L’histoire peut-elle se faire avec des archives filmiques ? by Laurent Véray

“…Œuvrant avec une scénariste de fiction, Agnès de Sacy, il a centré son récit sur deux opérateurs de prises de vue, un Français et un Allemand, pendant le premier conflit mondial. …”
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Arlington Park: Variations on Virginia Woolf’s Mrs Dalloway by Monica LATHAM

“…I would like to observe Cusk’s narrative, stylistic and thematic features, which seem to situate her novel at the confluence of two traditions: firstly, her writing stems from modernism and prolongs modernist techniques, more particularly the Woolfian legacy; Cusk can thus be said to be a neo-modernist writer.2 Secondly, her work belongs to the current “literary fiction” genre: it is an elitist, lyrical, “writerly” type of fiction born with modernist aesthetics.…”
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El nuevo documental brasileño, una breve reseña by Paulo Antonio Paranaguá

“…For the last ten years the Brazilian documentary has become more innovatory and experimental than fiction cinema. The director’s mark is much more apparent. …”
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Baiser la littérature by RER Q collectif d’autriX

“…In this selection of writing, an archive of a performance given at the feminist festival Comme Nous Brûlons, food touches science fiction, dildos and membranes proliferate, hearts break and every fictional hero is a dyke.…”
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Sociabilités populaires et relations électives by Béatrice Laville

“…This article proposes to analyse the question of popular sociability in Zolian fiction. In addition to the question of the spaces where the dramatisation of social relations is played out with its codes and rites and the processes of domination inherent in the life of the groups, the question of money and with it, gain, debt and expenditure, imposes itself as a regulation of the modes of relation. …”
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“The art of dividing” : la forme du chapitre dans Tom Jones de Henry Fielding by Christophe LESUEUR

“…This article undertakes to examine the form of the demarcative system in Fielding’s fiction. The peculiar prefatory devices in Tom Jones are first analyzed before the study moves on to the question of the intitulation of its chapters. …”
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Les merveilles du scepticisme : René Descartes et les superhéros de comics by Chris Gavaler, Nathaniel Goldberg

“…These ideas are constantly emerging in science fiction, especially in superhero comics. Thus, through various comic books, such as Marvelman or Heroes Reborn, the authors illustrate that not only the Cartesian sceptical worries are displayed in the narratives, but they also expand them and dispelled the solution to scepticism provided by Descartes.…”
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Orques tolkienesques : entre OGM et androïdes posthumains ? by Éline de Mathuisieulx

“…Fantasy and science fiction are often intertwined, and tend to influence one another. …”
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Drogenspekulationen by Georg Dickmann

“…Against the backdrop of how anesthetics work, the article shows that the sedating substances in Randt’s future fiction not only represent a decorative inventory of the fictional work, but also, as non-human agents, outline new modes of subjectification of the present, which the article tries to map with the concept of p‘sychopower’.…”
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Pérégrinations et pérégrinismes dans le roman britannique du xixe siècle : Casuistique du détour par la langue étrangère by Jacqueline Fromonot

“…It will appear that the use of xenism in fiction is related to the quest of truth and truthfulness—in accordance with the Realist project. …”
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Écritures, espaces et imaginaires cubains depuis l’exil by Michèle Guicharnaud-Tollis

“…Based on various texts (autobiographies, testimonies, poetry and fiction novel), we will study how the Cuban writers consider their own exile, then the use of different literary strategies which they implement to conceal or, on the contrary, to reveal the emergency of their new wandering and « transcultural » identity.…”
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Les fonctions sociales du cinéma selon Emmanuel Bove by Christophe Trebuil

“…For Bove, cinema, far from being an artefact in fiction, cannot be separated from of the life.…”
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Quadriptyque narratif autour de la Seconde Guerre mondiale by Joëlle Ginestet

“…Four works of fiction about the Second World War published by the Institut d’Etudes Occitanes between 1951 and 1978 fostered the renewal of the narrative form in Occitan fictionalized writings. …”
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Monuments flaubertiens by Véronique Samson

“…We interpret this combination of hypermnesia and amnesia as a problematic attempt to produce a memory of the text itself: in their final pages, Flaubert’s novels appear to be erecting their own monuments, while suggesting their inadequacy. Fiction, here, is at one and the same time the space in which a ‘memory crisis’ is unfolding and the very object of this crisis.…”
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Historical Memory of the First World War: Notes on its Shaping in Russia and in the West by E. S. Senjavskaja

“…The picture of the military events of 1914 – 1918 in Russian and foreign fiction literature has been given on the comparative basis.…”
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Le trophée de chasse dans la littérature cynégétique, une anthropomuséologie des restes animaliers by Antoine Jeanne

“…The author thus reflects on the way in which the ethnologist mobilises narrative and fiction to explore the imaginations of contemporary hunters and to conduct anthropomuseological research of the hunting trophy.…”
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Une vie en trompe-l’œil : l’artiste bagnard Francis Lagrange (1901-1964) by Émile Blanc, David Carita, Denis Lamaison

“…Writings on the artist and convict Francis Lagrange (1901-1964) often integrate fiction he himself created. This figure spent a lot of time indeed reinventing his life. …”
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L’écrivain déplacé dans Lolita et Pnin de Vladimir Nabokov by Yannicke Chupin

“…This article focuses on the figure of displaced writers in Vladimir Nabokov’s fiction, and more specifically in Lolita and Pnin. …”
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Imaginea periferiei în proza lui Vasile Demetrius by Alexandru Farcaș

“…This paper aims to showcase one of the two ways to imagine Bucharest suburbs active in the fiction before the Great War. Based on the narrative strategies of Naturalism, V. …”
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Life story work in the context of attachment-led care planning by Melanie Ferrier

“…Family that have been part of and shared in our lives can reminisce with us, or help us separate fact from fiction. Sometimes family provide stories of events that we can't quite remember, yet have heard so many times they become real and vivid. …”