NEW SOURCES OF FINANCE FOR THE FILM PRODUCTION by P. Ogurchikov, N. Skobeev

Subjects: “…film production…”
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Gender inequality in the Nordic film industry: Exploring above-the-line positions in film production by Loist Skadi, Ehrich Martha Emilie, Radziwill Sophie, Prommer Elizabeth

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Possibilities assessment of the film cluster in the Kaliningrad Oblast functioning by A. A. Gorshkova, M. I. Kosinova

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A green route of antibacterial films production from shrimp (Penaeus monodon) shell waste biomass derived chitosan: Physicochemical, thermomechanical, morphological and antimicrobial activity analysis by Md. Mahmudur Rahman, Mohd. Maniruzzaman, Ripon Kumar Saha

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Camera, Set, Action: Process Innovation for Film and TV Production by Ouyang Chun, Wang Kenneth, Hofstede Arthur ter, Rosa Marcello La, Rosemann Michael, Shortland Katherine, Court David

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Cluster approach in the film industry by M. I. Kosinova, A. A. Gorshkova

“…The specifics of the cluster approach in film production are studied. The basic principles according to which film clusters exist are highlighted. …”
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Problems of obtaining state support for a film creation project by Yu. V. Vorontsova

“…It undoubtedly increases the cost of film production and sets a high level for competitors. …”
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Le film de mobilisation centrasiatique by Valérie Pozner

“…Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. …”
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An Cailín Ciúin : choix esthétiques et politiques du cinéma en gaélique by Valentine Lerouge

“…This article uses An Cailín Ciúin, Colm Bairéad’s 2022 debut film, as a case study to examine the the representations of Ireland as well as the vision of Gaelic it conveys, in the context of rising television and film production in the Irish language. It showcases how recent legislative policies have created a favorable context for the emergence of a strong Irish-language cinema. …”
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Enhanced Mental Health with Virtual Reality Mental Hygiene by a Veteran Suffering from PTSD by Bo Søndergaard Jensen, Niels Andersen, Jes Petersen, Lene Nyboe

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How Tourism Imaginary has been Updated in the New Spanish Sun-and-Beach Comedy: Fin de curso, Atasco en la nacional and Benidorm, mon amour by Salvador Martínez Puche, Antonio Martínez Puche

“…This ‘development-era’ comedic film production was prolific, successful and in line with Spain’s propaganda, political and socioeconomic interests in the 1960s and 1970s. …”
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Approaching a National Film History through Data. Network Analysis in German Film History by Malte Hagener, Theresa Blaschke

“…The aim is to open up another perspective on the problem of periodization by looking at the data of film production, more specifically of collaboration. By using a comprehensive data set which is made availavable by the Filmportal, the central internet platform on German film, the approach in this paper is to look at the key creatives involved in the production of a film in the period from 1919 to 1939 and to conceptualize collaboration and connectivity in a (national) film culture through the use of network research methods.…”
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TARGET SUBSIDIES AS A FILM SCREENING DEVELOPMENT TOOL IN RUSSIAN REGIONS by L. A. Lanina, A. V. Malyshev

“…Execution of protectionist measures by the state in the film screening field is a significant for the entire film industry as a whole, as the state of the Russian film screening affects both distribution and film production. The implementation process of the state program to provide subsidies for the cinemas modernization cinemas in small and medium-sized Russia cities has been examined. …”
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Microarticstructural, Spectroscopic, and Magnetic Analysis of Multiwalled Carbon Nanotubes Embedded in Poly (o-aminophenol) Matrices by null Sonika, Sushil Kumar Verma, J. Saha, Rim M. Alsharabi, Shailendra Rajput

“…This paper describes a one-step chemically produced multiwalled carbon nanotubes/poly-ortho-aminophenol (MWCNTs/PoAP) nanocomposite film production process using in-situ oxidative polymerization. …”
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A Politics of Working-Class Culture and the Culture of Working-Class Politics: The Aesthetics and Activism of Amber Film and Photography Collective and the Berwick Street Film Coll... by Jessica Williams Boyall

“…By engaging in a comparative reading, I highlight the breadth of Amber’s oeuvre, tracing the development of their filmmaking strategies—which included agitprop, the fusion of factual and fictional formal elements and transnational collaboration with the German Democratic Republic’s film production company, Deutsche Film-Aktiengesellschaft (DEFA)—to demonstrate that, contrary to criticisms levelled by contemporary theorists clustered around Screen magazine and the British Film Institute, Amber transcended the constraints of Documentary Realism by incorporating radical avant-garde aesthetics into their oppositional practice. …”
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EthnoFilm: cinema-school and ethno-laboratory by Ivan Golovnev

“…The courses regarding film production, dramatic art, editing, filming were delivered. …”
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Cinema and Identity: Criss-Cross Reflections by Irina S. Semenenko, Vladimir I. Pantin, Elena V. Morozova

“…Referring to examples of film production from various countries representative in this sense, the authors identify the mechanisms used by patrons and producers of films to influence the identity of the audience and the political picture of the world people identify with. …”
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Authority and Moral Conflicts in the Films of Adébáyọ Fálétí: Àfọ̀njá, Gáà, Ṣawo Ṣẹ̀gbẹ̀rì and the Yorùbá Cosmopolis by Olayinka Agbetuyi

“…Fálétí’s retirement from public service provided the opportunity needed to build on the experience gained in the television industry to launch a full-blown film production career for which his earlier experience seems to have been a tutelage. …”
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Social Media Marketing in the Yorùbá Video Film Industry by Olagoke Alamu

“…The study reveals that due to technology deficiency and lack of interest many marketers have not adopted social media for marketing their film products. The ineffective implementation of the copyright law in Nigeria, which is the major bane of this industry, has also prevented the marketers from adopting the new media. …”
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Study of the use of special effects in cinema by Yu. V. Vorontsova, E. A. Alieva

“…As a   result, a  detailed analysis of   the implemented special effects has been conducted in   relation to  different forms of   film products in  order to  better understand the cost of   applying them in a   particular film project. …”
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