Presence africaine and the emergence of african film criticism by Ntongela Masilela

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Aller, revenir, tisser un abri : Route One/USA, de Robert Kramer (1989) by Gilles Chamerois

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Cinematografo: uno spettacolo delle maschere (traduzione di Olga Trukhanova) by Mykola Ljadov

Subjects: “…Ukrainian Film Criticism…”
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Une histoire oubliée : la genèse française du terme « film noir » dans les années 1930 et ses implications transnationales by Thomas Pillard

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DeMille and Danger: Seven Heuristic Taxonomic Categories of His Hollywood (Mis)Adventures by Anton Karl Kozlovic

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Almodóvar’s Baroque Transitions in the Early Films (1980–1995) by Frederic Conrod

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The Film Treasures of Lithuanian Television from the Viewpoint of Film Criticism. - Rec.: Pauraitė-Puplauskienė R. LTV filmai ir jų kūrėjai.... by Rūta Šermukšnytė

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Sinemada Kadın: Başka Dilde Aşk Filmi Üzerine Bir İnceleme by Mustafa Aslan

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Bir Yer, Bir Kadın, Bir Öykü: Meryem Filminde Toplumsal Cinsiyetin Kültürel İnşası by Sema Zafer Sümer

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Bloomsbury and the Cinema: Practice and Theory of a New Form of Expression by Floriane Reviron

“…Our aim is to analyse Bloomsbury’s ethics and aesthetics in relation with the new issues raised by the technology of the moving pictures and the cross-fertilization between the terminology created by Bloomsbury and avant-garde film criticism. Bloomsbury’s own practice of film criticism was informed by formalism and abstraction and attests to a confluence between pictorial post-impressionism and cinematic expressionism.…”
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Deconstructive Analysis of Netflix Series Hollywood by Ezgi Çakır, Emir Orhan Kılıç

“…The aim of this study is to contribute former practices of the use of deconstruction in film criticism. As a result of this study, it has been revealed that Netflix series Hollywood feeds the hegemonies it criticizes and serves those structures.…”
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Judas Iscariot: The Archetypal Betrayer and DeMille’s Cine-Biblical Salvation within The King of Kings (1927) by Anton Karl Kozlovic

“…Utilising humanist film criticism as the guiding analytical lens, the critical DeMille, film and religion literature was selectively reviewed and his silent Jesus film, The King of Kings (1927) was closely examined to reveal his dramatic construction of Judas Iscariot, which was briefly compared to some cinematic rivals to highlight its frequent superiority. …”
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Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement by Daniel Sullivan

“…The reconstructed debate between these four critic/practitioners touches on central issues for film criticism, including methodological approaches of ontology versus dialectics and the question of how to represent utopic impulses in cinema.…”
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Expressions of a backlash: Challenging the story of success in Norwegian cinema of the 1980s and 1990s by Fosheim Lund Maria, Kielland Servoll Johanne, Holtar Ingrid Synneva

“…We explore the loss of position of female directors by looking at film reception and film criticism. We further present and discuss a numerical breakdown of women directors and female lead characters in the 1980s and 1990s and point to thematic readings of the on-screen portrayal of women characters in this time span. …”
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Essence and prospects of media criticism research in contemporary Russia by R.P. Bakanov

“…The authors of such texts are mainly critics, professionals who have many years of experience in journalism, art criticism, and other types of criticism (for example, theatrical, film criticism). In modern newspapers and magazines, this direction has gradually been reduced to weekly specialized author's headings in federal publications. …”
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Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment by Louis Samuel Mealing

“…Since his debut feature The Return (2003), Andrey Zvyagintsev's films have drawn focus from film critics and theorists seeking to investigate a contextual analysis or the director's religious allusions. …”
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Tongues Untied (Marlon Riggs, 1989) et Paris is Burning (Jennie Livingston, 1990) : les documentaires du New Queer Cinema by Camille Bui

“…In the early nineties, American film critic B. Ruby Rich welcomed the birth of what she called “new queer cinema” — a wave of independent gay, lesbian, and transgender films by and large well-received at film festivals. …”
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“The World is Cursed”: Studio Ghibli’s Radical Environmental Philosophy by Claire Patzner

“… Film critics and academics have praised Studio Ghibli for its films’ bold and upfront depictions of war, the Anthropocene, and human consumption. …”
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