منصات خدمات المکتبات التعاونية مفتوحة المصدر:دراسة حالة لمنصة مستقبل المکتبات الانفتاحية (فوليو Folio )

“…This study aims to open source library services platforms, especially Folio platform; therefore, it seeks to identify the new generation of open source library service platforms, relying on the case study methodology to examine and analyze everything related to the emergence and development of the Folio platform, as well as studied of technical and functional characteristics. …”
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O. Godard, C. Henry, P. Lagadec, E. Michel-Kerjan, 2002, Traité des nouveaux risques, éditions Gallimard, collection folio-actuel. by Bertrand Zuindeau

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Angarita Cáceres, Rafael Gonzalo. "El criterio de claridad y distinción en la 'Quinta meditación.'" Folios 52 (2020): 3-18 pp. by RUBIEL RAMÍREZ RESTREPO

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Sword of heaven by Richard Wilson

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Sword of Heaven : Political Theology in Measure for Measure by Richard Wilson

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Antiguos litigios by Lucía Chiriboga

“…Para los litigantes indios, la letra o escritura, legado del colonialismo, los revela atados a juicios -que acumulan folios sobre folios-, en pos de recuperar la tierra que les perteneció. …”
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Protocartularies: on the origins of the cartulary genre in Castile by David Peterson

“…Del mismo siglo se conservan dos folios deteriorados al final del San Millán Bulario que, pese a tan exiguos restos, también parecen coincidir con un ambicioso cartulario anterior al perdido San Millán Gótico. …”
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La conquête de Mexico-Tenochtitlan dans le Codex Vaticanus A by Patrick Johansson K.

“…Among the pictorial books amoxtli which express in images the conquest of MexicoTenochtitlan, the Codex Vaticanus A or Codex Vaticano Ríos is probably the codex with more details. In two folios it offers a succinct but symbolically peculiar vision of the entrance of the Spanish into the Aztec capital, the encounter of Cortes with Motecuhzoma, and of the battles that followed, until Cuauhtemoc’s surrender on august 13th 1521.…”
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Vie et miracles de Daniel de Qorqor. Édition du texte guèze by Gérard Colin

“…Covered with wooden boards, it measures 34.5 x 30 x 9 cm and has 115 folios of parchment. It was completed in the year 1968 of the Ethiopian era (AD 1975-1976. …”
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Vie et miracles de Daniel de Qorqor. Traduction française by Gérard Colin

“…Covered with wooden boards, it measures 34.5 x 30 x 9 cm and has 115 folios of parchment. It was completed in the year 1968 of the Ethiopian era (AD 1975-1976. …”
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Un huis clos de papier. Du « Livret des Enfants-Assistés » à La Légende dorée. by Véronique Cnockaert

“…This article focuses on Zola’s preparatory file for Le Rêve, in particular on the “Foundlings” file and a few folios devoted to Zola’s reading of Jacques de Voragine’s La Légende dorée, as well as on his knowledge of the articles “Child” and “Adoption” in the Grand Dictionnaire Universel of Pierre Larousse. …”
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Mémoire des lieux, mémoires des hommes. Étude du portefeuille topographique « Beauce et Vendômois » de la collection Gaignières (1642-1715) by Clotilde Vivier

“…The “Beauce and Vendôme” portfolio is a fine example of this, thanks to the richness and diversity its folios. It sheds light on the way Gaignières thought about space and made the territory an essential underpinning of his historical discourse. …”
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New Studies of the Structure and the Texts of Abba Garima Ethiopian Gospels by Sergey Kim

“…Attentive inspection of each folio led to the discovery of original quire numbers as well as original and later liturgical annotations put in folio margins, among which there are liturgical rubrics in rare unvocalized consonantal script. …”
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Texte/image/manuscrit : une relation problématique ? by Elena Koroleva

“…The loss of illuminations, resulting sometimes in the loss of whole folios, may hinder the recognition of a manuscript’s place within the tradition, as evidenced by the case of Arras, Bibliothèque municipale, 1043, largely ignored by scholars despite the fact that it preserves what is probably the original iconographic cycle of the chronicle. …”
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Nova cluniacensia : les feuillets de garde du manuscrit Paris BnF nal 1236 et la création de la liturgie clunisienne by Eduardo Henrik Aubert

“…This article consists of an in-depth examination of three folios originating from a notated monastic antiphoner, currently employed as flyleaves in manuscript Paris, BnF, nal 1236. …”
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Les illustrations en pleine page du cartulaire du XIIe siècle (ms 210 d’Avranches), problèmes d’interprétation et sources textuelles by Jacques Le Maho

“…The three large images that adorn folios 4v, 19v and 25v of the 12th-century cartulary have already been extensively studied and commented upon and continue to raise numerous problems of interpretation. …”
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Deux fragments d’un nécrologe de la Trinité de Fécamp (XIe-XIIe siècles). Étude et édition critique d’un document mémoriel exceptionnel by Stéphane Lecouteux

“…The composite miscellany Paris, BnF, nouv. acq. lat. 2389 contains, on folios 33 and 34, two fragments of a necrology copied at the end of the 11th century, which was then added to throughout the following century. …”
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L’essor musical de la basilique de San Petronio au XVe siècle : I-Bsp, Fragments A, B, C, D, E, une relecture by Johan Guiton

“…Taking as its point of departure a methodical transcription of these incomplete folios, this paper analyses the mensural notation, borrowed material, and compositional techniques contained in the five pieces (four masses and a Magnificat). …”
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Descripción del Fondo Protocolos Notariales resguardado en el Archivo General del Estado Bolivariano de Mérida correspondientes a los años 1577-1867 by Neida Durán Ramírez

“…El fondo colonial, de gran relevancia debido a su antigüedad y volumen, cuenta con un total de 797 tomos, con una media de 250 folios, organizados por series documentales que son descritos en el presente artículo. …”
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Manus OnLine and the Text Encoding Initiative Schema by Giliola Barbero, Francesca Trasselli

“…The encoding of information about material (), number of folios and physical dimensions of manuscripts () are discussed as well as a list of data pertaining to original letter cataloguing.…”
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