Narrativität hören by Kerstin Hausbei

“…In the case of disruptions of automated perception through the dissonant clash of naturalized genre expectations and listening patterns, however, they also trigger the search for subjectively experienced coherence in listening, thus allowing alternative constructions of narrativity to become active in listening. …”
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Effekt, Extrem – oder Erfindergeist?. Niels W. Gades Fünfte Sinfonie und der obligate Klavierpart by Lara Nettelmann

“…Through its inclusion of an obbligato piano part, Gade’s Symphony no. 5 in D minor, op. 25, strains the common definition of the symphony as a genre in the mid-nineteenth century. An objective analysis, which includes a brief overview of the piano part, liberates the work from its historical reception, which has always focused on the “Nordic” tone of the piece. …”
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'Goet, Origineel, ende Autentijcq’ by Jacqueline Hylkema

“…It appears that the role of printing privileges was limited in this genre, but the possible reasons behind this are relevant too in the context of the relationship between authority and printing privileges. …”
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The Hybridity of Popular Culture in The Winter’s Tale by François Laroque

“…In his foreword to The Faithful Shepherdess (1609), John Fletcher blames the crass popular tastes of his theatre audiences for failing to respond properly to the new genre of tragicomedy. Shakespeare was careful to make no such mistake. …”
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Merveilleux-scientifique et merveilleux-logique chez Maurice Renard : une épistémologie romancée ? by Hugues Chabot

“…At the time when Maurice Renard appropriated the designations “merveilleux-scientifique” (scientific-marvellous) and “merveilleux-logique” (logical-marvellous) to formalize the literary genre that he calls for, the development of a logic of scientific discovery is required simultaneously as the program of epistemology. …”
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Malaysia’s Warm Weather as a Metaphor by Wen Fen Beh, Florence Kuek

“…Borrowing from a local Chinese folk song genre, Tan & Teoh (2006)’s “Yong Malaixiya de Tianqi Shuo Ai Ni (Let Me Use Malaysia’s Warm Weather To Say, I Love You)” carries immense love for their native land using an apt metaphor of the “warm” Malaysian weather. …”
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'Salsa', a Dataset for Beat Estimation in Salsa Music by Daniel Gómez-Marín, Rafael Ospina-Caicedo, Javier Díaz-Cely, Jesús Paz, Sergi Jordà, Perfecto Herrera

“…This paper introduces a dataset of salsa music, a genre deeply rooted in Latin American culture that is known for its intricate yet captivating rhythms, which pose challenges even for seasoned dancers. …”
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Fear and Disillusionment: The EcoGothic in the Poetry of Sylvia Plath by Colin BANCROFT

“…The EcoGothic utilises the tropes of the Gothic genre such as: monstrosity, imprisonment, fear, the Other, the Uncanny, repression, oppression and the Sublime to illuminate issues surrounding the self, relationships, landscapes and the environment. …”
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Théories géologiques et représentations du paysage dans la première moitié du xixe siècle by Alexis Drahos

“…These doctrines will contribute to modernize this pictorial genre still too blocked by the tradition. Personalities such as Humboldt, Agassiz, Hutton and Cuvier have with their ideas profoundly changed the vision of our planet about his history, his evolution and his mechanisms. …”
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Sociological Analysis of Islamic Law on The Implementation of the Jo Kawin Bocah Program in Reducing Early Marriage Rates (Case Study on the PKK Team of Temanggung Regency) by Luqiya Suci Rahmadani, Malik Ibrahim, Hanifah Salma Muhammad

“…First, the PKK Movement Team enhances the program through collaboration with the government, communities, institutions like GenRe (Planned Generation), and mass media for effective dissemination. …”
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Bevorworten, Befürworten. Postkoloniale Solidarität in Paratexten von Jean-Paul Sartre und Amilcar Cabral by Lisa Brunke, Christian Wimplinger

“…Ähnlich funktioniert das literarische Genre des allographen Vorworts, das nicht von den Autor*innen eines Textes selbst verfasst wird, sondern von Dritten, die durch ihre Empfehlung für den Text einstehen. …”
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Bevorworten, Befürworten. Postkoloniale Solidarität in Paratexten von Jean-Paul Sartre und Amilcar Cabral by Lisa Brunke, Christian Wimplinger

“…Ähnlich funktioniert das literarische Genre des allographen Vorworts, das nicht von den Autor*innen eines Textes selbst verfasst wird, sondern von Dritten, die durch ihre Empfehlung für den Text einstehen. …”
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Le promeneur londonien au xixe siècle : une excursion dans l’obscur by Max Duperray

“…This paper aims at analysing the appearance of a genre : urban wandering and its motives. The emergence of a witness sensitive to effects introduces the field of obscurity, a metaphor which underlies the discourse on poverty but also leads to a generic problem : what kind of text is produced by urban wandering ? …”
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О интерсемиотической передаче комического в аудиодескрипции к советским кинокомедиям by Maria Mocarz-Kleindienst

“…The language of the AD should be appropriate to the genre of the film lexically and stylistically. This means that the language of AD in film comedies should contain some verbal ‘signals’ of the comic as an aesthetic category. …”
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Orkney snork nie! by Stephan Bouwer

“…(SABC TV1) is used as "vehicle" to demonstrate that TV viewing is a highly entangled, inter textual, communication transaction. The question of genre delimination, as an ideological implement, is also mooted. …”
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De l’accommodation divergente à la « non-accommodation » dans le débat politique Question Time : essai de modélisation by Laurent Rouveyrol

“…These utterances work at the modular level and close up an interactional moment which corresponds to a sub-genre (such as polemic) coherent with that of the debate. …”
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Viewing the African Political Leadership Challenge through the Lens of Music Drama: Reflections on Duro Ladipo’s Ọba Kòso by Kayode Samuel

“… In response to the question of the relevance of ‘classical’ African Studies to the contemporary need of the continent, this article explores the dynamics of leadership challenge as portrayed in Yorùbá music drama genre, using Duro Ladipo’s most popular folk opera: Ọba Kòso (The king did not hang) as a case study. …”
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Geopolitical Television Drama Within and Beyond the Nordic Region by Chow Pei-Sze, Waade Anne Marit, Saunders Robert A.

“…This article presents a framework for thinking about the intersections between geopolitics and Northern European television drama by examining the contemporary Nordic Noir genre of crime drama. Nordic Noir features not only the double plot that combines sociopolitical critique with crime drama, but also a third “gaze” that engages aesthetics and territorial features that further individual series’ geopolitical critique. …”
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Mythologies of American violence in Alan Ball's True Blood series by Anne-Marie PAQUET-DEYRIS

“…To capture their extreme violence, the showrunner uses the conventions of the horror genre. Vampire, werewolf movie codes and motifs are very often recycled in various episodes of the series to problematize current problems in American society such as the women’s liberation movement, the gay and lesbian rights, the civil rights movement etc. …”
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Mahala și periferie în romanul interbelic by Alexandru Farcaș

“…The social report was the non-literary genre which informed the realist fiction depicting this space and its specific social issues. …”
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