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    From Dickens’s Theatrical Performance to Contemporary post Dickensian Narrative and Artistic Performance (Acker, Ackroyd, Waters and Rushdie) by Georges Letissier

    Published 2010-06-01
    “…It is the author’s versatility (implied as he was in a whole range of activities: fiction-writing, editing, journalism, publishing initiatives, amateur theatricals, speeches, public readings, business undertakings and so forth), together with the plurality within his works (the neo-baroque effect, perceptible among other things through the so-called “streaky bacon” or the “wonderful gargoyles”), which have served as a springboard for contemporary fiction-writers. …”
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