Cultural Signs in Multilingual Drama Feature Films: Rendition Strategies by Homa Tavousi, Azadeh Eriss

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The role of product placement in feature films and broadcast television programme by De la Rey van der Waldt

“…However, evidence exists that as early as the 1940s product placement was used in feature films to brand products and services. The initial use of product placements in feature films received new opportunities through the introduction of new electronic media, such as video, DVD, mobile messaging, electronic billboards, Internet clips and websites. …”
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EVOLUTION OF THE CONCEPT OF «WHITE MAN'S BURDEN» IN THE BRITISH CINEMA OF 20TH CENTURY by E. E. Ibrayev

“…The first feature films dedicated to the colonial subjects, by chance came the period of the ideological crisis of the empire in 1930, carried a powerful message of world film audience, the essence of which was the fact that Britain bears colonies only "good and justice" that without imperial province will remain forever languish in "darkness and ignorance." …”
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Le film de mobilisation centrasiatique by Valérie Pozner

“…Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. …”
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Sorcières, Marâtres, Tyrans : Personnages de méchantes dans les longs-métrages d’animation Disney 1937-1989, ou l’incursion en dystopie masculiniste by Ariane Temkine

“…This study maps violence, seen through the prism of gender, in the animated feature films produced by Disney Studios between 1937 and 1989. …”
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How Tourism Imaginary has been Updated in the New Spanish Sun-and-Beach Comedy: Fin de curso, Atasco en la nacional and Benidorm, mon amour by Salvador Martínez Puche, Antonio Martínez Puche

“…An analysis of three feature films, Fin de curso (School’s Out, 2005), Atasco en la nacional (Traffic Jam, 2007)and Benidorm, mon amour (2015), shows how the stereotypical representation of sun-and-beach tourism, rather superfluous in the twenty-first century, has been influenced by deeply rooted imaginaries that previously served to promote the country’s commodified offerings.…”
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« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… » by Dmitri Titarenko

“…The film programs are analysed in detail in the article, with an emphasis on feature films, propaganda films and on releases of the ‘Deutsche Wochenschau’. …”
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Spanish cities as filming locations: analysis and spatial distribution by Agustín Gámir Orueta, Patricia Montecino Huedo, Sergio Reyes Corredera

“…For this purpose, a sample consisting of 178 feature films was selected. After viewing each of them, 3,071 exterior clips from these movies were geo-localized. …”
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De Falkenau aux ruines de Verboten! (1959), les dialectiques formelles de Samuel Fuller by Vincent Souladié

“…The confrontation within the same sensible space between the normalized mendacity of the city and the horrors of the concentration camp, which the 16 mm footage explicitly reveals, seems to have had repercussions throughout his feature films, notably though a poetics of heterogeneity and contradiction. …”
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Cinema and Identity: Criss-Cross Reflections by Irina S. Semenenko, Vladimir I. Pantin, Elena V. Morozova

“…The analysis is based on approaches inherent to identity studies and uses comparative methods; the empirical base consists of films selected through the purposive sampling method. The focus is on feature films, which provide extensive material for studying the trends of modern political development and its perception by contemporaries. …”
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Memory Politics on Screen: The Aesthetics of Historical Trauma in Izaokas (Isaac) (2019) by Gabrielė Norkūnaitė

“…This article analyses the Lithuanian feature film Izaokas (Isaac, 2018) as an expression of memory activism. …”
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La mirada confusa de Barrio (1998). Estereotipos y violencia contra las mujeres en la España de finales de los noventa by Mercedes Álvarez San Román

“…In order to identify how the symbolic violence is exercised, I will focus on the Spanish successful movie from the 90s, Barrio (1998), directed by Fernando León de Aranoa. This feature film was produced and released during a turning point in the perception of gender violence, when the society assumed that it was a public problem and not an individual issue. …”
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Le film de tournage shakespearien : fiction documentarisée ou documentaire fictionnalisé ? by Sarah Hatchuel

“…It transforms the shooting of the feature film into a suspense narrative in which the director becomes a double of the hero in the fiction. …”
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The Role of Lyrics in Estonian Literature: Three Exemplary Cases by Anneli Niinre

“…The article examines three cases in Estonian literature where melodised poetic texts have played a significant role in Estonian culture and are considered to be core texts: “Mu isamaa on minu arm” (My Fatherland is My Love) by Lydia Koidula, songs from the feature film Viimne reliikvia (The Last Relic), lyrics written by Paul-Eerik Rummo, and “Laul Põhjamaast” (“Song of the Northern Land”), lyrics by Enn Vetemaa. …”
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De la paix à la guerre, de la fiction au documentaire. Alexandre Dovjenko et Youlia Solntseva by Vanessa Voisin

“…For private as well as public reasons, the by then famous Soviet director refused the mission ascribed to feature film directors -- that is contributing to general mobilisation of the country from the rear areas, in the evacuated studios. …”
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Marketing auteurism: the vanishing industry model behind Pedro Almodóvar’s success in the US by Jennifer Green

“…The planned world premiere of the director’s first English-language feature film in the fall of 2024 also represents a new direction for the filmmaker worthy of its own future study. …”
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