Photobooks dedicated to Gunkanjima: Random Personal Memories or Strategical Publications? by Cecile Laly

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Exhibiting the West at the Paris Exposition of 1867: Towards a New American Aesthetic Identity? by François Brunet, Jessica Talley

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Archiver ailleurs, archiver autrement ? by Stefanie Baumann

“…It was founded by a group of artists who wanted to establish a kind of alternative history of photography—which would counter European and American textbooks on the history of photography, in which photographic representations of the Arab world are often constructed from an orientalist point of view. …”
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From Fugitive Poses to Visual Sovereignty : The Photo-poetics of Leslie Silko’s Storyteller and Joy Harjo’s Crazy Brave by Audrey Goodman

“…This essay foregrounds Indigenous critical perspectives on the history of photography in the U. S. West. It considers how two Native writers, Leslie Silko and Joy Harjo, resist the settler-colonial narrative of “vanishing” Indians in their multigenre texts. …”
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De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre by Anne-Bénédicte Mérel-Brandenburg

“…The richness of the corpus thus offers new objects of study, from the history of photography to a multidisciplinary approach: painting, sculpture, decorative arts, archaeology, museology and pedagogy.…”
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Gestes et images du voyage en Orient by Monique Sicard

“…This article shows the contribution of the history of photography in the debate, and the necessity of favoring a diversity of photographic objects instead of the concept named, as a matter of convenience, “photography”.…”
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Changes of Narrative: Osvald Sirén’s Photographic Modeling of Modern Research on Chinese Garden by Jiuwen GU, Yuanfeng SHI, Shan JIA

“…This research is based on the intersection between the history of gardens and the history of photography, and provides an in-depth analysis of the interactions between garden space and photographic technique to explore their internal, non-obvious connections.ResultsThe results show that Osvald Sirén used a large-format camera, a medium-focal-length lens, and technical concepts similar to those of the zone system to increase the density of image shadow, deepen the details, and compress space during photographing. …”
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