Un regard esthétique sur la segmentation des films* by Márcia Aurélio Baldissera

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L’écriture cinématographique de la sociologie filmique. Comment penser en sociologue avec une caméra ? by Pierre Maillot

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Sound and Perception in Ridley Scott’s <i>Blade Runner</i> (1982) by Audrey Scotto le Massese

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Un film de recherche : différents publics, différents formats by Véronique Duchesne

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Edit Blindness: The relationship between attention and global change blindness in dynamic scenes. by Tim J. Smith, John M. Henderson

Subjects: “…film editing…”
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Silent Film as Media Archaeology: On Designing a Master’s Degree Course / Немое кино как медиа-археология: подходы к конструированию магистерского курса... by USTYUGOVA VERA V. / УСТЮГОВА В.В.

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