The role of predicative sentences in Hafez’s poetry by Seyed Mehdi Mousavinia, Meysam Hajipour

“…The results of this research show that: 1) In Hafez's poems, a word can be both “predicate” and “subject” simultaneously; 2) “To be verbs” and their derivatives can be used ambiguously and simultaneously both as main and linking verb; 3) Predicative sentences are usually accompanied by equivocalness, and such subtle equivocalness is not usually noticeable; 4) The substitution of predicate and subject in most Hafez's poems is accompanied by a change of meaning…”
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The disturbing order and Hafez's ghazals by Naser Rahimi, Zoheir Nadalizadeh

“…To that intent, I formulated my hypothesis based upon the poetic texture and the intertextual relations of Hafez's poems as a whole.…”
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Analysis of the rhetorical and linguistic concept of the two linguistic signs "Mohtasb" and "Donya" in a lyric by Hafez Based on Omberto Eco's semiotic approach by Yahya Nooraddini Agdam, Narges Mohammadi Badr, Gholamreza Ghaybi

“…The adaptation of his view on Hafez's poems can provide significant theoretical bases for the semiotics of Hafez's poetry; In Eco's view, "role of the sign" has an implicit concept and acts as a link between the form of expression and the form of content. …”
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The Evolution of the Meaning of “Dūsh” in the Thoughts of Khayyam, Sanai, and Hafez by Ali Mohammad Moazzeni, Ameneh Rajabi

“…The connection of “Sorūsh” with “night” is also reflected in Islam through “revelation” and “Gabriel” which set the groundwork for the divine perspective on “night”, “last night” and the “presence of the hidden messenger” in the poetry of later centuries specially, in Hafez’ poems. Before the genesis of this perspective, “Dūsh” undergoes its first semantic transformation in Khayyam’s Rubayiat, distancing itself from the divine concept associated with “Sorūsh” and Zoroastrian beliefs. …”
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