Eleftheria Thanouli, History and Film: A Tale of Two Disciplines by Hilaria Loyo

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Anamorphoses d’Emma. Pour une histoire de l’adaptation filmique by François Vanoosthuyse

“…It discusses the work of Robert Stam, Linda Hutcheon and Mary Donaldson-Evans, and through the example of these films aims at defining a possible history of film adaptation.…”
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Sinema Tarihi Çalışmaları ile Türk Sinema Tarihi Yazmaları by Fatma Okumuş

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Przekształcanie historii w filmie by William Guynn

“…Tekst jest tłumaczeniem rozdziału Refiguring History in Film z książki Williama Guynna Writing History in Film, Routledge, New York 2006. © 2006 by Taylor & Francis Group LLC – Books. …”
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Past deformations of "Brezhnevian stagnation" in Lithuanian cinema and TV fiction films (1968-1980) by Lina Kaminskaitė-Jančorienė

“…According to new popular theoretical approaches, this work analyses the specific source of history—fiction film—so this research brings Lithuanian fiction film up-to-date with usual resources of history. …”
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Claroscura Representation: An Audio-visual and Theoretical Exploration of the Representation of the Past Through Documentary Filmmaking by Gerrit Stollbrock Trujillo

“…I put this concept to the test through the medium of documentary film, talking specifically about the making of La Siberia, and suggest its relevance in other projects that attempt to represent the past or history through film. I suggest that this theory drives us towards the formulation of a new artistic project. …”
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Biophoty: The Biofilm in Biography Theory by Joanny Moulin

“…It begins by looking back to a debate going on in the 1970s and 1980s about whether film was a suitable medium for historiography and historical research, contrasting the reluctance of some American and British researchers like Robert Rosenstone, Ian Jarvie and Belén Vidal with French historian Marc Ferro’s engagement in favour of the use of cinema in history studies, and his contention that “history on film has become a force”. The term “biopic”, designating properly speaking a Hollywood invention, introduces a deleterious conceptual-cum-ideological misunderstanding that inhibits theorization. …”
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From the Banned Telefilm to the Feature Film: the Two Versions of Alan Clarke’s Scum (1977-1979) by Nicole Cloarec

“…Alan Clarke’s Scum, originally made for the BBC’s Play for Today series in 1977, has become a cause célèbre in the history of film censorship. Although the film had already been scheduled, it was eventually banned and only broadcast in 1991, a year after the director’s death. …”
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Traditional Language with a Flair for Innovation: Hans Florian Zimmer’s Compositional Process by Gabriele

“…Zimmer's traditionalism and keen sense for innovation merge to create a new result that also allows us to understand the latest evolution in the history of film music. …”
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Sur l’écran de ses souvenirs, Lo Batèu de pèira by François Amy de la Bretèque

“…It is first of all a history of cinemas and audiences, coupled with a history of films, reworked by the writer's memory, who has taken the popular cinema of the 1930s to the 1950s as a point of reference and blends in older memories from his father's childhood. …”
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