Nabokov a virtuoso, a master of words and a literary authority, allowing him to adopt a critical and radical attitude towards literary texts, especially those translated into foreign languages. …”
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Review the Innovation of Manuchehr Neyestani in Poetic Elements of Ghazal by Nurya Yahu, Seif addin Abbarin, Barat Mohammadi

“…In the poetic language, he has broken the hegemony of literary language and He has introduced colloquial and spoken words and expressions in a ghazal. …”
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Problem of the Classification of Quantitative Noun in the German Language by E. L. Shubina

“…Normative recommendations on the choice of subordinate connection type should be connected at least at the present stage of existence of German literary language, exactly with the semantics of the nouns which are the first components in these word combinations. …”
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"[T]he rising silhouette of the city" : une poétique des choses urbaines dans "Coming, Aphrodite !" et "The Diamond Mine" de Willa Cather by Céline Manresa

“…Sensitive to the ever-renewed colours, lights, sounds and shapes of the city, Willa Cather’s literary language is permeated by the intensity of the urban experience, which ultimately paves the way for a poetic encounter between the text and the tangible world of the city.…”
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Share on vk Share on google_plusone_share Share on twitter Share on email More Sharing Services The Swedish language of formal communication in the modern and contemporary times by I.V. Matytsina

“…The results obtained are of great importance for studying the Swedish stylistics, as well as for understanding the essence and roles of language policy in the process of normalizing and codifying the literary language.…”
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Analysis of Nonverbal Communication in the Story of Hasanak the Vizier by Morteza Mohseni, Sayyed Esmail Jafari Petroudi

“…Although the poets and writers use literary language for aesthetic statement, they are not inattentive to nonverbal communication. …”
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Some features of the Islamic Culture of Khwarezm in the Golden Horde Era by Malikov A.

“…The close interaction of the Turkic-speaking peoples of these territories, coupled with the policy of a certain part of the political elite to support the use of Turkic languages, manifested itself in the growth in the number of works in Turkic languages and the beginning of the formation of a single Turkic literary language. In this complex process, Khwarezm played the role of repeating the Arab-Persian cultural traditions with the participation of a certain local Turkic component. …”
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The Semantics of the Absurd: On German ‘Hermetic’ Poetry and Political Commitment after 1945 by Marko Pajević

“…By integrating silence and the absurd (that is, the unheardof and the unspeakable) into literary language, this so-called hermetic poetry did not entail a withdrawal from society but, on the contrary, devoted itself to a particular form of political commitment. …”
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Semantic link of allusions and non-verbal communication in Ferdowsi's Shahnameh by Zahra Jamshidi, Seyyed Mohammad Arta

“…In the present essay, the author investigated the ironies derived from the concept of non-verbal behaviors with a descriptive-analytical method and a case study of Ferdowsi's Shahnameh and came to the conclusion that a large part of the ironies was adapted from the concept of non-verbal behaviors and there are comprehensible semantic relationships between these two categories and understanding the semantic relationship between these two categories of literature and language leads to the discovery of a subtle relationship between literary language and ordinary language. Movement behaviors, facial behaviors, environment and physical appearance are respectively the most frequent behaviors from which allusions in the Shahnameh have been received.…”
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Fálétí’s Philosophical Sensibility by Adeshina Afolayan

“…These authors were all verbal stylists of a high order; they transformed the literary language, moving away from Fágúnwà’s rolling cadences to a more demotic, supple prose that successfully caught the accents of everyday life (2004, 368). …”
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Geo Bogza – lecţia de libertate şi poetica exasperării by Loredana Opăriuc

“…Geo Bogza is one of the well-known representatives of the Romanian avant-garde and one of the unavoidable names during the second half of the 20th century, covering different types of literary languages. His works contain, as a common feature, the idea of real freedom, not an imagined one, a poet, or a writer in general, being, in his view, necessarily free from society rules, literary conventions, prejudices and other restrictive laws. …”
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Literatura parenetică. Modelele bizantin, occidental și național by Eugen Simion

“…Another question which the study proposes for debate is the one of the literary character of the parenetic writings, thought under a threefold aspect: (a) their aesthetic value; (b) influence and/or belonging to cultural structures before the literary languages were formed; (c) otherqualities, signs, topics of the national spirituality, as it is regularly done in revealing the fiction works. …”
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Hidden aspects of meaning in the phonetic layer of Haft-Peykar by Gholamhosehn Madadi, Ebrahim Estaji, Azam Estaji, ali tasnimi

“…In the process of achieving literariness, language moves away from its usual form, and linguistic elements in the text go beyond conventional types for an artistic usage. …”
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