Women’s Suffrage: A Cinematic Study by Suzanne Bouclin

“…Drawing on methods from feminist jurisprudence, intersectionality namely, I locate Katja von Garnier’s film Iron Jawed Angels (2004) in its historical, legal and discursive contexts to suggest how it constitutes meaning about the solidarities and divergences within the American women’s movement at the turn of the 20th century. …”
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