“There is a community of mind in it”: Quoting Shakespeare in the Eighteenth Century by John Mullan

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Thomas More et l’utilisation du paradoxe comme discours de la méthode by Isabelle Bore

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« Zoocène » technologique dans la science-fiction by Anne-Sophie Hillard

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Du théâtre de science-fiction politique au macro-événement culturel : étude de cas sur Vous êtes ici (en compagnie des créatrices)  by Aurélien Maignant, Roberta Alberico

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What if writing rock history was also writing with “ifs”? Or how Lester Bangs liked playing a trick on his reader’s perception of time by Maud Berthomier

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A Critique on the Book A Glance at the Literary Developments after the Victory of the Islamic Revolution in Iran by Fatemeh Rakei

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Interview with Gabriel Josipovici by Marcin Stawiarski

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Des artefacts ironiques ? Relectures de La Possibilité d’une île de Michel Houellebecq by Simon Bréan

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La guerre civile, châtiment de la société de la Deuxième République dans Le Lendemain de la victoire, de Louis Veuillot (1849). La fiction au service de la lutte antisocialiste... by Ivan Burel

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The Legacy of Nineteen Eighty-Four: British Dystopias, from 1984 to the present day by Claire Wrobel

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La science-fiction fantastique de Maurice Renard by Arthur B. Evans

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Challenges of Prose Fiction Writing in Uganda: A Case Study of Kanungu District in Western Uganda. by Kabagyenyi, Maurine

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Le substrat spécialisé de la « hard science fiction » au miroir de la fiction à substrat professionnel : essai de caractérisation by Marion Pujalte, Anthony Saber

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Law Vs Letter. The Evolution of the Cain Figure in US Literature: Transcending Moral Censorship? by Claude Le Fustec

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Aller, revenir, tisser un abri : Route One/USA, de Robert Kramer (1989) by Gilles Chamerois

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Et si nous pouvions interviewer le boson de Higgs ? by Giulia Gaddi

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Futuristic Visions and Classical Myths: Nonlinear Time as a Device for Reinterpreting Antique Plots in Dan Simmons’ Novel “Ilium” by Mariia Iliuchenko

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Les catastrophes futures ou les futurs de la catastrophe : les désastres à venir dans Jouer le Paradis et Let Them Eat Money by Eliane Beaufils

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Learning from Nature: Feminism, Allegory and Ostriches in Olive Schreiner’s The Story of an African Farm (1883) by Nathalie Saudo-Welby

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L’altérité au prisme de la polytextualité : les artefacts science-fictionnels de Points chauds (Laurent Genefort) by Simon Bréan

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