Christian Iconography Adorning Corinthian Capitals in Syria by Ahmad Dawa

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The afterlife of François Le Moyne’s Annunciation on eighteenth-century Portuguese azulejos by Rosário Salema de Carvalho

Subjects: “…Iconography…”
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José María Salvador-González, Thalamus Dei. The Bed in Images of the Annunciation Its Iconography and Doctrinal Explanation, Editorial Sindéresis / Editorial Dykinson, Madrid 2024, 188 pp.... by Piotr Roszak

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Right ventricular failure due to subacute massive pulmonary embolism by Claudio Giumelli, Giacomo Bussolati, Patricia Granauro, Paolo Montanari

“…The case is accompanied by interesting iconography, including electrocardiogram, echocardiogram, ventilation-perfusion, pulmonary scintigraphy, and chest angio-computed tomography. …”
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An In-depth Exploration of an Unexamined Reliquary in the Church of Mar Tadros-Blat, Syria by Dana Khouli

“…By conducting a detailed analysis of its carvings and symbolic iconography, the study seeks to unravel the religious motifs embedded in its design and interpretation, elucidating their connections with saints, pivotal figures intricately associated with sarcophagus reliquaries. …”
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Perigosas brincadeiras:a infância em Marcelo Mirisola e Furio Lonza by Renan Ji

“…Imitating the structure and writing of children‘s books, the authors have subverted the genr e pointing towards an extreme revision of childhood‘s imaginary and iconography. Current traditional representations of the child have their origins in the romantic - bourgeois imaginary of late 18 th century and the beginning of the 19 th century. …”
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Text-image Iconicity in Assurnasirpal II’s Northwest Palace by Robin Baker

“…Most attempts to interpret the panel have focused on specific elements of its iconography, particularly the tree and the figure in the winged disk above it. …”
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Mulheres, arte e poder: uma narrativa de contrapoder? by Ana Gabriela Macedo

“…My aim in this paper is to build on a fundamental essay by Linda Nochlin preci- sely titled “Women, Art and Power” (1988), where the author convincingly inves- tigates this triad while, in her own words, she “disentangles various discourses about power related to gender difference existing simultaneously with – as much surface as substractum – the master discourse of the iconography or narrative”. I propose to extend Nochlin’s analysis somehow further and, without twisting her premises, to introduce a shift of focus in this debate, from the analysis of the repre- sentation of women by male artists, to the role of the woman artist in contempo- rary art scene, i.e., from women as objects of representation, to women as agents and subjects of the representation. …”
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The Portrait of heshuo Guo-qinwang Yunli as the Source for Weapons and Horse Equipment of Oirats and their Neighbors in the first half of the 18th Century by Leonid A. Bobrov

“…Conclusions. Materials of Qing iconography are currently not being actively used to study the Oirat cultural heritage. …”
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Changes of Narrative: Osvald Sirén’s Photographic Modeling of Modern Research on Chinese Garden by Jiuwen GU, Yuanfeng SHI, Shan JIA

“…The localized images taken from different perspectives construct a distinct narrative language of gardens, an alternative spatial narrative language to the traditional garden narrative, accompanied by the emergence of an emerging research branch of garden space reading logic — a school of garden research based on modern iconography.ConclusionPhotographic interventions in garden space research were constrained by many technical conditions which posed substantial challenges to early photography. …”
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