Interpréter est politique by Anne Grand d’Esnon

“…Toutefois, cette démarche le conduit aussi à penser le sens en réception, en mettant en scène des changements de regard ou des écarts face à la fiction susceptibles de signifier la conscience que le mouvement cherche à créer vis-à-vis de la réalité sociale.…”
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De « la planète mystérieuse » à La Planète des singes : une étude des manuscrits de Pierre Boulle by Simon Bréan

“…L’étude des manuscrits de Pierre Boulle sert à mettre en évidence les arbitrages de l’auteur entre veine satirique et récit de science-fiction lors de l’écriture de La Planète des singes. …”
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De la bibliothèque au « Tesseract » : une représentation borgésienne de la littérature dans le film de Christopher Nolan Interstellar (2014)  by Emmanuel Buzay

“…This article focuses on the key moments of the changes induced by the remediation of Murphy’s library into a “tesseract”, as well as the existential implications of such changes in the realm of fiction.…”
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Apports de l’iconographie sidérale aux problématiques spatiales vidéoludiques : le cas des jeux vidéo horrifiques by Guillaume Baychelier

“…Science-fiction and the imaginary of cosmos bring a fertile framework to video games. …”
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Animal Objects: Memory, Desire and Mourning by Julia Courtney

“…Drawing on contemporary journalism, fiction and descriptions of the objects themselves, I examine topics including the irony of ‘naturalisation’, the synecdoche of dismembered parts, and the power of objects to focus emotions. …”
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Les jeux de la spectature : paratextes cinématographiques des années vingt et archéologie du virtuel by Fabrice Lyczba

“…As early as the 1920s, the Classical Hollywood fiction film was described through two discursive formations: the discourse of entertainment and dreams on the one hand, the discourse of realism on the other hand. …”
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Conférence de Laurent Kloetzer by Laurent Kloetzer

“…Texte remanié d’une conférence sur l’écriture de romans de science-fiction.…”
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Réécrire l'Histoire pour les enfants du point de vue des Amérindiens : devoir de mémoire, devoir d'imagination (Brésil, États-Unis) by Pauline Franchini

“…The ability to identify to heroes or main characters, which caracterizes children's novels, takes a political dimension, insofar as, made extraneous to him or her, the young reader experiences otherness, the relativity of values and of History's wrongs. Fiction becomes – paradoxically – a mean to access History's concealed truth and to denounce it, aswell as its secrets, as a fiction itself, should we think about the myth of « discovery », to the glorification of pioneers and to the stereotypes spread about americindians. …”
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4 3 2 1, The Book of Endlessly Forking Paths by Ilana Shiloh

“…Ever since Aristotle, fiction has aspired to mimesis, to a recognizable representation of reality. …”
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Weimar Migrations: Katherine Anne Porter in Berlin by Joseph Kuhn

“…This is because she found exemplified most starkly in late Weimar Germany the moral predicament that most of her fiction is about: a “collusion with evil” on the part of supposedly “good people.” …”
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“He stopped to lower his window and say hello”: Jonathan Franzen, Neorealism and De-politicized Communitarianism by Aleksandra Zuzanna Leniarska

“…In spite of Franzen’s extra-literary promise of political critique of neoliberalism and cultural critique of therapy discourse, his fiction in fact performs de-politization on narrative level. …”
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The worlds of limited-edition books (Arthur Clarke, Robert Heinlein, Wojciech Kajtoch, Stanisław Lem) by D.E. Martynov

“…This paper reviews four books, all dedicated to the study of the science fiction genre and the biography of science-fiction writers. …”
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The Mystery of the Past Haunts Again: Jane Eyre and Eugenie Marlitt’s Die zweite Frau by Ivonne Defant

“…Charlotte Brontë’s Jane Eyre is a classic in women’s fiction. When it was published in 1847, it made an immediate impact in mid-Victorian England, partly because it drew on the paradigmatic story of a romance heroine, partly because it interpreted the needs of the women of the time. …”
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Le texte victorien à l’âge postmoderne : jouvence ou sénescence ? Fingersmith de Sarah Waters et le mélodrame victorien by Georges Letissier

“…But what do these updated versions of 19th century fictions tell us about the legacy of Victorian literature in the 21st century ? …”
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“I hate him. No, I don’t… I hate myself”: Wilkie Collins and the Anatomy of Hatred by Mariaconcetta Costantini

“…Wilkie Collins fait partie des écrivains qui, de façon répétée, dramatisa le conflit entre l’individu et la société normative. Dans ses œuvres de fiction, la haine non seulement informe la dynamique sociale interne de son époque, mais elle sert de révélateur à une curiosité portant sur des concepts psycho-ontologiques auxquels on accordera une importance toute particulière à la fin du XIXe siècle. …”
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De L’Histoire véritable au boulet de Jules Verne : une histoire science-fictionnelle des paradigmes astronomiques by Estelle Blanquet, Éric Picholle

“…We propose to reread it in the light of the history of science fiction, to examine how the latter may have contributed to destabilizing the astronomical paradigms of the past ; we will also attempt to identify some of the didactic issues associated with these conceptual changes. …”
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Alignment and embodiment in a play script writing process: A sociocognitive perspective by Eka Margianti Sagimin, Setiono Sugiharto

“…That is, the integration of mind-body-world was evident in how the students employed both verbal resources and other multimodalities in working with literary works and fiction. The study also demonstrated the importance of alignment and interaction for the development of fiction writing and language competence of EFL students.…”
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Conflicting Images of Women in Hollywood 1930s Cinema by Raphaëlle Costa de Beauregard

“…Au premier degré, ces trois films élaborent une fiction qui repose à la fois sur la gloire et sur la destruction. …”
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Illuminating the Chaos and Obscurity: Polyphony in Fyodor Dostoevsky and Elena Ferrante by Sarah Hudspith, Olivia Santovetti

“…As well as sharing thematic similarities in their fiction, such as poverty, violence and social disorder, Dostoevsky and Ferrante both place significant emphasis on the role of the writer, through their fictional narrators and in autobiographical writings. …”
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A Critique on the Book The Effect of Classic Persian Literature in the Contemporary Story Writing by Seyed Ali Qasemzade

“…The importance of this question becomes apparent when most critics and researchers in the field of fiction, novel, and short stories consider it as the imported art (Western), and it is believed that the entry and expansion of new fiction to Iran should be based on the same western art attitude and non-native phenomenon. …”
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