Le Peire Rogier de Peire d’Alvernhe revisité par l’auteur de Flamenca : Guillem de Nevers, le troubadour au psautier by Katy Bernard

“…In this way, the author ingeniously covers the sacred words and gestures with the ones of the fin’amor in order to suggest to us that the sacred is to be found in the values of the latter, which themselves – since, in this society which is courteous in name only, they can only be accomplished by cunning and dissimulation – perhaps have no other future than in the spheres of fiction.…”
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The Fake Diary of a Historical Figure: Klementyna Tańska-Hoffmanowa’s Journal of Countess Françoise Krasińska (1825) by Magdalena Ożarska

“…In my paper, I wish to discuss the Journal’s precarious balance between historical fact and fiction as well as examining the ways in which this autobiographical forgery is enacted. …”
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Catholic Church Interiors in Fin-de-Siècle Literature by Claire Masurel-Murray

“…It focuses on two aspects of church architecture and decoration that are foregrounded in fin-de-siècle poetry and fiction—and were highly polemical in the late Victorian context because of their association with the Ritualist controversy and with ‘Romishness’: the eastward position, i.e. the celebration of the Eucharist on a stone altar fixed to the back of the chancel rather than on a wooden communion table facing the congregation; and altar candles, which were condemned in anti-ritualist pamphlets as both pagan and ‘popish’. …”
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Legal nihilism in resolving family conflicts of nobles and peasants of Russian Empire in the first third of XIX century by S. P. Volf

“…The results of the study allow exploring the alternative ways of resolving family conflicts based on representatives of other classes of Russian society in the first third of the 19th century (clergy, merchants, philistines, foreigners) as well, using wider range of sources (journalism, normative acts, fiction, paperwork). This analysis contributes to the discussion about the limits of the government intervention into family affairs. …”
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Reading from the Guts: of Text and Disgust by Solveig Dunkel

“…This paper is interested in the literary and aesthetic mechanisms enabling a profoundly somatic reading of fiction, especially in the violent experience of disgust, Faulkner’s Sanctuary, Samuel R. …”
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“Great Flood-Gates of the Wonder World”: Baptisms of Water and Fire in Melville and Hawthorne by Ariel Clark Silver

“…From Young Goodman Brown to Oberon, Dimmesdale, and Ethan Brand, characters in his fiction pass through baptisms of fire, and find themselves changed by its “creative-destructive or euphoric-ominous energy” (Bidney 58-9). …”
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La littérature de jeunesse : images et supports d’un enseignement historique de la traite et de l’esclavage des noirs by Amzat Boukari-Yabara

“…Si certaines publications avancent une argumentation solide basée sur une documentation particulièrement riche afin de prouver, d’autres se contentent d’une simple fiction pour que le jeune lecteur « entre dans l’histoire ». …”
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Editions of Lithuanian books in 1795-1864 by Aušra Navickienė

“…Printings for educational, informational, and administrative purposes had larger editions: calendars (almanacs) - from 3,000 to 10,000 copies, legal documents - from 3,000 to 5,000, and proclamations up to 10,000 copies. Editions of fiction fluctuated from 500 to 5,000 copies, and those printings intended to inform about the trade of books were made up of only a few hundred copies. …”
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ART AS COMMUNICATION IN HOTSPOTS OF THE PLANET (ON THE EXAMPLE OF MODERN SYRIA). PART ONE by Oksana Kosiuk

“…As a result of studying the information space of Afghanistan, Israel, Iran, Palestine, and Syria, it was established that the work of the mass media is not of high quality; their functions are much more effectively performed by old means of mass communication such as fiction, cinematography and other areas of cultural production. …”
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Ekoantropologia antyhumanistyczna. Przypadek Johna Nicholasa Graya by Piotr Domeracki

“…Consequently, Gray concludes that we are the same animals as others and, what directly results from it, that human morality is nothing more than a useful fiction, while ethics can be compared only to the ordinary bourgeois novel and hence treated as “an art of hypocrisy.” …”
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RADIO PLAYS AS A SPECIAL GENRE IN THE WORK OF E. JELINEK by Tatiana V. Akasheva, Alexandra D. Zharkova

“…Jelinek's work, when reading Austrian fiction for its deeper interpretation, as well as when teaching students German as a foreign language.…”
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Słowo - obraz - pamięć w labiryntach komiksu by Grażyna Gajewska

“…In the United States, in turn, crude science fiction, horror or joke graphic stories were most popular. …”
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Semantic and Syntactic Dimensional Analysis of Rural Wooden Mosque Architecture in Borçka by Birgül Çakıroğlu, Reyhan Akat, Evren Osman Çakıroğlu, Taner Taşdemir

“…This language is presented semantically and syntactically through the architect and the user interprets this fiction mostly with its syntactic dimension. The findings of this study provide valuable insights into modern mosque design by establishing a connection between belief systems and architectural expressions. …”
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Passages de frontières et référence surréaliste dans Cette chère humanité by Cédric Chauvin

“…Le dispositif est d’emblée conforme à la tradition de la dystopie au XXe siècle, et rejoue cette « dialectique de l’intérieur et de l’extérieur » où Jameson voit le propre de « toute la science-fiction classique » (2008, p. 161) : l’humanité future se trouve, plus ou moins volontairement, piégée dans un lieu clos qui évacue la temporalité historique (on y révère le passé et on y vit dans des cabines qui ralentissent l'écoulement temporel) et où l’identité individuelle est sans cesse violée par une technologie qui, sous couvert d’assurer le confort, permet le contrôle. …”
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Constructing a Multicultural Identity at the Canadian Frontier: Mordecai Richler and Jewish-Canadian Writing by Julie Spergel

“…Comme de nombreux Juifs de sa génération, Richler souffrait d’une double complexité historique liée à ses rôles en apparence incompatibles de Juif et de Canadien. Ses écrits de fiction reflètent les changements qui ont eu lieu dans un Canada alors lancé dans sa quête d’identité nationale et lui-même perdu quelque part entre les Etats-Unis et la Grande-Bretagne. …”
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Subjectivity and the progressive form in early eighteenth-century spoken discourse by Sylvie Hancil

“…Le Corpus des Dialogues Anglais permet de mener à bien cette entreprise pour le début du dix-huitième siècle et offre au chercheur la possibilité de travailler dans cinq genres différents (comédie, fiction, manuels, procès et dépositions de témoins). …”
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Du road movie au « voyage sauvage » : la quête d’aventure sur la route et le mythe du voyageur héroïque by Pascale Argod

“…Les conceptions de « Wild », abordées dans le carnet de voyage cinématographique de fiction interrogent le rapport de l’homme à l’espace et la forme du voyage qui suscitent le dépassement de soi par la confrontation à l’environnement. …”
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Evaluation of Hafıza-i Saltanat theater play and activities in terms of history teaching by Muhammet Ahmet Tokdemir, Gülin Karabağ, Cemile Açıl

“…As a result of the study, it was determined that the archival documents used in the play were taken from the Mühimme Books, where the records of the Divan-ı Hümayun were kept, and the issues that were not included in the documents were included in the fiction by considering the historical facts, and for this reason, the play was written and performed largely in parallel with the historical reality. …”
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La bibliothèque dans Buffy contre les vampires : grimoires et merveilles by Vanessa Bertho

“…Quelle peut être sa place dans ce type de fiction ? Pourquoi mettre en lumière une telle structure ? …”
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Evaluating the role of generative AI and color patterns in the dissemination of war imagery and disinformation on social media by Estibaliz García-Huete, Sara Ignacio-Cerrato, David Pacios, José Luis Vázquez-Poletti, María José Pérez-Serrano, Andrea Donofrio, Clemente Cesarano, Nikolaos Schetakis, Nikolaos Schetakis, Alessio Di Iorio

“…AI technologies have significantly advanced the production of highly convincing, yet artificial, war imagery, blurring the line between fact and fiction. An experimental project is proposed to train a generative AI model capable of creating war imagery that mimics real-life footage. …”
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