Peculiarities of Implementing a Director’s Idea in Contemporary Audiovisual Art by Ганна Чміль, Максим Вітошкін

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Michel Jeury et l’écriture du temps by Natacha Vas-Deyres

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Vers une théorie du roman postnormâle. Féminisme, réalisme et conflit sexuel chez Doris Lessing, Märta Tikkanen, Stieg Larsson et Virginie Despentes by Heta Rundgren

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Genet et l’Eros Détective : Pilorge, Weidmann by Christine Marcandier

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Il était une fois la langue inclusive by Emily Lombardero

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Refusing participation: hesitations about designing responsible patient engagement with artificial intelligence in healthcare by Flora Lysen, Sally Wyatt

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Le genre de Jules Verne ou de Wells ? by Émilie Pézard

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Historia e historización, ficción y metaficción en Los surcos del azar, de Paco Roca by Jacqueline Sabbah

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“Allure” as an Aesthetic Element in Novel by Shirzad Tayefi, Behzad Nazemianpour

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Rhyme or Reason: Three Patterns of Poetic Interference in the British Crime Novel by Camille Fort-Cantoni

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From Chicago to Hollywood: the Metamorphosis of V.I. Warshawski by Nicole Décuré

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Личные записи как надежда на жизнь (Блокадная книга Алеся Адамовича и Даниила Гранина) by Ludmiła Szewczenko

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Compte rendu de Nelly Wolf et Matthieu Rémy (dir.), Ce que Mai 68 a fait à la littérature by Arnaud Massin

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Beyond the “Grammar” by Vesna Main

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“Signing off on the right side of History?” Relating in Louise Welsh’s apocalyptic trilogy by Marie-Odile PITTIN-HEDON

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Două forme productive în anii 1990 şi 2000: eclectismul postmodern şi autoficţiunea by Cătălin Sturza

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Lorsque Bellagamba réécrit Campanella : Temporalité et généricité à l’épreuve de l’Histoire by Marc Atallah

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With Collies Graven on His Heart: The Canine Projections of Thomas Anstey Guthrie (1856–1934) by Peter Merchant

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Lady Clara Cavendish: Reynolds and Rymer’s Political Hoax by Rebecca L. Nesvet

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The study of Postmodern Language Components in the Story "Passing again through the Same Streets" by Bijan Najdi by Abdollah Hasanzadeh mirali, Ghazaleh Heidari Abkenar

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