Æsthetics and Politics: Italian Opera as Revealed in the Correspondence of James Harris by Donald Burrows

“…L’opéra italien est avec le théâtre français le genre de divertissement le plus prisé en Europe. …”
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Hagiografie şi ideologie by Cristina Balinte

“…L’hagiographie est un genre littéraire dont la nature reste encore soumise aux débats. …”
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Transformation of Melodrama in Turkish Cinema from Yeşilçam to the Present: The Films Innocence and Destiny by Kemal Çelik

“…As a subgenre of drama films, melodramas carry the mentioned characteristics of this genre; thus, they have plotlines driven by powerful emotions such as love. …”
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HORROR FILMS IN UNCONSCIOUS ANTHROPOLOGICAL STRATEGIES OF BIOPOWER by S. A. Malenko, A. G. Nekita

“…And the emergence of the horror film genre in American and world cinema means abandoning the model of classical political power based on the sacralisation and rationalization of personal authority and physical coercion. …”
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Power and Authority Issues in the Editorship of Certain Women’s Experimental Publications by Matilde Martin Gonzalez, Manuel Brito

“…Le présent essai examine la façon dont certaines femmes éditrices américaines approchent la question du pouvoir et du genre. Quelques considérations émanant du Forum "Le Genre et l’Édition", développé dans la revue Chain, y sont évoquées et montrent comment certaines directrices de revues d’art et de poésie ont assumé le rôle important que joue ce type de publication par rapport au défi des modèles de soumission propres à la culture de masse. …”
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Decolonial Dreaming in the Sauútiverse by Nedine Moonsamy

“…Oghenechovwe Donald Ekpeki 2021, 2022, 2023) have established African SF as a global and popular genre in its own right. Mothersound: The Sauútiverse Anthology (2023), edited by Wole Talabi, is the most recent addition to this trend, but it also works to exceed it through a method of complex, shared worldbuilding which further exploits the decolonial potential of Africanfuturism. …”
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CONCERT MUSIC VERSUS THE MUSIC OF THE SOUND FILMS by Aaron FAZAKAS

“…., the analytic patterns successfully used to examine/study independent music can no longer be used for this “newborn” musical genre called the music of the sound film. …”
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After great pain a formal feeling comes. Quelques notes sur la formalisation lyrique du trauma by Antoine Cazé

“…In this article, I first analyze the primordial link between lyric poetry and trauma, existing from the Greek origins of the genre. Far from merely giving voice to a unified subject, the lyric poem relies on a foundational disjunction in its mode of address, which I propose to see as a figural trace of a wound. …”
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« La fille de la pêcheuse » dans le réseau des essais féministes de Le Guin by Irène Langlet

“…The Woolfian heritage leads to a re-reading of the novel The Left Hand of Darkness as marked by an "ambiguous feminism", and to reconsider the feminist inscription in the light of the feminine one, whose articulation with the literature of genre has much more complexity than some simplifying speech claims. …”
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REPERTOIRE OF CINEMAS AND AUDIENCE PREFERENCES IN THE ERA OF "STAGNATION" by M. Kosinova

“…By studying such aspects as genre and thematic range, the plots, the characters, etc., the author tries to reveal the relationship between changes taking place in society at the time, and cinema as a repeater these changes. …”
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Audience Approval: The Role of Opera in the Creation of the Shakespearean Myth during the English Restoration by Andrea Trocha Van Nort

“…Par ailleurs, c’est précisément de ce genre mixte qu’a découlé le mythe shakespearien actuel.…”
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Fausse extase et vrai fou : l'artifice revendiqué dans quelques poèmes de John Donne by Guillaume Fourcade

“…By self-consciously sapping their quest for unity and by substituting instead the fragmentation of meaning and genre, these texts stage themselves as lies and thus point out their artificial quality.…”
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Clause complexing in research-article abstracts: Comparing human- and AI-generated texts by Leong Alvin Ping

“…Incorporating distinct grammatical features in the algorithms of AI-detection tools is crucially needed to enhance the reliability of their results. A genre-based approach to detecting AI-generated content is recommended.…”
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The Uses and the Limits of the Short Story: The Function of Character Migration in Alice Munro’s Lives of Girls and Women by Jacob HOVIND

“…In so doing, Munro challenges the usual distinction between the novel and the short story, illuminating what each genre is uniquely equipped to perform in terms of the presentation of character, while also suggesting the limits inherent in each.…”
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L’iconographie de l’Indien dans le cinéma américain : de la manipulation de l’image à sa reconquête by Anne Garrait-Bourrier

“…Such an exploitation of the image of the Indian responded to the demands of a new form of artistic expression which was extremely graphic and violent, as were graphic and visually violent the first western movies. As an artistic genre, cinema really manipulated the classical stereotypes related to the Indian in order to use him as a « character » detached from any historical reality. …”
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La Saga de Camelia la Texana. La mujer en el narco y en el narcocorrido by Salvador Bernabéu Albert

“…In the second one, we study the reflection of these activities in the narcocorridos, musical genre preferred by the narcos to praise their heroes and feats. …”
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« Car la Joie vanra par tans ». Chrétien de Troyes herméneute et traducteur du joi lyrique dans Érec et Énide by Milena Mikhaïlova Makarius

“…Horizon inatteignable dans cette dernière, le joi trouve un accomplissement dans le roman, il devient joie signant ainsi la victoire du genre romanesque sur les impasses lyriques de l’amour.…”
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Neon Genesis Evangelion ou la déconstruction du robot anime by Bounthavy Suvilay

“…In Japan, the growth of manga and cartoons adaptation on television can not be separate from science fiction and the development of the robot anime genre. Standing out from the traditional representation of giant robots generally imposed by toy makers, Neon Genesis Evangelion’s creatures blend science, religion and psychoanalysis in a plot that reflects the attitude of the SF amateurs and the position of the director of the series within the Japanese animation industry. …”
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Un « opéra radiophonique » : Ariane de Georges Delerue et Michel Polac by Jérôme Rossi

“…As a “radio opera”, Ariane embodies the tensions undergone by opera as a genre at the time, between reconstruction and rejection.…”
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La critique d’expression française et la traduction de la poésie by Tania Collani

“…As a metaphorical and emotional genre, poetry imposes a number of constraints on its translators: an edition with the original text, a translator who is a poet or who is sensitive to poetry, and a reflection on literature and language (rhythm, metrics, versification, rhyme, verse). …”
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