“LIGHT” AND “SHADOW” OF A.S. MAKARENKO’S PEDAGOGICAL TRADITION by D Klus-Stanska, A. A. Polonnikov

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Art et histoire : l’excès dans Demos de George Gissing by Christine Huguet

“…But he cannot overlook the fact that addressing a specific past and calling upon collective memory also render his task as an illusionist far more complicated. In Demos George Gissing meets the challenge and evinces keen awareness of the necessity both to accommodate the possibilities suggested by his material and to avoid being constrained by it, hence the deconstructive subtitle, « A Story of English Socialism », a clear warning of imaginative departure from mere factuality. …”
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What if We Seem to Seem and Not Seem? Estimating the Unreasonable Price of Illusionism by Biplab Karak

“…This paper attempts to find out if there is any such illusionist justification. …”
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Our Interplanetary Bodies by Marie Siguier

“…While the sublime Burkean modernist was an illusionist and attempted to distance the observer from a terrifying nature to have him feel terror, elevation or rapture, the installation encompasses the individual and sends him back to his own physical and cognitive experience, as well as to an renewed experience of space and senses through immersion in a “cosmos programme” that nevertheless produces a feeling of elevation faced with what Lyotard called “the unpresentable”: the absolutely great, the absolutely powerful.…”
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Masques et mascarades dans Romola par George Eliot : la traversée des apparences by Stéphanie Richet

“…Between opacity and transparency, exposition and dissimulation, the viewer’s gaze is blocked by illusionist devices that lure it. Masks and masquerades dramatize the lie of appearances. …”
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