Les écrivains issus de l’immigration face à la guerre d’Algérie : quelle mémoire pour quelles victimes ? by Crystel Pinçonnat

“…However, far from only listing the different modes of inscription of the war in works of various statutes (story-testimony, fiction, and autobiography), this paper analyzes on one hand the way the writer remodels the community or domestic past, forging at the sametime a memory, that he transmits to its readers. …”
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Les jardins littéraires de Michel Goulet ou Comment un artiste fait asseoir des textes sur des chaises by Marc André Brouillette

“…This article analyzes some public artworks by Quebec sculptor Michel Goulet and examines how these installations, characterized by their integration of literary texts, contain elements and signs inspired by the world of gardens. By using fiction in his works, Goulet establishes a singular dialogue between the outside space and the passer-by who encounters them. …”
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Les sites pornographiques par le menu : pornotypes linguistiques et procédés médiatiques by François Perea

“…The analysis of pornographic categorisations tempts us to continue reflecting upon an interpellation process involving fiction, or, on the contrary, a production of pseudo-reality.…”
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Jane Eyre : un roman innovant pour les critiques victoriens by Odile Boucher-Rivalain

“…After the failure to publish her first novel The Professor Charlotte Brontë wrote her second work of fiction Jane Eyre in a conscious effort to satisfy the critics’ expectations, combining the more traditional elements of novel-writing with more innovating ones suggested by her own imagination. …”
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Los conflictos del documental español: el caso de Basilio Martín Patino by Manuel de la Fuente

“…The aim of this paper is to study the following features in three particular films (Canciones para después de una guerra, Madrid y Libre te quiero): fiction vs. nonfiction narrative; the political depiction of the city of Madrid; and the tools of censorship in different contexts. …”
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É tempo de pipa: a representação da infância em Cidade de Deus, de Paulo Lins, e Lembrancinha do Adeus, de Júlio Ludemir by Anderson Luís Nunes da Mata

“…Thus, poor children, who live in the urban peripheral areas, are represented in fiction as a counterface for such traditional notion of childhood. …”
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« One foot in sea and one on shore » : le ponton et la traversée chez Graham Swift et Paul Theroux by Claire LARSONNEUR

“…Drawing both on a work of fiction, Last Orders by Graham Swift, and on a travel narrative, the Kingdom by the Sea by Paul Theroux, we trace back the history of British piers, their peculiar location by the sea and their paradoxical nature. …”
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« Up came the leaves » : l’antéposition des groupes prépositionnels (GP) et particules adverbiales comme marqueur de style by Jean ALBRESPIT

“…The phenomenon is particularly salient in fiction for children. The notion of style is thus examined in its relationships with linguistic constructions.…”
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« Les boucliers de paix » et les « boucliers de guerre » dans la littérature norroise : invention littéraire ou réalité matérielle ? by Simon Lebouteiller

“…It seems difficult to determine if this technic is real considering that these fiction texts describe fantasist representations about Nordic prehistory. …”
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L’Amérique des temps profonds : jalons pour une géo-logique des récits, de John McPhee (Annals of the Former World, 1998) à Herman Melvillle (Pierre, 1852) by Bruno Monfort

“…This article tries to show that what is meant by “narrative” should be specified, depending on whether we are dealing with a retrospective personal narrative or a work of fiction. In Pierre, a novel by Herman Melville, geological data will be used figuratively and not to refer to the experience of an individual, as in John McPhee’s geological travel narratives.…”
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Literatura e infância: entre filosofia, história e “despropósitos” by Márcia Cabral da Silva

“…On one hand, we reflect on the relationship between fiction and childhood, with special emphasis on the books that have children as main characters that have an ability to see the reality from another perspective , to philosophize. …”
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Méprise, Errance et Métaphore Paternelle dans American Pastoral de Philip Roth by Béatrice PIRE

“…Following the tradition of postmodern writing, Roth’s novel explores two forms of errors, Zuckerman’s mistake regarding his reading of Levov and Levov’s own failure regarding his life. Fiction as failure or lapsus coincides with Lacan’s definition of truth, as ‘not-whole,’ unsuccessful and therefore a success. …”
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Le « dedans » et le « dehors » by Estelle Mouton-Rovira

“…In contemporary narratives, the literary representations of reading and hermeneutics question the power of fiction and invite to rethink the effects of reading. …”
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Los inmigrantes en el cine argentino. Panorama general y estudio de un caso actual: Un cuento chino, 2011 by Estela Erausquin

“…This work draws up, in a first part, a panorama (from1933 to our days) of the representation of the immigrants in Argentina's fiction movies. It is possible to observe that there is practically no filmmaking regarding the new Asian immigration, particularly Chinese, in spite of its considerable importance. …”
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Écrire et intervenir en scientifique queer de couleur : une épopée des réseaux by Marc Jahjah

“…This article sketches out a number of avenues, linking theory, narrative, ethnography, fiction, poetry and the literary arts to discover new personal and collective resources. …”
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The transcendent space of transformation by Antonio Ochoa

“…Thus the importance of limits and thresholds in her short fiction, whether these are mirrors or characters they reflect Carter’s preoccupation with the interconnection between different modes of existence.…”
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The books of V. Biržiška library at the library of the Kaunas A. Sniečkus politechnic institute by Nijolė Lietuvninkaitė

“…The collection also includes fiction by Lithuanian, Russian, Western European, American, and Scandinavian writers. …”
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Decolonial Dreaming in the Sauútiverse by Nedine Moonsamy

“…Sheree Renée Thomas, Oghenechovwe Donald Ekpeki and Zelda Knight, 2022), and The Year’s Best African Speculative Fiction (ed. Oghenechovwe Donald Ekpeki 2021, 2022, 2023) have established African SF as a global and popular genre in its own right. …”
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A Shared Passion for Nonsense: Laura E. Richards and Margaret Atwood by Michaela Keck

“…Yet where Richards purportedly relates her children’s poetry to the domestic sphere as the proper site to express nonsense and wields it as a creative educational practice, Atwood’s fiction self-reflectively insists that nonsense constitutes a powerful political instrument and weapon in and beyond the nursery.…”
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De l’exposition à la décomposition prismatique : art de la mémoire et arts visuels dans Speak, Memory de Vladimir Nabokov by Laure de Nervaux-Gavoty

“…Nabokov’s prismatic and reflexive aesthetic, lastly, is at the heart of a process of decomposition and transmutation which blurs the boundaries of truth and fiction and tries to come to terms with loss by performing a literary form of grief work.…”
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