Directing Dramas is Returning Hometown: Reading Lin Zhaohua’s The Cherry Orchard from the Perspective of the Taoist Freedom, Xiaoyao by Chengyun Zhao

“…His adaptation of Anton Chekhov’s The Cherry Orchard premiered at the Northern Theatre of The Central Academy of China in 2004, rehearsed again in 2009, and was subsequently invited to the 2009 Singapore International Festival of Arts. The paper aims to add a footnote to Lin Zhaohua’s contemporary adaptation of The Cherry Orchard from the Chinese philosophical arguments of the Taoist freedom, xiaoyao. …”
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AJAGBO: A TRADO-MUSICOLOGICAL DIMENSION TO CONFLICT MANAGEMENT SYSTEM IN INFRASTRUCTURE PLANNIG AMONG THE AKOKO SPEAKING PEOPLE OF SOUTH-WESTERN NIGERIA by Usman Umar Jimoh, Bolanle Wahab

“…It examined the trado-musical approach to managing conflict amongthe Akoko people of Nigeria and reviewed its relevance within the annual yam festival, the opportunities and challenges. The study also analysed the issues of musical style, context, and content, dressing, timing, and the selection of the drum. …”
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The End of Carnivalism, or The Making of the Corpus Lucianeum by Markus Hafner

“…En un pasaje clave para entender la obra de Luciano, Piscator 25–27, el filósofo Diógenes de Sinope se queja de que Parresíades, una figura de autoría parecida a Luciano, no se burla de los filósofos dentro de los límites carnavalescos del festival, como lo hacía la Comedia Vieja, a la que tanto debe la obra de Luciano, sino mediante constantes publicaciones de escritos. …”
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Identify the Message of Ursula Le Guin’s The Ones Who Walk From Omelas though Its Thematic Structure by Putri Ayu Rezkiyana

“…It describes not only the beauty of the city when they are holding a festival, but also the unseen picture that portrays contradiction rather than the festive event people celebrate in. …”
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Iranian Migrants’ Perceptions of Turkish and Iranian Culture: A Comparative Analysis with ZMET Technique by Berfin Varışlı, Fatemeh Sarvari Kohnehshahri, Mikail Batu

“…Consequently, it was observed that Iranian migrants associated Iranian culture with the Nowruz festival, family, Iranian dishes and desserts, historical symbols, and religious symbols and they described Turkish culture through Atatürk, the Turkish flag, family, city, and the social life. …”
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“IT IS EMOTION AND STRENGTH THAT WE ARE CONVEYING THROUGH MUSIC” by Adél FEKETE

“…As a student also had the opportunity of being the assistant of Claudio Abbado at the Salzburg Festival. Since then, Keri-Lynn Wilson has worked with famous symphony orchestras and opera houses all over the world, such as: Dallas Symphony Orchestra, Toronto Symphony, Los Angeles Philharmonic, Gewandhaus Orchestra, Simón Bolívar Symphony Orchestra, Vienna Staatsoper, Bolshoi Theatre, Arena di Verona, Israeli Opera. …”
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Integrasi Pendidikan Islam Multikultural dalam Sistem Sosial Pesantren Hidayatullah Bengkulu dan Implikasinya terhadap Pelestarian Budaya Lokal by Putra Yopande, Rendi Rendi, Rahmad Dedek, Asiyah Asiyah

“…Findings – The school combines Islamic teachings with local traditions, such as regional dance, handicrafts, and the Tabot festival, to promote cultural awareness. While students actively engage in cultural activities, the study’s limitations include focusing on one institution and a small sample size. …”
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Sociétés chorales et Renaissance de la musique anglaise, 1840-1910 by Gilles Couderc

“…The great English choral tradition as we know it today was born along with the Industrial Revolution with the development of choral societies like the oldest, the Halifax Choral Society in 1817, while the Birmingham Choral Society, founded in 1843, was to provide a chorus for the town’s Triennial Music Festival. Those societies were fostered so as to tame, civilise and educate the potentially unruly new unskilled labour force who manned “the dark Satanic mills” of the expanding northern industrial cities and to lead them away from drink or the profanities of the nascent music-halls. …”
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Communication, heritage, and identity: The media’s discourse about the national party of cement in Olavarria, Argentina by María Vanesa Giacomasso, Griselda Lemiez, María Eugenia Conforti

“…To accomplish this task, the graphic coverage of the Special Supplement of the newspaper Tribuna, which was published for the II National Cement Festival in Olavarria (1974), is analyzed. A methodology of discourse analysis was used to identify, in the journalistic narrative, the way in which meanings are represented and constructed in relation to identity and local cultural heritage. …”
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Community Perception on the Effect of Cultural Livelihoods on the Environment in Kogi State, Nigeria by G. O. Chukwurah, N. M. Aguome, M. O. Isimah, E. C. Enoguanbhor, N. E. Obi-Aso, N. U. Azani and O. C. Nnamani

“…Findings show that about 85% of the participants discovered crop farming, arable farming, weaving, blacksmithing, fishing, and festivals of harvest, such as the New Yam Festival, among others, as the predominant cultural livelihoods. …”
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Transforming Children’s Attitudes Toward Insects Through In-School Encounters by Kathleen M. Miller, Dana K. Beegle, Stephanie Blevins Wycoff, Daniel L. Frank

“…Each year, the Department of Entomology at Virginia Tech hosts an entomology-themed outreach event known as Hokie BugFest. This on-campus, festival-sized experience aims to educate the public about insects and other arthropods through hands-on activities, games, displays, and live arthropods. …”
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Radiative Impact of Fireworks at a Tropical Indian Location: A Case Study by B. P. Singh, A. K. Srivastava, S. Tiwari, S. Singh, R. K. Singh, D. S. Bisht, D. M. Lal, A. K. Singh, R. K. Mall, Manoj K. Srivastava

“…During Diwali festival, extensive burning of crackers and fireworks is made. …”
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Extreme Air Pollution Events Spiking Ionic Levels at Urban and Rural Sites of Indo-Gangetic Plain by Manisha Mishra, U. C. Kulshrestha

“…., i) the burning of crop residue and ii) the Diwali festival. These changes, which were corroborated by observations of the meteorological conditions, played an essential role in the wintertime atmospheric chemistry. …”
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Festivais de ginástica: experiências significativas na World Gymnaestrada by Tamiris Lima Patrício, Fernanda Raffi Menegaldo, Marco Antonio Coelho Bortoleto, Michele Viviene Carbinatto

“…Na unidade Potencializando o sentimento de pertencimento pela diversidade, discutimos a proposta “para todos” do festival e o forte sentimento de pertencimento relatado pelos participantes, que afirmam reconhecer-se como parte do grupo e do evento. …”
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BOOK REVIEW: CIPRIAN PORUMBESCU NECUNOSCUT (CIPRIAN PORUMBESCU UNKNOWN), PUBLISHING BY ED. LIDANA, SUCEAVA, 3 EDIŢII, 2011-2013 (ISSN: 2284-712X) by Gabriela COCA

“… In late May and early June of this year, organized by the Bucovina Cultural Center from Suceava, took place the third edition (2013) of the “Ciprian Porumbescu” European Festival of Arts, having among the guests of honour the Porumbescu’s family descendant, Mrs. …”
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Evaluación del efecto de la liberación de Orius insidiosus (Hemiptera: anthocoridae), como agente de control biológico de trips en el cultivo de frutilla by M.G. LEFEBVRE, C. REGUILÓN, D.S. KIRSCHBAUM

“…Famaillá, provincia de Tucumán, en un cultivo de frutilla de la variedad “Festival”. Los tratamientos fueron “con liberación de Orius” y “testigo sin liberación”. …”
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Which patients received a ReSPECT form, what was documented and what were the patient outcomes? A protocol for a retrospective observational study investigating the impact of the C... by Lucy Selman, Charlotte Chamberlain, Adam McDermott, Claire A Woodall, Lucy Victoria Pocock

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The Exordium of Adébáyọ̀ Fálétí’s Poetry by Adedotun Ogundeji

“…Though he had been writing before 1955, he did not come into the limelight until 1955, when his 719 lines long poem, “Ẹ̀dá Kò Láròpin” won the Festival of Arts award. This time may conveniently be considered the beginning of his poetic career. …”
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Koro Ve Orkestra /Oda Müziğinde Seslendirme/Yorumlama Başarım Gücü Üzerine Program Odaklı Bir İnceleme - A Program Based Analysis Of Performing Success In Choir And Orchestra/Chamb... by H. Seval Köse, M. Can Çiftçibaşı

“…“Choir and orchestra/chamber music performing success interview form” was prepared to be filled in by the instructors of related courses (participants).Research results show that definitional curricula of the choir and orchestra/chamber music courses among the A coded courses in music teaching undergraduate program do focus on performance target; that the students often come to classes unprepared; that they do not show sufficient understanding and rigour for making music together; their grade-oriented view of studying is underlined; their attendance to concerts, festivals etc. is found beneficial in terms of their motivation; and it is emphasized that the level differences between students have a negative effect on making music together and their performing success.In this regard, it is recommended that, being the two most effective components of choir and orchestra/chamber music performing success, the individual instrumental and vocal education courses’ implementation and outcome characteristics would be reviewed along with the effective research results.Keywords: Music teaching, undergraduate program, performance, performing success.…”
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Èdè Àyàn: The Language of Àyàn in Yorùbá Art and Ritual of Egúngún by Oláwọlé Fámúlẹ̀

“…In Yorùbá traditional festivals, ritual performances, and religious practices in general, the role of àyàn whose drumming or drum music imitate and code the natural language (Yorùbá), cannot be overemphasized. …”
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