Le film de mobilisation centrasiatique by Valérie Pozner

“…Far from the full-length feature films generally studied in the works dedicated to war propaganda on the screen, this article examines film production specifically launched for Centrasiatic population on the home front, or for the soldiers from these republics. …”
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Sorcières, Marâtres, Tyrans : Personnages de méchantes dans les longs-métrages d’animation Disney 1937-1989, ou l’incursion en dystopie masculiniste by Ariane Temkine

“…This study maps violence, seen through the prism of gender, in the animated feature films produced by Disney Studios between 1937 and 1989. …”
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Bolívar par l’image ou les travestissements de l’histoire by Frédérique Langue

“…The images of the nation's founder in the broad sense, that is the medias that portray him (all kinds of representations such as feature films or documentaries for the cinema), are part of a national imaginary reinterpreted by Hugo Chávez. …”
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Powidoki twórczości Federica Felliniego w "Mieście Snu" Krystiana Lupy by Katarzyna Gołos-Dąbrowska

“…He also adapts scenes from Fellini’s feature films and commercials. The purpose of the text is to highlight, analyze, and interpret the intertextual references found in the play.…”
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How Tourism Imaginary has been Updated in the New Spanish Sun-and-Beach Comedy: Fin de curso, Atasco en la nacional and Benidorm, mon amour by Salvador Martínez Puche, Antonio Martínez Puche

“…An analysis of three feature films, Fin de curso (School’s Out, 2005), Atasco en la nacional (Traffic Jam, 2007)and Benidorm, mon amour (2015), shows how the stereotypical representation of sun-and-beach tourism, rather superfluous in the twenty-first century, has been influenced by deeply rooted imaginaries that previously served to promote the country’s commodified offerings.…”
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Un Éros de celluloïd : l’érotisation cinématographique de Paris (1945-1975) by Frédéric Hervé

“…They are short or feature films – including fiction, documentary, and even hybrids – that mainly proliferated during the 1950’s. …”
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« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… » by Dmitri Titarenko

“…The film programs are analysed in detail in the article, with an emphasis on feature films, propaganda films and on releases of the ‘Deutsche Wochenschau’. …”
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Intermedial Practices as Reflections on Media and the Arts. What Do Kinema-Sketches Teach Us about Screenlife Movies? by Izabella Füzi

“…The kinema-sketch, a pivotal moment in the history of moving images in Hungary, illustrates the transition from early cinema to feature films. By integrating cinematic scenes into theatrical performances, the kinema-sketch contrasted the perception of moving images with the live performance alternating between screen and stage. …”
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Estrategias narrativas en las plataformas de streaming en el Perú by Giuliana Cassano, James A. Dettleff, Guillermo Vásquez

“…The first Peruvian content that entered some of these platforms were cultural documentaries and fiction feature films, inscribing themselves in the dynamics of local-global tension, distinctive of these technologies. …”
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De Falkenau aux ruines de Verboten! (1959), les dialectiques formelles de Samuel Fuller by Vincent Souladié

“…The confrontation within the same sensible space between the normalized mendacity of the city and the horrors of the concentration camp, which the 16 mm footage explicitly reveals, seems to have had repercussions throughout his feature films, notably though a poetics of heterogeneity and contradiction. …”
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Cinema and Identity: Criss-Cross Reflections by Irina S. Semenenko, Vladimir I. Pantin, Elena V. Morozova

“…The analysis is based on approaches inherent to identity studies and uses comparative methods; the empirical base consists of films selected through the purposive sampling method. The focus is on feature films, which provide extensive material for studying the trends of modern political development and its perception by contemporaries. …”
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King Solomon’s Mines on film: modernity in reverse? by Stephen COAN

“…There have been four feature films made under the title King Solomon’s Mines, each of them crediting H. …”
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From Independence Day to Land of Plenty: Screening American Patriotism from German Émigré Perspectives before and after 9/11 by Frank Mehring

“…Independence Day and Land of Plenty are also two American feature films directed by German émigrés, the first being a science fiction blockbuster from 1996 by Roland Emmerich, the second an independent road movie from 2003 by Wim Wenders. …”
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