Photobooks dedicated to Gunkanjima: Random Personal Memories or Strategical Publications? by Cecile Laly

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Is Every Theory about Photography a Critical Action? Looking at the Book “Photography: A Critical Introduction” by Mohammad Khodadadi Motarjemzadeh

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Exhibiting the West at the Paris Exposition of 1867: Towards a New American Aesthetic Identity? by François Brunet, Jessica Talley

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Archiver ailleurs, archiver autrement ? by Stefanie Baumann

“…It was founded by a group of artists who wanted to establish a kind of alternative history of photography—which would counter European and American textbooks on the history of photography, in which photographic representations of the Arab world are often constructed from an orientalist point of view. …”
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From Fugitive Poses to Visual Sovereignty : The Photo-poetics of Leslie Silko’s Storyteller and Joy Harjo’s Crazy Brave by Audrey Goodman

“…This essay foregrounds Indigenous critical perspectives on the history of photography in the U. S. West. It considers how two Native writers, Leslie Silko and Joy Harjo, resist the settler-colonial narrative of “vanishing” Indians in their multigenre texts. …”
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Les frères Courret : reconstruction d’un parcours familial entre la France et le Pérou au XIXe siècle by Isabelle Tauzin Castellanos

“…Eugène Courret is one of the most famous French emigrants to Peru, because he is associated with the history of photography. This work reconstructs the photographer's life as an example of family migration between the European and American continents during the 19th century. …”
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De Félix Martin-Sabon à Pierre Pradel, une histoire de plaques de verre by Anne-Bénédicte Mérel-Brandenburg

“…The richness of the corpus thus offers new objects of study, from the history of photography to a multidisciplinary approach: painting, sculpture, decorative arts, archaeology, museology and pedagogy.…”
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Gestes et images du voyage en Orient by Monique Sicard

“…This article shows the contribution of the history of photography in the debate, and the necessity of favoring a diversity of photographic objects instead of the concept named, as a matter of convenience, “photography”.…”
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Crossing the Caucasus hunting for plants: the collection itinerary of the botanists Stéphen Sommier and Émile Levier in the summer of 1890 by Daniele Viciani, Lorella Dell’Olmo, Chiara Nepi, Lorenzo Lastrucci

“…These maps will also be useful to botanists, historians, scholars and curators of natural history museums, who work with Caucasian flora and vegetation, ethno-anthropology, history of photography, and landscape.…”
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Topical chlorhexidine 0.2% versus topical natamycin 5% for fungal keratitis in Nepal: rationale and design of a randomised controlled non-inferiority trial by Victor Hu, David Macleod, Helen Anne Weiss, Matthew J Burton, Simon Arunga, Astrid Leck, Sanjay Kumar Singh, Jeremy John Hoffman, Reena Yadav, Sandip Das Sanyam, Pankaj Chaudhary, Abhishek Roshan, Einoti Matayan

“…Baseline assessment includes history, examination, photography, in vivo confocal microscopy and cornea scrapes for microbiology. …”
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Changes of Narrative: Osvald Sirén’s Photographic Modeling of Modern Research on Chinese Garden by Jiuwen GU, Yuanfeng SHI, Shan JIA

“…This research is based on the intersection between the history of gardens and the history of photography, and provides an in-depth analysis of the interactions between garden space and photographic technique to explore their internal, non-obvious connections.ResultsThe results show that Osvald Sirén used a large-format camera, a medium-focal-length lens, and technical concepts similar to those of the zone system to increase the density of image shadow, deepen the details, and compress space during photographing. …”
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