THE PSEUDO-SLAVIC REALIA IN PSEUDO-ETHNIC FANTASY: THE ISSUES OF TRANSLATION INTO THE RUSSIAN LANGUAGE by Nadezhda V. Rabkina

“…To date, the traditional fantasy genre that has its roots in European folklore is transforming as authors seek new, fresh mythological foundations and exotic forms of narration. …”
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Portraits de Résistantes (1847-1875) : la femme face au système patriarcal dans quelques romans victoriens by Jacqueline Fromonot

“…Greatly influenced by the sensational genre, Trollope, on his part, creates a wilful character resisting her father in The Way We Live Now. …”
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Tower d’Alun Hoddinott, ou la tentative de créer un opéra populaire by Jean-Philippe Heberlé

“…Added to this, we should bear in mind that both the efficiency of the libretto and the traditional symbolical use of the singers’ tessituras contribute to make of Tower an opera which respects the main features of the genre. In spite of all its musical and dramatic qualities, there have been few performances of Tower and Opera Box has never succeeded in securing any staging of it in London.…”
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THE CHORAL OUTLINE IN THE OPERA “ALEXANDRU LĂPUŞNEANU” BY GHEORGHE MUSTEA by Luminiţa GUŢANU

“… The music of Gheorghe Mustea displays a heterogeneous style, richly inspired by the compositional manner of the great composers of this genre (M. Mussorgsky, George Enescu), with elements of folk origin, of a special charm and richness. …”
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Usages du futurisme médical en Chine pré-républicaine : craniotomie et régénération dans deux récits de science-fiction (1904-1905). by Florine Leplâtre

“…Science-Fiction as a genre develops quickly in the 1900 in China, but is is worth remembering that the scholars who produce, translate and circulate these narratives assign to them a didactic role: following Lu Xun words in his 1903 translation of From the Earth to the Moon, it would be about popularizing modern science and technology via fiction. …”
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Infants of the Spring (1932): Cutting across the Stage of Harlem’s Black Bohemia by Elisa Cecchinato

“…This article discusses how, using the metaphor of theater, and specifically the highly racially codified genre of the minstrel show, Infants of the Spring depicts male, Black, and queer identities in the modern urban landscape. …”
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Language and business: Patterns in the annual report translations of public companies in Indonesia by Emma Natasha Octoveria, Aris Munandar

“…As a part of the business text genre, an annual report is translated into English as a form of information disclosure for foreign investors of a public company in Indonesia. …”
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Using "peer review" method for language assessment by Irina V. Korovina, Daria V. Konstantinova, Olga S. Safonkina

“…As a result of the study the authors developed such evaluation criteria that can evaluate the specific features of such genre as an essay. That effects stylistic and functional characteristics that differ the essay from an article. …”
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S’approprier des savoirs issus des sciences sociales et transformer ses dispositions genrées by Laurence Bachmann, Anne Perriard

“…Nous nous arrêtons d’abord sur le moment de la rencontre avec certains de ces savoirs qui permet aux personnes concernées de nommer un malaise éprouvé lors de discriminations de genre. Nous analysons ensuite la façon dont ces connaissances donnent l’occasion à ces personnes de porter un regard réflexif sur elles-mêmes et de transformer leur manière de croire, de penser, de ressentir et d’agir. …”
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Deconstructing Domestic Violence in Bollywood: by Rohini Zakaria Oishee

“…A grim subject like domestic violence which is rarely material for humor has been presented through a dark comedic lens while bringing back the Muslim social genre. This paper seeks to assert by referring to western and non-western feminist discourse that, despite successfully subverting the popular representation of women in feminist revenge narratives and emphasizing the perpetuating maltreatment of women in South Asian patriarchal households, the film could not liberate itself from the two oppositional representations of women – “angel” and “madwoman” (in case of Darlings, it is murderer), popularized by Sandra Gilbert and Susan Gubar in The Madwoman in the Attic. …”
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La lutte des classes dans la nature by Razmig Keucheyan

“…Elles visent à analyser la manière dont les trois principales formes d’inégalités à l’œuvre dans les sociétés modernes, à savoir les inégalités de classe, de genre et de race, interagissent les unes avec les autres. …”
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Matérialité nombreuse et spiritualité sans fond dans Les Soprano by Aymen Gharbi

“…Nous mettrons cette période en parallèle avec celle des origines du genre romanesque et de l’apparition du roman-feuilleton, à travers le concept de l’individu problématique de Lucien Goldmann, enrichi par le travail de Jean-Pierre Richard sur la littérature de Flaubert ainsi que la théorie de la réception de Hans Robert Jauss. …”
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Virginia Woolf’s “New School of Biographies” and Eighteenth-century Life-Writing: a Sense of Kinship by Maryam Thirriard

“…At the same time, her essay provides a lengthy history of the genre and Woolf takes her readers back in time to Boswell’s The Life of Samuel Johnson, connecting him to the New Biographers and their narrative techniques. …”
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‘Laugh a defiance, Laugh in hope’: Suffrage Comedy and Humour as Political Protest by Eleanor Stewart

“…Within the ritualized framework of the comic genre, the suffrage dramatists use self-derision to provoke empathy and encourage derisory laughter towards their detractors. …”
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La représentation de la censure dans la série romanesque japonaise Library Wars : une lecture à la lueur de Fahrenheit 451 by Maxime Danesin

“…This novelistic series of four volumes, published from 2006 to 2007, is staged in a democratic Japan that is being corrupted by a Censorship Law, promulgated for the sake of morality, and where Library Corps try to defend free speech. Multi-genre (dystopian, uchronian, love-comedy), written in a local media form – light novel –, it has been widely successful, earning the author the Seiun Award 2008 – the Japanese equivalent of the Hugo Award. …”
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TARİHSEL BİR KARŞITLIĞIN TEZAHÜRÜ: 2002 SONRASI TÜRK KORKU FİLMLERİNDE BİLİM-DİN ÇATIŞMASI by Şan Ararat Halis

“…It is seen that religious items have been eminently used by in the world horror genre and in some periods, in accordance with some political requirements, science and religion are brought against each other in the horror movies. …”
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Influencing Holistic Health Policy by Erica Bell

“…It aims to support efforts to develop better evidence for health policy by exploring elements of the genre of policy-relevant research, particularly as it applies to the challenges of holistic health policy-making. …”
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Un monument musical à la mémoire des ancêtres esclaves : le maloya (île de la Réunion) by Benjamin Lagarde

“…Emanation des couches créoles défavorisées, ce genre musical lié au culte des ancêtres afro-malgaches est parvenu à occuper un espace unique quant aux questions de mémoire et de culture au sein d’une « réunionnité » qu’il influence aujourd’hui de manière inédite : « mis en l’air » conjointement à l’émergence d’un contre-pouvoir politique il a la particularité d’insister sur la permanence d’une situation sociale jugée inique dont les racines sont à trouver dans l’esclavage. …”
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Juvenile Cosmology; Or Richard Powers’ Post-Global Doughnut by Judith Roof

“…Two sides of a snaking moebius enwrapping endlessness and timelessness, the novel’s tailing infinities—the universe and the child—recalibrate the scope, conception, narrative structure, and style of the novel as a genre. Moving from the Aristotelean to the Einsteinian, Operation Wandering Soul’s terrain is cosmological, while its narrative collapses time/space into an exhibition of something like Richard Feynman’s “sum over the histories” made up of proliferating versions of juvenile massings and vain pilgrimages. …”
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Augustin et Tolstoï : confession, littérature, philosophie by Mehmet Aydin

“…Par delà l'abîme historique qui sépare les deux penseurs, Saint-Augustin est un passage obligé pour comprendre la  démarche tolstoïenne. Tolstoï emprunte le genre confessionnel issu d'Augustin.…”
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