Madame Bovary et ses trente-quatre « vous », ou le retour du refoulé by Alain Vaillant

Subjects: “…irony…”
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A ironia como projeto: movimentos da narrativa de Cora Coralina no campo literário brasileiro by Clovis Carvalho Britto, Maria Eugênia Curado

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Petit précis de subjectivation : retour sur Un cœur simple by Boris Lyon-Caen

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The Music and (dis)harmony of (anti)utopia in Samuel Butler’s Erewhon by Françoise Dupeyron-Lafay

Subjects: “…irony…”
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Donald Barthelme’s “Report” and Michal Rovner’s Decoy series, or the Ongoing Art of Telling It Slant by Sandrine Dechaume

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L’horreur acoustique musiques « anempathiques » dans le théâtre de Martin Crimp by Aloysia Rousseau

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Über den »unisonierenden Dualismus« im ersten Satz von Schuberts Streichquartett G-Dur, D. 887 by Sebastian Urmoneit

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LA CRITIQUE IRONIQUE DE L’ACQUISITION DE LA DOCTRINE DE LIBERTE ABSOLUE DANS “L’IMMORALISTE” D’ANDRE GIDE / ANDRE GIDE’İN AHLAKSIZ ADLI ROMANINDA MUTLAK ÖZGÜRLÜK DOKTRİNİN EDİNİMİN... by Fuat BOYACIOĞLU, Hülya KOL

Subjects: “…Ironie…”
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Neopragmatism and speculative realism by A. V. Morozov

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“The new extreme right” by Nilsson Per-Erik

“…In this article, I explore uncivility as a discursive logic within the French post-fascist media-ecology, focusing on the conspicuous use of irony and discursive displacement. More specifically, I discuss how sardonic irony as an uncivil discursive strategy is employed to navigate the legal boundaries of free speech and how discursive displacement, coupled with irony, is used as an affective identificatory technique in post-fascist discourse.…”
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Dire le genre dans la presse magazine féminine et masculine by Aurélie Olivesi

“…My conclusion is that irony contributes, in a most essential way, to the building of a gendered discourse in the media.…”
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Newman polémiste et satiriste by Keith Beaumont

“…Newman is widely recognized in the English-speaking world as one of its great satirical authors (though it has to be admitted that his subtle irony sometimes escapes the translators of his work into other languages, notably French !). …”
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Qui d’autre ? by Jacques Neefs

“…“Compassion” would rightly designate what drives Flaubert’s prose, firmly combining anger, tenderness, irony, and a bleak ardor to detect the monstrosities of stupidity.…”
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Social Iconotext: the Stoics’ Club in John Galsworthy’s The Country House (1907) by Maxime Leroy

“…The aim of this article is to describe Galsworthy’s use of visual writing and its relation to irony and social satire. It shows the importance of the club as habitus (Bourdieu), both real and metaphorical. …”
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Flaubert, Beckett, Toussaint : d’un phrasé l’autre by Karine Germoni

“…If Flaubert, Beckett and Toussaint are members of what Sainte-Beuve called “a spiritual family”, it is because they share the same sense of irony and humour which is reflected in the way they each treat syntax, style or punctuation. …”
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Les stratégies poétiques du refus de vieillir dans « Ulysses » de Tennyson by Jean-Charles Perquin

“…The poem should also be read in the light of elegy, especially if we take into the account Arthur Hallam’s death in September 1833, and we should also focus on the numerous indices of irony that appear in the soliloquy, as Tennyson’s oblique intrusions in a complex, unexpected act of poetic speech.…”
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Humor, skerts en gemoedelikheid in verskillende stylfigure by Johannes Calvyn by P. C. Potgieter

“…In a lighter mood, Calvin frequently expressed himself in various figures of speech, particularly metaphor and irony, which often have a hint of sarcasm. …”
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ALFRED SCHNITTKE’S POLYSTYLISTIC JOURNEY: “THE THIRD STRING QUARTET” by Oana ANDREICA

“… Within the extremely eclectic musical manifestations of the 20th century, Alfred Schnittke stands as a key‑figure, being one of the most influential composers to have linked the past to the present, creating an original sound world, tormented by violent contrasts and conflicts, confusion, nostalgia, irony and parody. His works often look back at the musical tradition, exploring its potential by means of modern compositional techniques and thus giving it a totally new shape and value. …”
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« N’importe… » : s’être (ou s’avoir) aimé by Sylvie Triaire

“…Some, but very few, were sensible to the subtle and bitter irony that strips desire and reveals its essential inactivity, while others, the majority, stigmatized its widely spread covetousness.  …”
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Czy Muminki mogą zmienić współczesny świat? Na marginesie recenzji książki Hanny Dymel-Trzebiatowskiej Przechadzki po Dolinie Muminków. Perspektywa filozoficzno-literacka (2024)... by Dorota Michułka

“…Dymel- Trzebiatowska’s book treats the stories of the Moomins as a kind of philosophy of life, refers to broad existential-ethical, sociological, psychological and pedagogical contexts indicating the extraordinary timeliness and universality of the messages, axiological challenges and deeper meanings of Jansson’s stories, issues and themes relevant (including, for example, equality issues, feminist criticism, confronting the threats of modern civilization, environmental humanism, ageism, issues of communication and silence, notions of loneliness, rejection and the “struggle” for acceptance, but also irony and the role of theater), which makes it an important part of the discussion on contemporary humanistic education of children and adolescents in its broadest sense. …”
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