« My dear audacious Moore » : les poses de l’artiste décadent dans Confessions of a Young Man by Fabienne Gaspari

“…A considerable degree of ambiguity characterizes these confessions which can be considered as a form of heterotopia, a space of resistance in which boundaries between genres and tones are blurred and in which images of metamorphosis and flux abound. …”
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“From place to place and sea to sea”: The Art of Relating in R. L. Stevenson’s The Wrecker by Julie GAY

“…Indeed, relating a “globe-trotting story” like The Wrecker (406) not only entails connecting various spaces as the narration follows the character’s chaotic trajectory across the globe, but also weaving together the various genres associated with these spaces. At a narratological level, it moreover involves building a network of relations between the two narrators’ tales, and thus leaving clues for the reader to put together in the manner of a puzzle or a game of “dominoes” (406). …”
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The Ambiguities of an Ambiguity-Reading: A Critical Reading of The Function of Ambiguity in the Process of Reading by Parsa Janbeh Saraie

“…Due to its roots in different fields of knowledge, as well as its dependence on age, genre, style, etc., ambiguity finds different embodiments in different circumstances. …”
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“I shall not concern the Union in this Discourse” : Prétérition et engagement dans l’écriture pro-unioniste de Daniel Defoe, voyageur en Écosse by Emmanuelle PERALDO

“…This essay explores the singular political commitment and rhetoric of Daniel Defoe in his writings related to the Treaty of Union between Scotland and England in 1706. Several genres are analyzed in this essay but the stress is laid more particularly on a poem, Caledonia (1706) and a travel narrative dealing with the economic situation of Great Britain published between 1724 and 1726, the Tour thro’ the Whole Island of Great Britain. …”
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La fabrique des archives : le point de vue des archivistes des Archives départementales d’Indre-et-Loire à propos du fonds Menie Grégoire by Mathilde Sergent-Mirebault

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The Double Death of Humanity in Cormac McCarthy’s The Road by Stephen Joyce

“…Whereas the comic frame of the apocalyptic and post-apocalyptic genres posits a catastrophe that could be prevented by human actions in the present, the tragic frame of the post-apocalyptic posits a situation in which the end of the world has provided no overarching meaning to human history. …”
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Tordre les archives (queering archives) : oui, mais dans quel sens ? by Ruby Faure

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Newman et la conscience dans son roman Callista et dans son sermon « Ce qui dispose à la foi » by Michel Durand

“…The ‘astonishing variety of literary genres’ to which Newman turned his hand must not blind us to the underlying unity of all his work. …”
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Native American Women as Palimpsestic Apparitions in Alejandro Gonzales Iñárritu’s The Revenant by M. Elise Marubbio

“…It highlights the violence bred of racism that weaves throughout the history of westward expansion, undercuts the genre’s tendency toward white privilege through multi-lingual narratives, and centers a counter-narrative focused on Indigenous families and women. …”
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Séquence d’introduction de discours représenté : faire ou dire ? by Lotfi Abouda, Nina Rendulic

“…A first contrastive analysis of the occurrences of reported speech with faire from a micro-diachronic perspective reveals the recent emergence of this structure, mainly in informal interactional genres among young speakers. Alongside the micro-diachronic approach, we conducted a study of reported speech with faire from a synchronic perspective, analyzing its value and variation in an interactional context. …”
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Modalités de diffusion et rhétoriques des discours misogynes et misogames imprimés à la Renaissance by Tatiana Clavier

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Souhaits oubliés : documents de fin de vie des personnes trans vivant avec une démence aux marges des changements juridiques by Alexandre Baril, Marjorie Silverman, Marie-Claire Gauthier, Maude Lévesque

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A Review of Understand Film Studies by Ali Sheikhmehdi, Arsalan Moghadas

“…The book Understand Film Studies aims to equip its reader with necessary concepts for film critique; in this regard, the author describes the definitions of aesthetic and film structure, film genres and documentary, and by giving examples and expressing the basic concepts of each one, it aims to clarify the topics. …”
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Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton by Clotilde Thouret

“…This article compares the two dramatic genres, looking at the respective political implications of Richard III and A Game at Chess, and reflecting on the historiographical judgments they construct and the possible political affects they arouse in their spectators. …”
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Une cli-fi composite : les artefacts science-fictionnels dans Hors sol de Pierre Alferi by Julia Ori

“…In contrast to traditional cli-fi, which is linked to popular genres such as thriller, this novel is strongly characterised by its concern for form: it presents a compilation of very heterogeneous texts, which are available online at a specific date in the early 22nd century. …”
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Thinking Mythologically: Black Hawk Down, the “Platoon Movie,” and the War of Choice in Iraq by Richard Slotkin

“…This study explains the ideological force of Black Hawk Down by framing it as the culmination of developments in American national mythology, and the mass culture genres that carry it. The “Platoon Movie” developed during WW II propagated a new myth of multi-ethnic American nationality, and a “war imaginary” which figures WW II as the “Good War.” …”
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Le « Héros homicide et nocturne » en pleines « Lumières » : de Cartouche ou les voleurs (1721) aux « Vies privées » (1721-1803) by Anne-Marie Mercier-Faivre

“…The way in which the character of the criminal shifts between the different genres reveals his theatrical aspect and paradoxically at the same time the questions this poses for the theatrical genre.…”
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Revealing the rhetorical moves and linguistic patterns in discipline-related undergraduate thesis by Risa Rumentha Simanjuntak

“…The aim was to present the commonalities and differences within the genre and finally conclude the genre’s conventions. …”
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Postmodernismâs symptom in the Foroughâs language and intelligence by محمد خسروی شکیب, مریم یاراحمدی

“…Postmodernism in the literature area come to result with some sort of reproduction and imitation so that creativity and novelty were knocked down and literary genres were imitated and creation was forgotten. Rulers and principles were invalid. …”
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Brief history of distance education in Cuba and the world by Raúl López Fernández, Míriam Gutiérrez Escobar, Silvia Vázquez Cedeño, Mikhail Benet Rodríguez, Rachel Seijo Yanes, Alexander Cándido Hernández Petitón

“…Distance education has recently become a very useful educational practice due to the dynamics of today's world, the advances in the Information and Communication Technologies, as well as the need to achieve quality education overcoming distances and promoting personal growth and intellectual maturity of a growing number of people of all genres and latitudes. This paper aims to conduct a historical review of this type of education in Cuba and the world, from its origins to present times, for which a literature review was conducted covering different countries in Europe, Asia, Africa, America and Cuba, so that it can help all those who study this subject.…”
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